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Score 1683 votes Summary Playmobil: The Movie is a movie starring Anya Taylor-Joy, Gabriel Bateman, and Jim Gaffigan. Animated feature film inspired by the Playmobil brand toys average rating 4,6 / 10 Lino DiSalvo Gabriel Bateman

August 6, 2019 11:30PM PT Kid-friendly but disappointingly short on charm or smarts, this toy-based toon largely serves to flatter the 'Lego Movie' franchise by comparison. Tucked in the closing credits of “ Playmobil: The Movie ” is a dedication to Horst Brandstätter, the German entrepreneur whose company began production of the now-iconic Playmobil toys in the 1970s — acknowledging a vast popular legacy for the dinky figurines that now extends to a whole animated feature. It’s a nice touch, if a tellingly incomplete one: Unmentioned is Hans Beck, the inventor who designed and developed the toys themselves, and by the end of this snazzy but shrilly synthetic kids’ romp, it’s hardly surprising to see business acumen honored ahead of creative input. An attempt to do for the smiling, claw-handed Playmobil collective what “The Lego Movie” did for the humble plastic brick — but without that blockbuster’s dizzy, self-aware wit and visual invention — Lino DiSalvo ’s hyperactive film never transcends its blatant product-flogging purpose. The result, brightly stuffed with pirates and vikings and glitter-winged creatures at every turn, will no doubt please very young viewers as it unrolls across Europe and beyond this summer, though it makes precious few concessions to their summer-fatigued parents. (STX Entertainment has pushed the U. S. release to early December, which should at least get a few Playmobil sets on various Christmas wishlists. ) A former Disney animator integral to the success of “Frozen” and “Tangled, ” DiSalvo piles on the plastic spectacle in his directorial debut, whizzing his audience frantically through a slideshow of disparate dayglo environments that also, of course, handily showcases the breadth of the Playmobil range: the Wild West one second, ancient Rome the next, with dragons and 21st-century cars equally at home in either. The words “Collect ’em all! ” never actually appear on screen, but the directive is felt. This approach, not so much world-building as world-displaying, ensures that “ Playmobil: The Movie ” never stalls: Like a child eagerly showing off their toy collection, it’s always got something new and sparkly to wave in our faces. It does, however, show up the distracted raggedness of the film’s storytelling, which is heavy on moment-to-moment activity and perilously light on consequential action. A thin quest narrative, patched together from “Peter Pan, ” “Labyrinth” and assorted Disney-Pixar offcuts, plunges two orphaned New York siblings into the iridescent cartoon universe of Playmobil, essentially stranding them there until both reconnect with the childhood joy they once knew. No prizes for guessing what they played with in those halcyon days. An over-extended live-action prologue introduces perky high school senior Marla (Anya Taylor-Joy, very far from the cool adult rigors of “Thoroughbreds” and “The Witch”), who’s preparing to travel the world once she graduates. The first of several unmemorable musical numbers details all the planned adventures that she and her fanciful kid brother Charlie (the talented Gabriel Bateman, appearing more juvenile than in “Child’s Play”) have hitherto only enacted in plastic. Yet when tragedy strikes and her parents are killed in a car accident — a tactful reveal that may nonetheless strike an overly glum note for very small fry — her dreams are deferred. Cut to four years later, and the responsibilities of guardianship have hardened and dispirited Marla in ways only a clumsily engineered visit to a magical branded model fair can remedy: Beamed into a sprawling diorama of the three-inch wonders, she and Charlie emerge as animated, Playmobilized versions of themselves. Well, she has; Charlie gets to be a fierce, tattooed Viking warrior, immediately hero-worshipped by his fellow Norsemen for prowess in battle. (Boys seemingly have most of the fun in this universe, while girls get to be fairy godmothers or vindictive villainesses. ) Within minutes, he’s abducted by maniacal Roman emperor Maximus (Adam Lambert), who it turns out is building a gladiator squad of imprisoned heroes from other Playmobil lines: pirates, Amazonians and even Rex Dasher, a slick-but-dim 007 clone voiced rather plummily by Daniel Radcliffe. It’s