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Writer: Jess KStew
Info: [Fan account] dedicated to: Kristen Stewart/TaylorSwift/Nicholas Hoult/ Dakota Johnson & Jamie Dornan - 'Forge ahead’ is kind of my motto.' - KS✌️👑

 

  • Genre Thriller, Drama
  • actor Yvan Attal
  • Benedict Andrews
  • 885 Vote
  • Creator Joe Shrapnel, Anna Waterhouse
  • runtime 102Minute

I feel like I can talk to Kristen all day long, without break. Online HBO 2018 Watch Online Watch Seberg full movie download in tamil MOVie OnliNe seberg watch Seberg online 123movies.

 

39 39 Crossposted by 10 hours ago • Posted by 10 hours ago Raymond Cauchetier - Jean Seberg during the filming of Jean-Luc Godard’s “A Bout De Souffle, ” Paris 1959 6 points 2 comments 2 comments 97% Upvoted Log in or sign up to leave a comment log in sign up Sort by View discussions in 4 other communities level 1 1 point · 6 hours ago She would indeed be a classic beauty without the smoking… level 1 1 point · 6 hours ago French women 's a Artform.. More posts from the filmnoir community Continue browsing in r/filmnoir r/filmnoir A place for film noir and neo-noir appreciation and hard-boiled crime fiction. 13. 3k Members 9 Online Created Jun 13, 2011 help Reddit App Reddit coins Reddit premium Reddit gifts Communities Top Posts Topics about careers press advertise blog Terms Content policy Privacy policy Mod policy Reddit Inc © 2020. All rights reserved.

Seberg imdb. Seberg release. Seberg reviews. Synopsis Inspired by true events, SEBERG tells the story of Breathless star and darling of the French New Wave Jean Seberg, who in the late 1960s was targeted by the illegal FBI surveillance program COINTELPRO. Seberg’s political and romantic involvement with civil rights activist Hakim Jamal made her a target of the FBI’s ruthless attempts to disrupt, discredit and expose the Black Power movement. An ambitious young FBI agent, Jack Solomon, is assigned to watch her, only to find his fate dangerously interwoven with her own. Movie Information Release date Thursday 30th January Duration 103 min Rating M Cast Anthony Mackie, Jack O'Connell, Kristen Stewart, Zazie Beets Director Benedict Andrews Genre Biography Participating Cinemas Palace Balwyn, Palace Brighton Bay, Palace Cinema Como, The Kino, Palace Norton Street, The Chauvel Cinema, Palace Byron Bay, Palace James St, Palace Electric Cinema, Palace Cinema Paradiso.

Imagine a black james bond after Brexit. 1 1 Posted by 4 months ago comment 100% Upvoted Log in or sign up to leave a comment log in sign up Sort by no comments yet Be the first to share what you think! More posts from the mashable community Continue browsing in r/mashable r/mashable Welcome to r/mashable 459 Members 9 Online Created Oct 9, 2012 help Reddit App Reddit coins Reddit premium Reddit gifts Communities Top Posts Topics about careers press advertise blog Terms Content policy Privacy policy Mod policy Reddit Inc © 2020. All rights reserved.

Seberg movie trailer 2019. She is totally going to take over the santa duties at the end of the film. Why is Vanessa only having an acting job every Christmas? lol. If Hollywood makes a movie about it, it's to cover up the fact that it real. Seberg actress. Seberg trailer.

Kristen is on fiiiire this year 😍🔥🔥🔥. Seberg movie review. Tres bien. I used to study this type of activism and I am quite familiar with this story and its character.
This movie was trying to prostrate as it was positively event when the real story was nothing what that movie was made out to be. There is a lot of stories in this movie that needs to addressing to. I'll leave a few examples in here:
First of off, this lady was never had a romance with this Civil Rights activist.
Secondly, the FBI was not harassing her all because of hers political, nor because of hers involvement with Civil Rights, except it was because of her being involvement with a racist black group that was attempting to rob a several business and motivate to kill the enforcement.
Lastly, this lady was arrested for treason, publicity destruction, hatred, and harassing the soldiers whose return from Vietnam.
This movie needs to re-fix with fact-checking, instead of doing it to supports the propaganda.
I'll give it a 10 star once they fix it, but I know they won't.
(EDIT: Do some research instead of clicking dislikes all because you are offended by it...

The thumbnail is how McDonald's Sprite makes me feel. Yet another all mighty flop by Kirsten Stewart, she was completely wrong for the part and spends the entire film making stupid faces and putting in a one dimensional performance... how many times is Hollywood going to cast her in a film way beyond her ability, even Charlie's angels was utter rubbish and that's about her level. Get a proper actress for a film like this...

T.J Miller's dialogue will make this worth watching. 👍. Seberg breathless. Golmaal, Welcome and Grand Masti mixed. This has potential. These people are way weird. My fantasy is to become a successful happy billionaire 😂.

Seberg review. Seberger park. Seberg 2019 movie. Seberg 2019. Me mata Jean Paul Belmondo en esta película. Seberger park polar bear pool. 2019 Sonic: Naked Hippie painted his body sonic colors 2020: Sonic the hegdhog. | Monica Castillo December 13, 2019 Like many an actress before her, Jean Seberg headed to Hollywood with dreams of stardom, but once the talent contest winner of Marshalltown, Iowa, arrived in Tinseltown, it was anything but a dream. An accident on the set of her first movie scarred her. At first, success eluded her. Eventually, she headed to France to star in Jean-Luc Godard's “Breathless, ” which would become one of the break-out films of the French New Wave. Finally, Seberg had made a name for herself, yet less than two decades after her 1960 international hit, she would be found dead in her car with suicide the probable culprit. Advertisement Seberg’s tragically brief story has been a source of curiosity since her death, especially after her second husband accused the FBI of playing a part in her demise. It’s that FBI connection that most interests Benedict Andrews ’ new biopic, “Seberg. ” However well-intentioned the effort to unearth Seberg’s legacy and open this shameful chapter in American history, the movie’s simplistic approach doesn’t quite do her memory justice. With a miscast lead actress and an underwritten script, Seberg feels as mysterious and distant as ever. Although Kristen Stewart pulls off Seberg’s short haircut, she hardly embodies any of the presence or persona of the French New Wave “ It ” girl. Stewart’s monotonous delivery makes her character sound uninterested and bored, even though the movie wants to show how the actress grew into an activist—posing for pictures with members of the Black Panthers and funding their education initiatives—that would land her in the FBI’s crosshairs. Perhaps Andrews didn’t give her sharper directions or writers Joe Shrapnel and Anna Waterhouse ’s clunky dialogue wouldn’t give her more to work with. In any case, the movie feels like it’s in search of its own pulse.  The script shortchanges Seberg in much the same way her contemporaries did. This was a young woman who was already donating to civil rights causes as a teenager yet the script includes a scene of the actress whining to her industry-minded manager that she wants to do something more meaningful with her life than just acting. She wasn’t someone in search of a purpose, but that’s how the script makes her sound. In another misstep, the script also included a conflicted FBI agent named Jack ( Jack O'Connell) who seems highly contrived in order to give someone an arc in this story. He’s made a sympathetic character who regrets following his bosses’ (including J. Edgar Hoover) orders to wiretap, follow and spread false stories about Seberg to the press. It’s a weird decision by the filmmakers of Seberg’s story to try to exonerate the FBI who legally harassed a citizen to the point of paranoia. But not everything about "Seberg" is in such dire shape. Rachel Morrison ’s cinematography is by far one of the best things about it, as it has a clear range and showcases her ability to tell a story through its visual elements. At the beginning of “Seberg, ” the movie has more of a pastel sheen, a reflection of the era and the unclouded nature of her story. As the FBI begins to get involved, more scenes take place at night, making everything around Seberg seem darker and more ominous. A few members of the supporting cast stand out like Anthony Mackie as Hakim Jamal, a charismatic and charming activist who Seberg begins an affair with, and Vince Vaughan as a cruel, uncaring FBI agent who sees nothing wrong with his organization’s orders to stalk and mess with Seberg. I wish I could say Margaret Qualley and Zazie Beetz were also given interesting roles, but unfortunately, they play wives whose primary function in the script is to be jealous of their husbands’ attention on Seberg.  The movie tries to position Seberg as an inspirational figure, a sainted martyr who tried to stand up against her country’s many wrongs and faced extreme retaliation for it. It’s not subtle about this comparison either, as it even includes a recreated scene of Seberg playing Joan of Arc in her first film where she was burned in an on-set accident. Yet, if our sympathies are supposed to belong to Seberg, why divest some of it into a “ My Week with Marilyn ”-type outsider gawking at the actress? Why tell the FBI’s side of the story at all?  “Seberg” joins a new subgenre of biopics like “My Week with Marilyn” or the more recent “ Judy ” which paints these fascinating actresses as victims of their own story, doomed to meet some sort of fame-induced end. This framing, while it may work for some, is tiresome from its predictability. While I’m glad more people will now hear about what happened to Seberg because of Stewart’s involvement and this movie, there’s certainly a better version of this story that has yet to be told. Reveal Comments comments powered by.