up to Marla to traverse this disordered realm and rescue him, with a wisecracking assist from food-truck driver Del (Jim Gaffigan), and occasional stops for songs that, even when handled by actual pop stars like Lambert and Meghan Trainor, have remarkably little melodic staying power. Despite ostensibly strong emotional stakes upfront, with our heroine burdened by familial grief and guilt, it’s hard to care much when it feels like so much pretext for a feature-length commercial — in particular, a tacked-on moral championing the liberating virtues of pure imagination rings a bit hollow amid the avalanche of obvious merchandising. Where “The Lego Movie” subverted this irony with its own wry meta-commentary on the tension between product and character, “Playmobil: The Movie” is neither as thoughtful nor as playful, having less fun than you might think with the built-in absurdities and anachronisms of a crazy-quilt toyland where cowboys and dinosaurs live side by side. Even the “Angry Birds” films found more scope for outright hilarity in their cynical framework. Meanwhile, after the film’s first, amusing animated scene, in which Marla struggles to adapt to the stiff joints of her Playmobil body, the figurines are swiftly treated as any other madly scrambling (and scrambled) cartoon characters. If you’re hoping for at least one sight gag at the expense of the Playmobil population’s signature horseshoe-shaped paws, for example, none comes; even the corporate branding here isn’t all that distinctive. From a purely technical standpoint, DiSalvo’s Mouse House-honed expertise is evident in the soda-pop sheen of the animation, fully embracing the airbrushed fluidity of computer graphics where one might have expected at least a tip of the hat to the stop-motion aesthetic of the toys themselves. Here, as in so many other departments, “Playmobil: The Movie” could stand to be scrappier, to shed some focus-grouped slickness for a soul of its own. “Adventure is worthwhile in itself, ” Marla observes, quoting her childhood heroine Amelia Earhart; for all its organized chaos, this proficient promotional exercise hardly walks the talk. Hong Kong on Monday severed nearly all of its land and sea connections with mainland China as part of growing measures in Asia to slow the spread of coronavirus. The move makes it ever more likely that Hong Kong FilMart, the biggest film industry trade market in Asia, will be postponed. A decision is to [... ] German film and TV company Telepool, jointly owned by Hollywood actor-producer Will Smith and Swiss investor Elysian Fields, is moving forward in multiple areas of the entertainment business, CEO André Druskeit tells Variety. Druskeit reveals a major new acquisition for its German distribution arm, and Julia Weber, head of theatrical sales and acquisitions at Telepool’s [... ] “Scare Me, ” written and directed by first-time filmmaker Josh Ruben, is a spook show stripped to the basics. A boy and a girl, Fred and Fanny (Ruben and Aya Cash of “You’re the Worst”), hole up in a snowbound cabin swapping scary tales by the fireplace. He postures as a horror novelist, director, screenwriter and [... ] The experiment known as Biosphere 2 may be best remembered now — when remembered at all — as something that spawned “Bio-Dome, ” the godawful 1996 comedy that is nonetheless many people’s favorite movie involving Pauly Shore or Stephen Baldwin. (Of course, others might get hives at the very idea of having a favorite anything involving [... ] The shares of China’s entertainment companies crashed within minutes of stock markets reopening on Monday morning. Many firms saw share trading quickly halted after prices moved by the 10% maximum daily limit allowed on mainland Chinese equity markets. Film studio Huayi Brothers Media plunged 9. 9% to RMB 3. 81 per share. Wanda Film was down 10. 01% [... ] Disney Plus unveiled the first footage from its upcoming Marvel TV series — “WandaVision, ” “Loki” and “The Falcon and the Winter Soldier” — during the Super Bowl. The 30-second trailer teases the expanding comic book world that will unfold on Disney’s streaming service. The new series are set in the Marvel Cinematic Universe and will [... ] James Bond made his way to Super Bowl LIV, debuting a new trailer for “No Time to Die. ” The footage, putting the spotlight on Daniel Craig’s British spy, promises the 25th “Bond” movie “will change everything. ” The 30-second clip also sees Lashana Lynch’s 00 agent in the cockpit as Craig asks, “Have you ever flown [... ].