Kristen Stewart 3 movies for this year 👀 WoW 🤩. I W A N T to see this very much. Seberg - cam trailer. 32 32 Crossposted by Bookchin 10 days ago • Posted by 11 days ago TIL Because she supported the Civil Rights movement, the FBI created a fake story that actress Jean Seberg had cheated on her husband with a black man, the stress of the fake story caused her to go into labor premature and resulted in the death of her baby. 18. 6k points 1. 1k comments 1 comment 92% Upvoted Log in or sign up to leave a comment log in sign up Sort by View discussions in 10 other communities level 1 3 points · 10 days ago Stay classy FBI More posts from the COMPLETEANARCHY community Continue browsing in r/COMPLETEANARCHY r/COMPLETEANARCHY the a in anarchy stands for anarchy- wait 111k Members 256 Online Created Jul 21, 2015 help Reddit App Reddit coins Reddit premium Reddit gifts Communities Top Posts Topics about careers press advertise blog Terms Content policy Privacy policy Mod policy Reddit Inc © 2020. All rights reserved.

 

Starring: Anthony Mackie, Colm Meaney, Fatimah Hassan, Gabriel Sky, Jack O'Connell, Jade Pettyjohn, James Jordan, Kristen Stewart, Margaret Qualley, Robin Thomas, Ser'Darius William Blain, Stephen Root, Victoria Barabas, Vince Vaughn, Yvan Attal, Zazie Beetz Summary: Seberg is inspired by true events about the French New Wave darling and Breathless star, Jean Seberg (Kristen Stewart), who in the late 1960s was targeted by the FBI because of her support of the civil rights moCvement and romantic involvement with Hakim Jamal (Anthony Mackie), among others. In Benedict Andrews’ noir-ish thriller, Seberg’s Seberg is inspired by true events about the French New Wave darling and Breathless star, Jean Seberg (Kristen Stewart), who in the late 1960s was targeted by the FBI because of her support of the civil rights moCvement and romantic involvement with Hakim Jamal (Anthony Mackie), among others. In Benedict Andrews’ noir-ish thriller, Seberg’s life and career are destroyed by Hoover’s overreaching surveillance and harassment in an effort to suppress and discredit Seberg’s activism. … Expand Genre(s): Biography, Drama, Thriller Rating: Not Rated Runtime: 102 min.

Vanity Fair: kristen stewarts biggest roles Speak, welcome to the rileys, on the road. AM I A JOKE TO YOU. After watching this movie 1:12. 78 78 Crossposted by 13 days ago • Posted by 14 days ago TIL Because she supported the Civil Rights movement, the FBI created a fake story that actress Jean Seberg had cheated on her husband with a black man, the stress of the fake story caused her to go into labor premature and resulted in the death of her baby. 18. 6k points 1. 1k comments 11 comments 97% Upvoted Log in or sign up to leave a comment log in sign up Sort by View discussions in 10 other communities level 1 4 points · 13 days ago resulted in the death of her baby Well... level 1 3 points · 13 days ago She supported the Black Panther movement. Nothing wrong with that of course, but their ideas and demands went beyond just Civil Rights. level 2 10 points · 13 days ago Ah fair then, the dead baby seems much more reasonable now Continue this thread   More posts from the ABoringDystopia community Continue browsing in r/ABoringDystopia r/ABoringDystopia A subreddit for chronicling how Advanced Capitalist Society is not only dystopic, but also incredibly boring. 363k Members 2. 9k Online Created Jan 29, 2016 help Reddit App Reddit coins Reddit premium Reddit gifts Communities Top Posts Topics about careers press advertise blog Terms Content policy Privacy policy Mod policy Reddit Inc © 2020. All rights reserved.

Seberg jean. So, my step father walks in while im working on guitar strums, and he smelled like you and your aquiaficer. wtf. next thing you know, he inpreganating you, where does that leave me? whatever. ill. Seberg trailer in hindi. How did a movie company listen to us ? I have no idea.


Watch Seberg Online Hulu SEBERG~download~in~hindi~720p Seberg movie youtube…


Seberg wiki.
I still remember a Cannes interview with J.T. Leroy and Asia Argento, where Asia was dressed up just like Leroy who was sitting next to her and he (I totaly bought that he was a boy) was looking at her imitating him with a soft smile. That's so crazy. Like imitation of an imitation of an imitation.

Ooo that iconic music gets me everytime. She shouldnt have had work done on her face, she was perfection. Seberg movie title 2019. Panic Room is actually pretty Good. The Ellen show. Jean seberg. Internet: want change. they changed sonic* Internet: you listening is the most beautiful thing someone ever done for me. Seberg (2019. Seberg movie reviews. Description: One month before her 18th birthday, this blonde actress landed the title role in Otto Preminger's Saint Joan (1957) after a much-publicized contest involving some 18, 000 hopefuls. The failure of that film and the only moderate success of her next, Bonjour tristesse (1958), combined to stall Seberg's career, until her role in Jean-Luc Godard's landmark feature, Breathless (1960), brought her renewed international attention. Seberg gave a memorable performance as a schizophrenic in the title role of Robert Rossen's Lilith (1964), costarring Warren Beatty. Her most famous film as a lead actress was the western-musical Paint Your Wa... ( more) Tags: Died 1979 (6), Born 1938 (6), Blonde (6), American (6), Suicide (5), Gorgeous (4), Deceased (4), Beautiful (4), Actress (4), Style Icon (4), Died Aged 40 (4), Cute (4), Lovely (3), Overdose (3), Drugs (3), Female (3), Sexy (3), Pixie Cut (3), Beautiful Eyes (2), Interesting (2) My tags: Add tags Add to list Not interested Movies Most popular Top rated Most recent TV Add Comment Picture Video Update feed Civodul added this to a list 1 week ago Henny voted for an image 2 months ago looksharp voted for an image 3 months, 3 weeks ago Kendraatje voted for an image 5 months, 2 weeks ago Blutarski voted for an image 9 months, 2 weeks ago fantazjusz voted for an image 11 months, 4 weeks ago In Praise of Marlon Brando (29 person items) " "I was to begin with the family show-off and then when I was twelve, I saw Brando in his first film "The Men" in which he played a paraplegic and for some reason, maybe the timing was right I -- it had a -- a very great affect on me and made me more interested in acting and at that time in stage acting. " "I was living in Marshalltown, Iowa. I was 17. My deepest desire was to act. I'd dreamed of being an actress since I was 12. I'd seen Brando's first film, The Men. A film about paraplegics. I" Henny voted for 3 images 1 year, 2 months ago Duckman posted a image 1 year, 3 months ago hulkargh voted for 4 images 1 year, 3 months ago emberlin posted a image 1 year, 4 months ago Drako Z voted for an image 1 year, 7 months ago Seymour voted for 2 images 1 year, 8 months ago Seymour voted for 3 images 1 year, 8 months ago coroner voted for an image 1 year, 8 months ago SomeBloke voted for 3 images 1 year, 8 months ago sh56 voted for an image 2 years, 2 months ago Achraf11 voted for an image 2 years, 2 months ago Kandi voted for 3 images 2 years, 4 months ago compcua added this to a list 2 years, 4 months ago.

Seberg kristen stewart.

 

 

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The Climb Free creators Michael Angelo Covino HD Full Length

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  • Coauthor Rob Marenghi Music
  • Info: Hi guys, I'm Rob. So I thought I'd grow out of writing songs but apparently not. Although, Neil Rudd from BBC Radio Humberside said 'Another great song' to me.

 

rating=274 Vote

runtime=94 minute

Info=Kyle and Mike are best friends who share a close bond - until Mike sleeps with Kyle's fiancée. The Climb is about a tumultuous but enduring relationship between two men across many years of laughter, heartbreak and rage. It is also the story of real-life best friends who turn their profound connection into a rich, humane and frequently uproarious film about the boundaries (or lack thereof) in all close friendships

Tomatometer=8,1 of 10

star=Kyle Marvin

release Year=2019

The climb free download mp3. Ouvir essa música me faz lembrar da minha falecida mãe 😢💚.

 

The climb free sheet music. Te rompe siempre el corazón. The Climb free. The clymb free shipping. My inner childhood. man hit me hard 🙏🏼😩❤️. You best believe Im going to play this song on my wedding Edit: thank you all for the likes ❣️. The climb free mp3. The climb free. Like si te recuerda a alguien (2020.

One of those songs that helped me through college... Will I have to purchase it again for the quest? I really want the ability to bring it around and show people. "The Climb" Single by Miley Cyrus from the album Hannah Montana: The Movie Released March 5, 2009 Format CD single digital download Genre Country pop Length 3: 56 Label Hollywood Songwriter(s) Jessi Alexander Jon Mabe Producer(s) John Shanks Miley Cyrus singles chronology " Fly on the Wall " (2008) " The Climb " (2009) " Hoedown Throwdown " (2009) Music video "The Climb" on YouTube " The Climb " is a song performed by American singer Miley Cyrus, for the 2009 film Hannah Montana: The Movie. The song was written by Jessi Alexander and Jon Mabe, and produced by John Shanks. It was released on March 5, 2009, as the lead single of the film's soundtrack by Walt Disney Records, and is also included as a bonus track on the international release of The Time of Our Lives. [1] The song is a power ballad with lyrics that describe life as a difficult but rewarding journey. It is styled as a country pop ballad, and was Cyrus' first solo song to be released to country radio. The instrumentation includes piano, guitar, and violins. The song received a nomination for the Best Song Written for a Motion Picture, Television, or Other Visual Media at the 52nd Annual Grammy Awards. However, the song was withdrawn from consideration by Walt Disney Records because it had not been written specifically for a movie as the category's eligibility rules required. The song became a top-10 single on charts in Australia, Canada, Norway, and the United States. In the United States, it peaked at number four on the Billboard Hot 100 and became the eighth-best selling digital single of 2009. Five months after its release, the single was certified triple platinum by the Recording Industry Association of America. The song's accompanying music video was directed by Matthew Rolston, and depicts scenes of Cyrus climbing a mountain or singing, intercut with clips of Hannah Montana: The Movie. Cyrus promoted the song with several live performances. Cyrus performed the song as the closing number of her Wonder World Tour. The song was also performed during the Gypsy Heart Tour. "The Climb" has been covered by several artists and was the most popular choice of song among auditioners for the ninth season of the American singing contest, American Idol, with Hollie Cavanagh performing it in the top six of the 11th season. Simon Cowell, creator of the British television talent show The X Factor, chose "The Climb" to be the debut single of the winner of the competition's sixth series. Winner Joe McElderry 's cover, released on December 14, 2009 by Syco Music, was produced by Quiz & Larossi and topped the Irish Singles Chart and the UK Singles Chart. Before its official release, the song was premiered at Kids Inaugural: "We Are the Future" event on January 19, 2009. [2] Background [ edit] "The Climb" was not intentionally written for the 2009 musical film Hannah Montana: The Movie. Co-writer Jessi Alexander conceived the song's melody while driving to the home of songwriting partner Jon Mabe. Once she arrived, Mabe and she developed a song about overcoming life's obstacles inspired by their personal struggles in the music industry. [3] Alexander referred to the process as a form of "therapy" [4] and recalled, "I was just driving to work one day. It's just a typical day, nothing really special about that day. And I just had this melody in my head. And I couldn't get to my co-writer Jon Mabe or my guitar fast enough because I just wanted to play what I was hearing. And, you know, we just kinda put it down pretty fast and didn't really think anything about it. The lyrics kinda started to come, I think for both of us, being kinda underdogs in the business. My co-writer was a songplugger, just turned songwriter, and I'd had record deals and ups and downs in the music business. I think for both of us, we just came from a place of, you know, 'it's not a race'. " [3] The song they created was titled "It's the Climb" and was written in the third person. [5] Alexander described the original song as "more spiritual " than the version that was released, and said it contained lines about prayer. However, she claimed she knew it was pop and suitable for the Walt Disney Company. [5] Before reaching Cyrus, the song had been rejected by several country artists. It was eventually picked up by Peter Chelsom, director of Hannah Montana: The Movie, who gave it to Cyrus to record for the film. [4] Chelsom found what would become "The Climb" while visiting Nashville, Tennessee, during a quest to find 11 new songs for the movie. [5] After hearing Alexander's music, Chelsom asked her to submit songs for consideration. Alexander recorded "It's the Climb" on a CD and gave it to him. Several weeks later, Chelsom called to say, "the song was gonna be an integral part of the movie". [5] However, he wanted Mabe and Alexander to rework some of the song's content and to change the song from third person to first person. [5] Alexander felt the changes amounted to a "substantial amount of the song" and commented, "For me, when you change something from third person to first person, it can change the whole meaning of a line. " [5] Mabe and she "wrestl[ed] over taking words out" and how much they could change while maintaining the song's integrity. [5] After a number of drafts, Mabe and Alexander finally created a version they felt was "perfect for the movie". [5] Upon receiving the final draft, filmmakers told the songwriters, "This is perfect for Miley, it’s gonna change her life, gonna change your life. " [5] Chelsom commented that the song "turned up" the film's music level by tapping into Cyrus's newfound vocal range. [6] As with the other songs featured in Hannah Montana: The Movie, the song is "tightly woven into the fabric of the story and the characters". [7] In the film, Cyrus plays Miley Stewart, a character with a secret double life as superstar Hannah Montana. Keeping this secret causes trouble between Miley and many of the other characters in the film, and leaves Miley confused and contrite. She expresses her emotions by writing "The Climb". [7] According to film producer Alfred Gough, "The song is her journey, the lessons she's learned in the movie. It's an epic [... ] power ballad that encapsulates Miley's journey and the message of the film. " [7] "The Climb" was chosen as the lead single from the soundtrack due to its country elements, which introduced Cyrus to listeners beyond her usual pop audience. [8] The song is Cyrus's first solo effort marketed directly to country radio, though she had previously recorded and released a country duet with her father, Billy Ray Cyrus, which was titled " Ready, Set, Don't Go ", in 2007. Warren Truitt of [ unreliable source? ] referred to the song as "Miley's serious attempt to break into the contemporary country world. " [9] In October 2009, it was re-released to countries outside the United States in the international version of Cyrus' extended play, The Time of Our Lives. [10] Composition [ edit] "The Climb" is a country pop power ballad that incorporates soft rock and pop rock styles [11] [12] and lasts 3 minutes and 55 seconds. [13] However, at two minutes and forty-five seconds, a "sudden, spiky burst of violins" enters the song, and the song switches to full power. [14] Todd Martens, co-editor of the Los Angeles Times music column, says Cyrus uses "a raspy voice [that] brings a bit of country grit" to the song. [14] "The Climb" is set in common time at a moderate tempo of 80 beats per minute. [15] The song is sung in the key of E major and Cyrus's vocals span one and a half octaves, from E 3 to C# 5. [15] The song uses a standard-issue ballad arrangement [14] with the chord progression, E5—Asus2—F♯7sus. [15] According to music reviewer Fraser McAlpine of the BBC, the song's lyrics assert that life should be viewed as "a journey which is difficult but rewarding". [16] Both Martens and McAlpine took special interest in the line "It's always gonna be an uphill battle/Sometimes I'm gonna have to lose". Martens interpreted the line as an acknowledgment by the singer of her own mistakes in life, [14] while McAlpine wrote, "In this song which is about plugging away at things, the writers have slipped in [... ] that the occasional setback isn't the end of the world. " [16] Critical reception [ edit] Critical reception for the song was generally positive. Fraser McAlpine of the BBC felt the song's lyrics were generic, but complimented Cyrus vocals: "Miley acquits herself well vocally — there are moments where her voice sounds a tad strained, but it's good to hear her on a track that's a little more subdued and with less frantic production than the uptempo, sassy pop songs we're used to. " [16] Michael Menachem of Billboard magazine called the song "one of the year's strongest ballads". [17] Wesley Morris of The Boston Globe praised "The Climb" for being a "pretty liberation anthem". [18] Leah Greenblatt of Entertainment Weekly said, "On tunes like [... ] 'The Climb', the 16-year-old Tennessee native turns up her homegrown inflections, but a few elongated r's won't exactly shut out her huge pop audience. " [8] Todd Martens of The Los Angeles Times believed that "The Climb" was "buried in cheese" and described it as "pre- Valentine's Day gooeyness". [14] However, Martens said, "'The Climb' is the rare Miley ballad that's on par with some of her more spunky teen pop. " [14] Heather Phares of Allmusic said, "the best songs that Cyrus sings on the soundtrack have her own name on them". She also made musical comparisons to Shania Twain and described the song as "natural, [... ] down to earth and grown-up". [11] While reviewing The Time of Our Lives, Michael Hann of The Guardian called "The Climb" a "one rather superior ballad", compared to "When I Look at You" and "Obsessed". [19] Hann said the song was added to the extended play to "add some ballast since this collection's US release. " [19] Jon Caraminica of The New York Times described "The Climb" as an "appealing new single [that] is just the sort of demure, inspirational country-rock that could easily be mistaken for self-reckoning. " [20] While reviewing a concert performance, James Reed of The Boston Globe called the song "bland but inspirational fare". [21] Awards and nominations [ edit] "The Climb" won " Best Song from a Movie " at the 2009 MTV Movie Awards [22] and "Music Choice: Single" at the 2009 Teen Choice Awards. [23] At the 52nd Grammy Awards, "The Climb" received a nomination for the Best Song Written for a Motion Picture, Television or Other Visual Media, a songwriter's award. However, Walt Disney Records withdrew the song from consideration because the song was not "written specifically for a motion picture, television or other visual media", as the Grammy eligibility rules dictated. According to Rolling Stone, "The Climb" was submitted for consideration by mistake. [24] The National Academy of Recording Arts and Sciences (NARAS), the presenters of the Grammy Awards, released a statement stating, "Walt Disney Records was proactive and forthcoming to our awards department and verified that the song was not written specifically for the film Hannah Montana: The Movie. Based on this information, the Academy has complied with the label's request. " [25] NARAS replaced the nomination with the song with the next highest initial vote count, " All is Love ", which was written by Karen O and Nick Zinner for the film Where the Wild Things Are. [24] Dan Milliken of Country Universe gave the song a D+. His review consisted solely of two motivational posters: one reading "Life: Its [ sic] not about the destination, but the journey" to describe the song's content, and a mock poster reading "Success: Everything is easy when you're cute" for his actual review. He later expanded his review, calling it "a soulless rephrasing of an extremely famous philosophical message (so famous it borders on cliche) that doesn’t provide an emotionally coherent context or justification". Milliken gave the song a higher grade because "she’s a pretty good singer for someone her age". [26] Commercial performance [ edit] On the week ending March 7, 2009, "The Climb" debuted at number 48 on Billboard ' s Hot Country Songs. It was, incidentally, the same week that " Back to Tennessee ", by Cyrus's father, Billy Ray Cyrus, debuted at number 59, the first time a father and daughter had separate charting songs on the chart since Johnny and Rosanne Cash charted in 1990 with "Silver Stallion" and "One Step Over the Line", respectively. [27] "The Climb" eventually peaked at number 25 on the country-genre chart. [28] For