A lot or a little? The parents' guide to what's in this movie. Viewers will be reminded of the power and importance of play. Promotes imaginative play and sibling teamwork and unity. Marla and Charlie must learn to get through their differences, work together. They rediscover joy of play and of teamwork. Marla's storyline encourages travel, risk-taking (within reason), trusting in your own abilities. Positive Role Models & Representations Marla is an attentive, caring big sister who won't stop looking for her brother. She gives up her dreams to raise him. Charlie realizes how much Marla means to him, is selfless as he tries to save his new friends. Del helps, too, even though Marla doesn't have as much gold as she said she did. Rex is a clever, dashing, James Bond-like character. Sad moment when police arrive to announce death of Marla and Charlie's parents. Physical comedy and slapstick. A few battle scenes with catapults, swords, etc. A Roman-style emperor hosts gladiator-style battles to the death featuring the strongest warriors of the universe. In an Old West locale, a sheriff shoots his gun. Rex has a zapper gun he uses to immobilize the enemy. Rex and Marla use a huge ice gun to freeze opponents. Song lyrics include a line about a "silly wench. " Mild language includes "this sucks, " "you kiss your mother with that mouth, " "prehistoric pea brain, " and "scum, " "Jeez, " "son of a... " etc. The entire movie is connected to Playmobil toys, and there are many tie-ins with the movie. Drinking, Drugs & Smoking Adult characters drink what could be alcohol (Vikings toast with steins of beer or ale); a couple of characters end up temporarily unconscious from a sleep serum/drugged drink. What parents need to know Parents need to know that Playmobil: The Movie is an animated/live-action musical adventure based on the popular German children's toys. The movie may appeal to younger kids familiar with the toys, and the story about two children who are magically transported into the Playmobil universe is easy enough to follow. Expect a few potentially upsetting scenes and themes -- specifically, the fact that siblings Marla ( Anya Taylor-Joy) and Charlie ( Gabriel Bateman) are left orphaned early on -- but most of the violence is cartoonish and comedic. Characters drink what could be alcohol; language includes "sucks" and "Jeez. " Like all movies inspired by toys, there's a significant amount of consumerism involved: The story can be seen as a long ad for the toy kits. Still, despite its commercial basis, the movie promotes sibling unity, teamwork, and perseverance. The all-star voice cast includes Adam Lambert, Daniel Radcliffe, Jim Gaffigan, Meghan Trainor, and Kenan Thompson. Stay up to date on new reviews. Get full reviews, ratings, and advice delivered weekly to your inbox. Subscribe User Reviews Adult Written by nduns December 7, 2019 Don't Waste your time Just a knock off LEGO Movie but it has it differences this movie has some mild language Teen, 14 years old Written by LeoWilson September 12, 2019 Teen, 13 years old Written by Lainie. R January 11, 2020 Trash I didn't watch this yet and I never will. Looks like absolute trash with bathroom humor and other dumb things. Also a rip off LEGO Movie that didn't g... Continue reading What's the story? In PLAYMOBIL: THE MOVIE, Brooklyn-raised high school senior Marla ( Anya Taylor-Joy) loves playing with her 6-year-old brother, Charlie ( Gabriel Bateman), but she can't wait to graduate and start traveling the world with her brand-new passport. Then life takes an unexpected turn when tragedy strikes. Four years later, Marla struggles to raise 10-year-old Charlie, who runs off to Manhattan to join a friend but gets sidetracked at a toy convention that features a huge Playmobil display. When Marla tracks her brother down there, they get magically transported into the animated Playmobil universe, where Marla looks basically the same but Charlie looks like a warrior with super strength. The siblings are drawn into a war between pirates, Vikings, and knights, and Charlie is kidnapped at the bequest of Maximus (voiced by Adam Lambert), a Roman-style emperor who hosts gladiator-style battles to the death featuring the strongest