the week ending March 21, 2009, the song debuted at number six on the Billboard Hot 100 due to sales of 166, 000 digital downloads, [29] thus making "The Climb" Cyrus's highest-charting effort at the time, surpassing her previous best-charting effort " 7 Things ", which peaked at number nine in July 2008. [29] For the week ending May 2, 2009, the song reached its peak at number four on the Hot 100. [30] "The Climb" also peaked at number seven on the Pop 100 chart, 42 on Hot Christian Songs, and at number one for 15 consecutive weeks on Hot Adult Contemporary Tracks. [28] Cyrus became the youngest artist to top Adult Contemporary since LeAnn Rimes entered the chart in 1997 with " How Do I Live ". [31] According to Billboard, "The Climb" was the eighth best selling digital single of 2009. [32] The single was certified triple platinum by the Recording Industry Association of America (RIAA) for the sales of over two million copies. [33] As of January 2014, "The Climb" has sold 3, 709, 000 copies in the United States. [34] In Canada, "The Climb" entered at number 17 and eventually peaked at number five. [35] The single was certified triple platinum by Music Canada for the sales of 240, 000 digital downloads. [36] "The Climb" was also a success in Australia and New Zealand. The song made its debut on the Australian Singles Chart at number 46 on April 19, 2009. [37] After 10 weeks on the chart, "The Climb" reached number five on the chart, where it stayed for two consecutive weeks. [37] "The Climb" was placed at number 84 on the decade-end Australian Singles Chart. [38] The song has been certified platinum by the Australian Recording Industry Association for sales above 70, 000. [39] "The Climb" debuted in the New Zealand Singles Chart at number 25 on April 13, 2009, and reached its peak at number 12 on June 15, 2009. [40] On September 4, 2009, it was certified gold by the Recording Industry Association of New Zealand for sales exceeding 7, 500 copies. [ citation needed] In the UK Singles Chart, "The Climb" made its entry at number 82 on March 28, 2009, and reached its peak at number 11 on June 16, 2009. [41] With its peak at number 11, it tied for Cyrus's best-charting effort on the chart with " See You Again " from October 2008. [42] The single was certified silver by the British Phonographic Industry (BPI) for the shipment of over 200, 000 copies. [43] In Ireland, the song also peaked at number 11. [35] In mainland Europe, the song peaked at number 23 on Eurochart Hot 100 Singles, number 11 on Belgian Tip Singles Chart (Flanders), and number five on Norwegian Singles Chart. [28] [44] [45] The song experienced similar commercial outcomes throughout the rest of Europe; it appeared within the top 30 of charts in Austria, Belgium (Wallonia), and France. [35] Music video [ edit] Matthew Rolston directed the music video for "The Climb", [ citation needed] which premiered on Cyrus's Myspace page on February 11, 2009. [46] The video commences with a shot of Cyrus holding a guitar and a suitcase as she begins to walk down a long path extending through a valley. At the end of the valley, the sun breaks out over a distant mountain. The entire scene is enhanced with computer-generated imagery. [47] Cyrus has her hair tied in a bun and wears a traveling jacket, a gray tank top, and cowboy boots. In a separate setting, Cyrus, wearing a gray short-sleeved shirt and her hair loose, begins to sing "The Climb" beneath a blue spotlight in a purple room. The two settings alternate throughout the video. A vignetted scene from Hannah Montana: The Movie appears in front of Cyrus as she walks on the path. The video zooms into the scene and a montage of film clips plays, featuring Cyrus's character and her love interest, Travis Brody (played by Lucas Till) horseback riding. The video returns to Cyrus walking; she picks up a rose fallen on the path, then throws it behind her. As the video progresses, she also sees things such as a herd of horses and a shooting star cross her path. [14] A new setting enters the video in which Cyrus dances in a purple room with a countdown, or occasionally, film clips projected on the wall behind her. Rain begins to pour in the path setting. Cyrus puts down her jacket, guitar case, suitcase, and boots, and continues onwards with only her guitar strapped to her shoulder. More film clip montages play in the same manner as the first. As the last montage ends, Cyrus finally reaches the summit of a reddish, CGI mountain and triumphantly looks over the cliff's edge to watch the sun shining over a shimmering lake. [47] An alternate version of the music video excluding the Hannah Montana: The Movie clips exists and was sent to several channels, including VH1. [48] Todd Martens of the Los Angeles Times wrote that while he enjoyed the song, he was unsure about the video. He commented that while the video was an improvement since Cyrus's video for " 7 Things " (2008), the settings in "The Climb" music video looked as though they had been painted by Thomas Kinkade and Cyrus's dancing appeared off-beat. [14] Travis of MTV described the video as "beautifully shot (although heavily digitized)". [49] Lyndsey Parker of Yahoo! Music remarked that the summit setting was similar to that of the music video for Britney Spears ' " I'm Not a Girl, Not Yet a Woman ". [47] Parker also felt the scene in which Cyrus looks out over the cliff, shot using large sweeps with an aerial camera, had been "lifted straight out of an '80s Bon Jovi video". [47] [50] In 2009, the video received a MuchMusic Video nomination for Best International Artist Video, but lost to Lady Gaga 's music video for " Poker Face ". [51] Live performances [ edit] Cyrus opened the Kids' Inaugural: "We Are the Future" event with the premiere of "The Climb". The event was held on January 19, 2009, in Washington DC, at the Verizon Center to celebrate the inauguration of Barack Obama as President of the United States. [52] [53] Cyrus, dressed in an embroidered red ball gown made by Reem Acra, dedicated the song to Obama's daughters, Sasha and Malia Obama. [54] Following the song's official release in March 2009, Cyrus resumed promotion for "The Climb", performing live for shows including American Idol, [55] The Tonight Show with Jay Leno, [56] the 44th annual Academy of Country Music Awards, [57] Good Morning America, [58] and Live with Regis and Kelly throughout April. [59] On April 13, Cyrus performed "The Climb" as part of her set for the Sessions@AOL. [60] On April 24, Cyrus sang "The Climb" and other songs in a London Apple Store. [61] The performances were recorded and sold exclusively by the United Kingdom iTunes Store as a live extended play titled iTunes Live from London. [61] On June 7, 2009, Cyrus performed the song at the 20th annual A Time for Heroes Celebrity Carnival, an outdoor carnival supporting the Elizabeth Glaser Pediatric AIDS Foundation. [62] Cyrus also sang "The Climb" on The Today Show on August 28 [63] [64] and at the first D23 Expo on September 11, 2009. [65] To promote the Hannah Montana: The Movie soundtrack, Cyrus performed "The Climb" on a six-day, five-city acoustic radio promotional tour that reached over 250 radio shows. [66] The song was also used as the closing number of Cyrus' 2009 Wonder World Tour, her first world tour. During the tour performances, Cyrus performed in a white tank top and shorts, boots, and a metallic vest, while giant overhead video screens displayed sunsets. [67] After finishing, Cyrus exited through a passageway in the stage while the images of shooting stars and the earth in space appeared on the screen. Melinda M. Thompson of the Oregonian described the performance as "really a moment to remember — Miley's soulful and touching rendition of 'The Climb'", [68] while Jim Harrington of The Oakland Tribune said the performance was a "tender closer" that drew a large response at the September 18 concert in Oakland, California, at the Oracle Arena. [69] Cyrus later performed the song at the Rock in Rio concert in Lisbon, Portugal and the London, England nightclubs Heaven and G-A-Y. [ citation needed] Cyrus performed the song during the Gypsy Heart Tour. She also performed this song on CNN Heroes on December 11, 2011. Six years later, in 2017, she performed the song on The Tonight Show Starring Jimmy Fallon, followed by an acoustic version on The Howard Stern Show, and on March 24, 2018, Cyrus performed it before a massive outdoor crowd protesting gun violence at the March For Our Lives in Washington, DC. [70] Release history [ edit] Charts and certifications [ edit] Cover versions [ edit] "The Climb" has been covered several times. Mirror Image Records' indie rock group HelenaMaria covered the song and released it as a digital single in March 2009. [113] At auditions for the ninth season of the television singing competition American Idol, "The Climb" was the most popular choice of song amongst contestants. [114] Alan Cumming covered the song in his cabaret tour and included it on the audio CD Alan Cumming Sings Sappy Songs: Live at the Cafe Carlyle. Australian Judah Kelly covered the song on his debut album, Count On Me (2017). Joe McElderry version [ edit] "The Climb" Single by Joe McElderry from the album Wide Awake Released December 14, 2009 Format CD single, digital download Genre Country pop Length 3: 36 Label Syco Songwriter(s) Jessi Alexander, Jon Mabe Producer(s) Quiz & Larossi Joe McElderry singles chronology " Ambitions " (2010) Background and composition [ edit] In the same year of "The Climb's" original release, British executive Simon Cowell chose for Joe McElderry, Olly Murs, and Stacey Solomon, the three finalists of the sixth series of the British television talent contest The X Factor, to record the song in preparation for a single release as soon as the winner was announced. [115] After Solomon's elimination, Murs and McElderry sang the song on December 13, 2009, as their final performance in the competition. Upon winning the competition, McElderry's version of "The Climb", produced by Quiz & Larossi, was released on December 14, 2009 by Syco Music as the first single from his debut studio album Wide Awake (2010). [ citation needed] McElderry said that the lyrics to "The Climb" meant a lot to him: "It's an emotional song because it's what's been happening in the last few months. It all feels very, very surreal. " According to Peter Robinson of The Guardian, the cover has a "plinky" piano in its introduction. In regards to lyrics, Robinson interpreted, "lines about 'uphill battles' and 'having to lose' do seem to talk of Joe's probable future. " [116] Reception [ edit] Peter Robinson of The Guardian described "The Climb" as a "controversially uncontroversial choice" for a cover and continued, "While 'The Climb' might be a suitable choice for a winner's single, the fact that it's a cover of such a recent song means that it's still slightly odd. " [116] On the week ending 26 December 2009, "The Climb" debuted at number two on the UK Singles Chart; its debut position was influenced by a campaign composed of Facebook group members, aimed at getting Rage Against the Machine 's 1992 single " Killing in the Name " to the top position during Christmas week. [117] In the following week, the song reached number one, becoming the final number one of the 2000s decade, where it maintained for a week. [118] The single was certified Platinum by the British Phonographic Industry (BPI) for shipments exceeding 600, 000 copies. [43] The song has sold 810, 000 copies in the UK as of January 2015. [119] "The Climb" debuted at number one on the Irish Singles Chart on the week ending December 17, 2009, where it maintained in the top position for four consecutive weeks. [120] [121] In mainland Europe, the song charted in the Eurochart Hot 100 Singles at number four on the week ending January 9, 2010. [122] McElderry performing in a flooded cityscape in "The Climb" music video The video was shot on 16 December 2009, in London, England. The video begins with footage from The X Factor and then transitions to a close-up shot of McElderry in the main setting, a flooded cityscape — the scene was shot in a flooded set with a cityscape backdrop. > McElderry is clothed by a grey vest and a grey shirt, as he stands in the setting and performs. Throughout the entire video, scenes alternate between the flooded cityscape setting and recycled footage from The X Factor, which are in black and white until it shows him in the live shows in colour. The video concludes with McElderry being informed he won the competition, hugging his peers. Track listings [ edit] Digital download "The Climb" – 3:36 CD single " Somebody to Love " – 2:38 " Don't Let the Sun Go Down on Me " – 2:27 See also [ edit] List of number-one adult contemporary singles of 2009 (U. S. ) List of number-one singles of 2009 (Ireland) List of UK Singles Chart number ones of the 2000s References [ edit] ^ "Miley Cyrus - The Time Of Our Lives". Discogs. Retrieved 16 April 2018. ^ "Miley Cyrus - the Climb - Official Music Video (HQ) Video by Miley Cyrus - MySpace Video". Archived from the original on 2009-02-18. ^ a b "Songwriter Talks About Miley Cyrus Hit 'The Climb ' ". WSMV-TV. Voxant. August 15, 2009. Archived from the original on July 24, 2011. Retrieved November 27, 2009. ^ a b Paxman, Bob (September 14, 2009). "Climb Every Mountain". Country Weekly. 16 (31). ISSN   1074-3235. ^ a b c d e f g h i Alexander, Jessi (December 11, 2009). "Q&A with Miley Cyrus songwriter Jessi Alexander: 'The Climb' being pulled from Grammy noms is 'devastating ' " (Interview). Interviewed by Whitney Pastorek of Entertainment Weekly. Retrieved December 18, 2009. ^ "UK Premiere – Hannah Montana The Movie". iTunes Store. Apple, Inc. Archived from the original on November 6, 2012. Retrieved November 11, 2009. ^ a b c "Hannah Montana The Movie Production Notes" (PDF). Walt Disney Pictures. Archived from the original (PDF) on November 18, 2009. Retrieved November 11, 2009. ^ a b Greenblatt, Leah (March 18, 2009). "Hannah Montana: The Movie (2009)". Entertainment Weekly. Time Warner, Inc. Retrieved October 9, 2009. ^ Truitt, Warren. "Miley Cyrus – Hannah Montana: The Movie Soundtrack".. The New York Times Company. Archived from the original on April 12, 2014. Retrieved October 8, 2009. ^ "The Time of Our Lives: Miley Cyrus: MP3 Downloads". Retrieved October 4, 2009. ^ a b Phares, Heather. "Hannah Montana: The Movie [Soundtrack] > Review". Allmusic. Macrovision Corporation. Retrieved October 8, 2009. ^ "allmusic {{The Climb [3 Track] > Overview}}}". Retrieved November 14, 2009. ^ " Climb: Miley Cyrus: Music". Retrieved August 10, 2009. ^ a b c d e f g h Martens, Todd (February 13, 2009). "Miley Cyrus' 'The Climb:' Yes, be excited". Los Angeles Times. Tribune Company. Retrieved November 14, 2009. ^ a b c "Digital sheet music – Miley Cyrus – The Climb". Music. Alfred Publishing. 2009-03-20. Retrieved November 11, 2009. ^ a b c McAlpine, Fraser (April 22, 2009). "Miley Cyrus – 'The Climb ' ". BBC. BBC Online. Retrieved November 16, 2009. ^ Menachem, Michael (August 24, 2009). "Miley Cyrus, "Party in the U. A. " ". Billboard. Nielsen Business Media, Inc. Retrieved November 16, 2009. ^ Morris, Wesley (April 10, 2009). "The screen is bigger, but 'Hannah' is still keeping a secret". The Boston Globe. Retrieved October 21, 2009. ^ a b Hann, Michael (November 20, 2009). "Hannah Montana: The Movie (2009)".. London: Guardian Media Group. Retrieved November 20, 2009. ^ Caraminica, Jon (March 13, 2009). The New York Times. Retrieved November 20, 2009. ^ Reed, James (November 10, 2009). "Cyrus rocks Garden but keeps it in check". Retrieved November 10, 2009. ^ "2009 MTV Movie Awards l Winners". MTV Movie Awards. Viacom. Retrieved November 15, 2009. ^ "Teen Choice Awards 2009 Music". Teen Choice Awards. News Corporation. Archived from the original on October 19, 2009. Retrieved October 19, 2009. ^ a b Harris, Chris (December 10, 2009). "Karen O Gets "Wild Things" Grammy Nod After Cyrus Withdraws "The Climb " ". Rolling Stone. Wenner Media LLC. Retrieved December 10, 2009. ^ Morris, Christopher (December 10, 2009). "The 52nd Grammy Awards Nominees List". Variety. Reed Business Information. Retrieved December 10, 2009. ^ Milliken, Dan (2009-03-12). "Miley Cyrus — "The Climb " ". Country Universe. Retrieved 2009-03-26. ^ Trust, Gary (December 15, 2009). "Best of 2009: Part 1". Retrieved March 5, 2011. ^ a b c "Miley Cyrus > Charts & Awards > Billboard Singles". Retrieved November 20, 2009. ^ a b Caulfield, Keith (March 12, 2009). "Miley Cyrus' 'Climb' Debuts High On Hot 100". Los Angeles: Nielsen Business Media, Inc. Retrieved November 15, 2009. ^ Pietroluongo, Silvio; Keith Caulfield (April 23, 2009). "Eminem, Green Day Make Big Hot 100 Debuts". Miami and Los Angeles: Nielsen Business Media, Inc. Retrieved November 6, 2009. ^ Trust, Gary (December 16, 2009). "Best of 2009: Part 2". Retrieved March 5, 2011. ^ Grein, Paul (December 16, 2009). "Chart Watch Extra: Down To The Wire". Archived from the original on December 19, 2009. Retrieved December 18, 2009. ^ "American single certifications – Miley Cyrus – The Climb". Recording Industry Association of America. Retrieved November 11, 2009. If necessary, click Advanced, then click Format, then select Single, then click SEARCH. ^ a b Paul Grein (January 8, 2013). "Chart Watch: Pitbull & Kesha & Eminem & RiRi". Yahoo Music. ^ a b c "Miley Cyrus – The Climb – Music Charts".. Retrieved November 21, 2009. ^ "Gold and Platinum".. Music Canada. Archived from the original on November 15, 2011. Retrieved July 11, 2011. ^ a b "Miley-Cyrus – The Climb (Song)".. Hung Medien. Retrieved November 21, 2009. ^ a b McCabe, Kathy (January 7, 2010). "Delta Goodrem's talents top the charts". The Daily Telegraph. New Limited. Retrieved July 29, 2010. ^ "ARIA Charts – Accreditations – 2009 Singles".. Australian Recording Industry Association. Retrieved November 14, 2009. ^ "Miley Cyrus – The Climb (Song)".. Retrieved November 22, 2009. ^ "The Official Charts Company – Miley Cyrus – The Climb". Official Charts Company. The Official Charts Company. Retrieved November 22, 2009. ^ "The Official Charts Company – Miley Cyrus". Retrieved November 22, 2009. ^ a b "BPI – Certified Awards Search". British Phonographic Industry. Archived from the original on September 24, 2009. 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"Jonas Brothers, Miley Cyrus Entertain Vets (And Obamas) At 'Kids' Inaugural ' ". MTV News. Retrieved November 14, 2009. ^ Snead, Elizabeth (January 13, 2009). "VIDEO: Miley Cyrus, Jonas Brothers at Kids Inaugural Concert! How hot are they? ". Zap2it. Tribune Media Services. Archived from the original on 2009-12-31. Retrieved November 14, 2009. ^ Kaufman, Gil (April 9, 2009). "Miley Cyrus To Perform On 'American Idol ' ". Retrieved October 10, 2009. ^ "The Tonight Show with Jay Leno: Miley Cyrus; Tom Lennon".. CBS Interactive. Retrieved October 10, 2009. ^ Vena, Jocelyn (March 26, 2009). "Miley Cyrus To Perform At Academy Of Country Music Awards". Retrieved November 14, 2009. ^ Agostini, Evan (April 8, 2009). "Star Tracks: Wednesday, April 08, 2009 – 'Morning Glory': Miley Cyrus". People. Retrieved November 7, 2009. ^ Oldenburg, Ann (March 16, 2009). " ' Regis and Kelly' roll out the red carpet". USA Today. Gannett Company. Retrieved November 14, 2009. ^ "Miley Cyrus – "The Climb (Sessions) " ". AOL. Archived from the original on 2009-04-17. Retrieved October 10, 2009. ^ a b "iTunes: Live from London". iTunes Store United Kingdom. Apple Inc. Retrieved November 7, 2009. [ permanent dead link] ^ "Miley Cyrus – A Time for Heroes Celebrity Carnival". InStyle. IPC Media. June 8, 2009. Archived from the original on June 12, 2009. Retrieved November 14, 2009. ^ Vena, Jocelyn (August 28, 2009). "Miley Cyrus Talks about Her 'Mistakes' on 'Today' Show". Retrieved November 14, 2009. ^ Vena, Jocelyn (August 13, 2009). "Miley Cyrus To Replace Mariah Carey On 'Today' Show". Retrieved November 14, 2009. ^ Vargas-Cooper, Natasha (November 14, 2009). "Uh Oh! Are Disney Fans Turning on Miley? ". E!. Comcast. Retrieved November 14, 2009. ^ Miley Cyrus – The Climb (Acoustic Radio Tour '09). Hollywood Records ( Flash). YouTube. April 30, 2009. Event occurs at 0:00–0:10. ^ Cameron, Kirsty (September 16, 2009). "Miley Cyrus: Hannah Montana Star Kicks Off Tour". London: Telegraph Media Group. Retrieved November 14, 2009. ^ Thompson, Melinda M. (September 15, 2009). "Review: Miley Cyrus Rocks the Rose Garden as She Kicks off Tour in Portland". The Oregonian. Advance Publications. Retrieved November 14, 2009. ^ Harrington, Jim (September 19, 2009). "Concert Review: Miley Cyrus Leaves Hannah Montana Behind at Oakland Show". Oakland Tribune. MediaNews Group. Retrieved November 17, 2009. ^ "Miley Cyrus Just Performed 'The Climb' at March for Our Lives and It Was Beyond Emotional". Cosmopolitan. 24 March 2018. Retrieved March 25, 2018. ^ "The Climb". 24 April 2009. Retrieved 16 April 2018 – via Amazon. ^ " – Miley Cyrus – The Climb". ARIA Top 50 Singles. ^ " – Miley Cyrus – The Climb" (in German). Ö3 Austria Top 40. ^ " – Miley Cyrus – The Climb" (in Dutch). Ultratip. ^ " – Miley Cyrus – The Climb" (in French). Ultratip. ^ "Miley Cyrus Chart History (Canadian Hot 100)". Billboard. ^ "Miley Cyrus Chart History (Canada AC)". Billboard. ^ "Miley Cyrus Chart History (Canada CHR/Top 40)". Billboard. ^ "Miley Cyrus Chart History (Canada Country)". Billboard. ^ "Miley Cyrus Chart History (Canada Hot AC)". Billboard. ^ " ČNS IFPI" (in Czech). Hitparáda – Radio Top 100 Oficiální. IFPI Czech Republic. Note: Change the chart to CZ – RADIO – TOP 100 and insert 200929 into search. ^ " – Miley Cyrus – The Climb". Tracklisten. ^ " – Miley Cyrus – The Climb" (in French). Les classement single. ^ " – Miley Cyrus Single-Chartverfolgung" (in German). Media Control Charts. PhonoNet GmbH. ^ " The Irish Charts – Search Results – The Climb". Irish Singles Chart. Retrieved January 15, 2020. ^ " – {{{artist}}} – {{{song}}}". Top Digital Download. ^ " – Miley Cyrus – The Climb". Top 40 Singles. ^ " – Miley Cyrus – The Climb". VG-lista. ^ "Official Scottish Singles Sales Chart Top 100". Official Charts Company. ^ " ČNS IFPI" (in Slovak). Hitparáda – Radio Top 100 Oficiálna. Note: insert 200931 into search. ^ " – Miley Cyrus – The Climb" Canciones Top 50. ^ " – Miley Cyrus – The Climb". Singles Top 100. ^ " – Miley Cyrus – The Climb". Swiss Singles Chart. ^ "Official Singles Chart Top 100". Official Charts Company. ^ "Miley Cyrus Chart History (Hot 100)". Billboard. ^ "Miley Cyrus Chart History (Adult Contemporary)". Billboard. ^ "Miley Cyrus Chart History (Adult Pop Songs)". Billboard. ^ "Miley Cyrus Chart History (Hot Country Songs)". Billboard. ^ "Miley Cyrus Chart History (Pop Songs)". Billboard. ^ "ARIA Charts – Accreditations – 2013 Singles". Australian Recording Industry Association. ^ "Canadian single certifications – Miley Cyrus – The Climb". Music Canada. ^ "British single certifications – Miley Cyrus – The Climb". Select singles in the Format field.   Select Platinum in the Certification field.   Type The Climb in the "Search BPI Awards" field and then press Enter. ^ "American single certifications – Miley Cyrus – The Climb". ^ "ARIA Charts – End Of Year Charts – Top 100 Singles 2009".. Retrieved March 13, 2010. ^ "Best of 2009 – Canadian Hot 100 Songs". Archived from the original on March 13, 2010. Retrieved March 12, 2010. ^ "END OF YEAR CHARTS 2010".. Recording Industry Association of New Zealand. Retrieved June 4, 2013. ^ "UK Year-end Songs 2009" (PDF). ChartsPlus. p. 5. Retrieved June 14, 2010. ^ "Best of 2009 – Hot 100 Songs". Retrieved March 12, 2010. ^ "Adult Contemporary Songs - Year-End 2009". Retrieved February 22, 2018. ^ "Adult Pop Songs - Year-End 2009". Retrieved February 22, 2018. ^ "Pop Songs - Year-End 2009". Retrieved February 22, 2018. ^ "Adult Contemporary Songs - Year-End 2010". Retrieved February 22, 2018. ^ " The Climb (Miley Cyrus Cover: HelenaMaria: MP3 Downloads". Retrieved November 14, 2009. ^ Bierly, Mandi (July 15, 2009). " ' American Idol': Miley Cyrus' 'The Climb' was the most popular audition song". Time Warner. Inc. Retrieved November 14, 2009. ^ "Simon Cowell choses 'The Climb' for X Factor".. Hollywood Records. December 3, 2009. Archived from the original on December 3, 2009. Retrieved December 3, 2009. ^ a b Robinson, Peter (December 14, 2009). "Does The Climb lack the X Factor? ". The Guardian. Retrieved March 30, 2010. ^ Sexton, Paul (December 21, 2009). "Rage Against The Machine Beats 'X Factor' To U. K. Xmas No. 1". Prometheus Global Media. Retrieved March 30, 2010. ^ a b "Official Scottish Singles Sales Chart Top 100". Official Charts Company. ^ a b Myers, Justin (9 January 2015). "Number 1 today in 2010: Lady Gaga's Bad Romance returns to the top". Retrieved 12 January 2015. ^ a b "Discography Joe McElderry".. Irish Recorded Music Association. Retrieved March 30, 2010. ^ "Joe McElderry – The Climb – Music Charts".. Retrieved March 30, 2009. ^ a b "European Hot 100 – Week of January 9, 2010". Archived from the original on September 5, 2008. Retrieved March 30, 2010. ^ "Top 20 Albums".. Retrieved June 17, 2010. ^ Yates, Reggie (December 31, 2009). "Chart of the Year 2009". Retrieved March 30, 2010. ^ "British single certifications – Joe McElderry – The Climb".   Type The Climb in the "Search BPI Awards" field and then press Enter. External links [ edit] "The Climb" by Miley Cyrus on YouTube.