warriors of the universe. Now Marla must figure out a way to once again find and rescue her brother. Is it any good? There aren't enough moments of delight, humor, or joy in this toy-based movie, which is likely to bore parents but may well appeal to young kids who enjoy Playmobil sets. After the success of the Lego movies, it's hard not to see Playmobil: The Movie as a completely derivative endeavor that falls far short. In a reverse of the original Lego Movie, this one begins with the live-action part and then transitions into the animated toy world. But this one isn't nearly as clever or funny, the music isn't as catchy, and the set pieces and characters are only vaguely familiar, unless you're an existing (or former) Playmobil fan. All of that said, the talented voice cast saves this from being a completely wasted 90 minutes. While the songs are bland and forgettable, Lambert's Freddie Mercury-esque vocals as the villainous Maximus are fun. (Just don't expect to leave singing the new "it song" of the season. ) The buddy road-trip subplot between Marla and Del is silly, though it lacks sparkling banter and chemistry. But it's still funnier than the parts with Charlie and his fellow imprisoned "gladiators. " Disappointing but not unwatchable, Playmobil feels more like a C-grade copycat than an original idea. Talk to your kids about... Families can talk about how Playmobil: The Movie capitalizes on familiarity with the toy brand. What toy-based movies have worked the best? Does seeing toys in a movie  make you want to get them? Why do you think lots of family-targeted movies feature orphans and dead parents? What is it about orphans that make them appealing as characters? Who are your favorite pop culture orphans? Who do you consider a role model in the movie? How do they exhibit character strengths like  perseverance and courage? Themes & Topics Magic and Fantasy See all Princesses, Fairies, Mermaids, and More Brothers and Sisters Our editors recommend Hilarious toy tale plugs product but is nonstop fun. Prequel is fun, with less peril than previous films. Fun, colorful adventure has some peril, lots of great music. Sweet visuals and songs are complicated by mixed messages. Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners. See how we rate.
In almost 100 minutes, this hybrid is so creative you can almost play with your imagination. It's got the vibes of The LEGO Movie franchise, but it is for playmobil. The original songs is very catchy and funny that takes the musical storytelling to the beat.
Types used: Live action bookends (with VFX) CGI Animation (with the smoothest flash of the faces of the figures, all without noses, as per as the franchise.
And, of course, the main events takes place on November 10, 2024 in NYC where the Toy Con takes place. I give this review a 10 "Rex Dasher" vocals out of 10 spicy burritos.
T he Lego Movie franchise has been one of the funniest, smartest things in the cinema and even the Angry Birds movies were pretty good – so hopes were counterintuitively pretty high for Playmobil: The Movie. Disappointingly, it is a borderline dopey, sentimental children’s adventure mostly without the wit and spark that converted grownups and kids to the Lego films. Anya Taylor-Joy plays a woman who has just graduated high school, is yearning to travel, close to her kid brother and living in what appears to be a fairly Mary Poppins-esque part of Brooklyn. Fate takes a terrible turn, and she and her brother become closer in ways they hadn’t wanted to or anticipated. He runs away to some sketchily imagined toy convention in Manhattan, she follows – and through some kind of cosmic, seismic convulsion they are plunged into the miniature Playmobil universe, converted into Playmobil figures with Playmobil hands and Playmobil faces (Taylor-Joy’s doll-like beauty is reduced to a dull Playmobil ordinariness and she is given short hair). They are separated, and must find their way back to each other. The film throws up some entertaining bits along the way, but for those of us who are used to the turbocharged irony and comedy-rocket fuel of the Lego world, this is a letdown. • Playmobil: The Movie is released in the UK on 9 August and in the US on 30 August.