The climb french movie. Meu Deus tá cheio de BR aqui. Antes eu quase não via mais ja amo vcs !💛💚 Boyce is tue bestttt, best cover, best music, best singing, congratulations. The Climb free web. YouTube. This was my aunts funeral song, hardest thing to listen to after that. Miley was so amazing back then. The Climb free download. This song always makes me crying 😭 😭💖💖💖. 2 wins & 5 nominations. See more awards  » Edit Storyline Kyle and Mike are best friends who share a close bond - until Mike sleeps with Kyle's fiancée. The Climb is about a tumultuous but enduring relationship between two men across many years of laughter, heartbreak and rage. It is also the story of real-life best friends who turn their profound connection into a rich, humane and frequently uproarious film about the boundaries (or lack thereof) in all close friendships. Plot Summary | Add Synopsis Details Release Date: 20 March 2020 (USA) See more  » Company Credits Technical Specs See full technical specs  ».

The Climb free mobile. The Yasuo in Awaken looks silly compared to this one. I like yrau. Yep first i heard but will get on the quest as long as you can go SPLAT lol. The climb free climb el capitan. The Climb free online. The climb free piano sheet music. This is the best collab ever 😍. Climbing is the human activity of ascending a steep object with the hands and/or feet. Climbing, Climb or The climb may also refer to: Apparel and equipment [ edit] Climbing harness Climbing rope Climbing shoe Climbing wall, an artificially constructed wall with grips for hands and feet, usually used for indoor climbing or lead climbing Rock-climbing equipment Arts, entertainment, and media [ edit] Films [ edit] The Climb (1987 film), a drama film starring Bruce Greenwood The Climb (1999 film), a drama film starring John Hurt The Climb (2002 film), an action film starring Jason George The Climb (2007 film), a documentary film starring Laurie Skreslet The Climb (2017 film) The Climb (2019 film), a 2019 American film Music [ edit] Climb, a Canadian AOR group Climbing!, a 1970 album by Mountain "The Climb" (song), a 2009 song by Miley Cyrus from the soundtrack of Hannah Montana: The Movie "The Climb", a song by The Coasters "The Climb", a 1964 song by The Kingsmen "The Climb", a song by No Doubt from the album Tragic Kingdom (1995) Television [ edit] "Climbing", an episode of the television series Zoboomafoo "The Climb" ( Arrow), season 3 episode 9 of The CW's Arrow "The Climb" ( Game of Thrones), season 3 episode 6 of HBO's Game of Thrones Other uses in arts, entertainment, and media [ edit] Climbing (magazine) The Climb (book), a 1996 non-fiction book by Anatoli Boukreev and G. Weston DeWalt The Climb (video game) is a video game in virtual reality, that requires players to climb game environments Biology [ edit] Arboreal locomotion, animal locomotion while on trees, rocks, mountains, or cliffs Climbing salamander Climbing shell vine Climbing shield fern Climbing shrew Climbing swamp mouse Climbing vine, any plant with a growth habit of trailing or scandent (that is, climbing) stems, lianas or runners Sports [ edit] Climbing (sport), or sport climbing Free climbing Indoor climbing Lead climbing Mountain-climbing Rock climbing Solo climbing Traditional climbing Climbing competition Climbing specialist, a racing cyclist who is especially competitive on hills Other uses [ edit] Climb (aeronautics), an aviation term Dislocation climb, a materials science term Social climbing See also [ edit] Climber (disambiguation) Limb (disambiguation).