 

Can't wait to see this. Trump: Fantastic little plush you got there Liz Me: IM DEAD 😂 😂 😂. My favorite short of all time, such a sweet story of bravery on both ends 😭😍. Edit Storyline When her younger brother Charlie unexpectedly disappears into the magical, animated universe of PLAYMOBIL®, unprepared Marla must go on a quest of a lifetime to bring him home. As she sets off on a fantastic journey across stunning new worlds, Marla teams up with some unlikely and heroic new friends - the smooth-talking food truck driver Del, the dashing and charismatic secret agent Rex Dasher, a wholehearted misfit robot, an extravagant fairy-godmother and many more. Through their vibrant adventure, Marla and Charlie realize that no matter how life plays out, you can achieve anything when you believe in yourself. Plot Summary | Add Synopsis Taglines: Actual size of epic adventure not shown here. See more  » Details Release Date: 6 December 2019 (USA) Also Known As: Playmobil: The Movie Box Office Budget: EUR63, 000, 000 (estimated) Opening Weekend USA: $656, 530, 8 December 2019 Cumulative Worldwide Gross: $15, 937, 338 See more on IMDbPro  » Company Credits Technical Specs See full technical specs  » Did You Know? Crazy Credits In a mid-credits, a security guard finds Maximus in his cage and places his on Mount Olympus. The scene ends with the sound of Maximus' laughter. See more » Soundtracks Rex Dasher Written by Anne Preven, Heitor Pereira, and Lino DiSalvo Dialogue by Blaise Hemingway (uncredited) and Greg Erb (uncredited), and Jason Oremland (uncredited) Performed by Caitlin Notey and Anne Preven See more ».

Download Full Playmobil: la película. I sat down to watch the 2019 animated "Playmobil: The Movie" with my son. I hadn't even heard about this movie prior to stumbling upon it. And since I grew up playing with Playmobil, and my son now does so as well, of course we sat down together to watch this movie.
The movie is a little bit slow to start, but once the main characters become changed into Playmobil things brighten up and the movie takes a turn for the better.
First I will say that the storyline was pretty good. Sure, this was a children's movie first and foremost, but it actually had enough contents to it so that I, as an adult, actually always enjoyed the movie.
The CGI was just spectacular, and it was such a blast to watch Playmobil brought to life on the screen in this manner. There is an abundance of details in many scenes, and you'll probably not even notice half of them. My son, for example, he didn't even notice the Ghostbusters vehicle on the express way. So there is a lot to take in, and I believe that fact alone actually makes this movie well worth watching a second time. The first time is for the storyline, whereas the second is to take in all the details.
There is a good feeling to the storyline, and the movie is definitely enjoyable. Not only because of the good CGI and the storyline, but also because of the characters. There was a good amount of nicely fleshed out characters throughout the course of the movie. And while this is an animated CGI movie, having a good and talented cast for the voice acting is a must. And they definitely had that for "Playmobil: The Movie.
It was nice to see Playmobil put in a chip on the animated movie market with this movie, and it was a much needed breath of fresh air from all the Lego movies. Not that there is anything wrong with Lego, not at all, but variety and a change of scenery makes a great change.
"Playmobil: The Movie" is well worth sitting down to watch, and I am rating it a six out of ten stars.

I completely forgot this movie even existed. But from what I heard, I assumed it was a Lego Movie knock-off. What I saw was so much worse...

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Wow wow wow. one of the best animation movie that I have ever watched, Anya Taylor was great & The songs were really cute and nice 9.5/10. Download Full Playmobil: la peliculas. The Playmobile movie is a Isekai and I can't be the only one who thinks that. The Corgi so cute. Me: What's next, A Pop figures movie Warner Bros:WELL ACTUALLY. 1:05 When my mom tells me im getting a shot today. 0:40 *inserts Minecraft villager sound. Download Full Playmobil: la pelícola light. I cant even afford the LEGO set. Download Full Playmobil: la pelícela fait. Shaun the sheep 😁😍😘.

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