The climb free download. The climb french. Lo único malo de la canción, es que termina. I can almost see it That dream I'm dreaming, but There's a voice inside my head saying You'll never reach it Every step I'm taking Every move I make feels Lost with no direction My faith is shaking But I, I gotta keep trying Gotta keep my head held high There's always gonna be another mountain I'm always gonna wanna make it move Always gonna be an uphill battle Sometimes I'm gonna have to lose Ain't about how fast I get there Ain't about what's waiting on the other side It's the climb The struggles I'm facing The chances I'm taking Sometimes might knock me down, but No, I'm not breaking I may not know it But these are the moments that I'm gonna remember most, yeah Just gotta keep going And I, I gotta be strong Just keep pushing on, 'cause There's always gonna be another mountain It's the climb Yeah There's always gonna be another mountain Sometimes you're gonna have to lose Ain't about how fast I get there Yeah, yeah Keep on moving, keep climbing Keep the faith, baby It's all about, it's all about the climb Keep your faith, keep your faith Whoa.

The climb free movie online. This song ALWAYS brings tears to my eyes because the lyrics are so powerful 😭💙. The clymb free shipping coupon code. The Climb freedom. The climb free piano music. The Climb. Prefieren al traidor. My future so bright💝iam only 18 and dealing with so much at this point but i gotta keep moving gotta keep my head held high. Btw sorry for everyone who lost someone ik the pain😭💔❤be strong just keep pushing on💪.

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“The Climb” is a country pop power ballad where Cyrus sings about how rewarding the journey of life is despite the unsure ending. The song was released as the lead single off of the Hannah Montana: The Movie soundtrack. In the context of the movie, the song describes the important lesson that Miley Stewart, played by Cyrus, had to learn in her hometown to better understand and appreciate the life outside of the pop stardom created by Hannah Montana. The song became an instant commercial hit by peaking at #4 on the Billboard Hot 100. The song became Cyrus’s first solo single to be released to country radio. The song received praise from music critics who praised Cyrus' vocals and lyrics.

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Review - Afterward is a movie starring Bassam Aramin and Ofra Bloch. Afterward delves into the secret wounds carried by victims as well as victimizers, through testimonies ranging from the horrifying to the hopeful Writer - Michael J. Palmer Audience Score - 62 Votes 2018 directors - Ofra Bloch.

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This tale has no dislikes for a very important reason. I shall say no more

Alfre Woodard brings so much to everything she is in she is amazing!  But this is one of those movies that is going to be hard to watch, it probably will be too real. Afterward or afterwards grammar. Definitely going to watch this. Afterward full movie. Afterwards meaning in hindi. The dolan twins got me here. Afterward book. Afterword synonym. Awesome video as always! I'm not saying NE Hope is meta, or even particularly great. However, he can be somewhat slot efficient and interesting to use for buff/break/imperil. I have actually used him on all of the series boss battles just for fun. Also, his TMR isn't too bad if you run it through item world.

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I'm so happy for you guys! And I loved Ross and Rockys reaction! 😍😍. I was so captured I thought it was a real storyline, thank you for the hard work❤. Ross is like SOO chill😂😂 like dude yo sis is getting married ad you just like “cool”🤣😵. Afterward versus afterwards. Afterward meaning. Afterwards full movie. Afterward afterwards. DISRESPECTFUL. Afterward scene deleted never gone full movie sub indo. Bro thanks and love from NBU Bcom 2nd year. Me: oh boy better sleep early for this meeting tomorrow morning Tree: allow me to reintroduce myself.

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Afterward trailer. Afterwards song. Afterwards @ the bar caia. Afterwards in tagalog. Afterword crossword. Afterwards poem. Afterwards traduccion. Looks great, but Im still smarting from Neons lack of promotion of the best thriller (and possibly best film) of 2019: Luce. Rose Byrne keeps downplaying her talent. Keeps working in comedies when she clearly has a gift for drama. So does Salma Hayek. Very awesome. I BAWLED MY FREAKIN EYES OUT and laughed so hard in other parts of this video and then got depressed and then cried again, Alana you are sending me loopy haha <3 love you and your wholesome content <3. Afterwards thomas hardy.

 

 

 

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duration: 170 Minute

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Rating: 43 Votes

I love the way Michael Ball looks as Javert. The way his character looks in that costume and makeup is exactly what I feel like Javert should look like.

 

I need this in the staged concert album theyre making. Les misérables the staged concert - in cinemas december 2. Burger king impossible whopper. 1:18:30 Act 1 ends on a pretty epic To Be Continued note right before intermission with One Day More. Me sees ads That's all that happened i saw them and went Woah. Les misérables: the staged concert lyrics. Les MisÃrables: The Staged concert photos. Les misérables the staged concert cinema. If you don't cry I don't understand you. Les misérables: the staged concert dates.

Les MisÃrables: The Staged concert tickets. Amazing omg im loving it from the first time I have seen it xxx. That. was the most powerful On my own performance ever. of all time. This was horrible and far from great. just average like my charisma. 49:38 bookmark. Les misérables: the staged concert los angeles.

That quartet. Amazing. Well no, there isn't any words to describe it. Les miserables:the staged concert. He's my uncle. Les misérables: the staged concert new orleans. 28:08 The Runaway Cart. Les misérables the staged concert (2019. Les misérables: the staged concert dallas. Wonderful,great job Mark M. Les misérables: the staged concert chicago. Les misérables: the staged concert album. And this is why I personally think critics suck! Fantastic performance it is NOT the show so don't even try to compare. ALL were fabulous so worth it. Michael Ball did well, Javert is a hard character to play and as said it was a concert not a musical play, very different structure of performance.

It's rumored that Javert is at least part Romani

Les mis c3 a9rables 3a the staged concert karaoke. Carrie has a pure lack of emotion here... She has nothing on Shan. Hope she isnt cast as Fatine again... Les misérables: the staged concert show. Burger king images. Les MisÃrables: The Staged concert video. Les Misérables: The Staged concerts hors. This arrangement is so strange but magical to seen knowing Carrie has played both roles in her career. Maybe you should have done your home work before going, then you would have known it was a concert version. Majority of tickets are much less than 202.00.

Are they all students. Les Misérables: The Staged concerts hors festivals. I cannot imagine Michael Ball as Javert! Not to say that he won't do an incredible job, he's just so in my head as THE Marius.

This was a wonderful slime tutorial. I love Les is a pretty good it. Lea Salonga's On My Own at 1:20:13. Literal goosebumps and tears. 2:58 oh my gosh. Carrie is incredible. Shan is incredible. Just amazing.

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Im hyped for this. Les misérables the staged concert cast. Thanks for posting! Love it. Sad to say but, this is my first time watching Les Miserables and Woah! This is amazing. I think I've watched the highest standard 😍😍😍. I love it. How bout that welsh flag. Showcase les miserables: the staged concert. Burger king impossible whopper lawsuit.

Maybe it's because I grew up with this one, but this is still my favorite cast. Les misérables the staged concert encore. Les misérables the staged concert.





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Free Online Big Time adolescencia. Free online big time adolescence chart. Vivien Killilea, Getty Images (L-R) Pete Davidson, Griffin Gluck, and Jason Orley at the 'Big Time Adolescence' afterparty at DIRECTV Lodge presented by AT&T at Sundance Film Festival 2019 on January 28, 2019 in Park City, Utah. 'Big Time Adolescence' reviews: Pete Davidson earns high praise for movie shot in Syracuse "Saturday Night Live" star Pete Davidson is earning high praise for his performance in a new movie that was filmed in Central New York. Big Time Adolescence " had its world premiere at the 2019 Sundance Film Festival on Monday, competing with 16 other films for best U. S. drama. The movie was shot last summer around Syracuse through the Liverpool-based production company American High. Written and directed by Jason Orley, Big Time Adolescence" stars Davidson as a charismatic college dropout who corrupts a 16-year-old virgin ( American Vandal" actor Griffin Gluck) with a growth hormone deficiency. Davidson also serves as an executive producer. Early reviews call the movie a standard, paint-by-the-numbers coming-of-age story, but critics loved Davidson's performance. The Daily Beast predicts it will make the comedian "a bona fide movie star. it's Davidson who steals and carries the film" and The Playlist says "Pete Davidson is all you'll really remember when you leave the theater. And for many, that'll be enough. Variety and The Hollywood Reporter both compared Davidson's character to Matthew McConaughey's iconic performance as Wooderson in "Dazed & Confused. " An IMDb staffer said the movie was reminiscent of John Hughes with Davidson's character feeling "like a sad, future version of Ferris Bueller. Davidson, as always, gets you chuckling at the blasé bluntness of his punk self-absorption; he gives a blithely honed and stylish youth-sociopath performance. Variety wrote. (Davidson himself admitted to the Los Angeles Times that his character was pretty similar to himself. The film's cast also includes Colson Baker (better known as rapper Machine Gun Kelly) Syndey Sweeney ( The Handmaid's Tale. Emily Arlook ( Grown-ish. Thomas Barbusca ( The Mick. Oona Lawrence ( Pete's Dragon. and Jon Cryer ( Pretty in Pink. Two and a Half Men. Cryer told THR that he loved doing the movie because he got to punch Davidson in the face. Dia Dipasupil, Getty Images (L to R) Producer Jeremy Garelick, director Jason Orley and actors Emily Orlook, Thomas Barbusca, Griffin Gluck, Pete Davidson, Colson Baker and Sydney Sweeney attend the "Big Time Adolescence" Premiere during the 2019 Sundance Film Festival at Eccles Center Theatre on January 28, 2019 in Park City, Utah. Hollywood filmmaker Jeremy Garelick ( The Wedding Ringer. The Hangover" launched American High last year when he bought the former A. V. Zogg Middle School in Liverpool, N. Y., to film more John Hughes-esque movies set in high schools and launch a film school. "Big Time Adolescence" is the third of four productions so far to shoot scenes at the school, now known as Syracuse Studios. Davidson has repeatedly criticized Syracuse, calling the city "trash" in a Howard Stern interview and recently claiming that local police targeted him during the film production. "It sucked. The whole town of Syracuse blows. the 25-year-old comedian told Variety on Monday. “To be honest, they just found out I was there and tried to arrest me the entire time. There's nothing going on there so they were hunting me down the entire time. Davidson was pulled over by Manlius police in Fayetteville, N. Y., in August. He was not charged but his passenger and friend, fellow comedian-actor Joseph "Joey" Gay Jr., was charged with a violation for unlawful possession of marijuana and a fourth-degree felony for possession of concentrated cannabis. Joey Gay pleaded guilty to unlawful possession of marijuana earlier this month in a plea deal; he paid 225 in cash in fines. Davidson suggested he was targeted in CNY because of his celebrity status. He was spotted in public frequently during breaks in filming, including at Destiny USA with superstar singer Ariana Grande (his then-fiancee) and local restaurants like Dinosaur Bar-B-Que and Funk 'n Waffles. Davidson and Gay also performed at a charity comedy show at the former A. Zogg Middle School in Liverpool, now the home of filmmaker Jeremy Garelick's Syracuse Studios and film school. Town of Manlius Police Capt. Kevin Schafer said its officers do not target anyone: When we stop a vehicle, we don't know who's in it. Davidson was driving and pulled over for violating vehicle and traffic law, Schafer confirmed to and The Post-Standard on Tuesday. A national release date has not been set for "Big Time Adolescence. The film is currently seeking theatrical distribution, according to USA Today. Scroll through to see highlights from the reviews of "Big Time Adolescence. Daniel Boczarski, Getty Images Pete Davidson attends The Vulture Spot during Sundance Film Festival on January 28, 2019 in Park City, Utah. RELATED: Pete Davidson blasts Syracuse again, claims police targeted him.

 

Free online big time adolescence images. PLOT: Sixteen year old Mo (Griffin Gluck) doesnt have many friends his own age. But, he does have a best friend in twenty-three-year-old Zeke (Pete Davidson) his sisters former boyfriend. Far from a good influence, the nonetheless charming Zeke treats Mo more like a contemporary than the kid he actually is, getting the both of them into a whole world of trouble. REVIEW: Weve all had a Zeke in our lives - he's that older kid who always seemed just a bit cooler, smarter, funnier and charismatic than anyone else. They were the guys who moved effortlessly between social cliques in high school, being friends with everyone from the jocks to the nerds, and who seemed to vanish after high school. Expertly played by Pete Davidson, Zeke is shown to be a perpetual teenager, spending most of his days smoking weed and drinking beer with his fellow layabouts (including Colson Baker aka Machine Gun Kelly. Like most of the real-world Zekes, hes not a bad guy per se, hes just a thoroughly unambitious, irresponsible one. We see him give the impressionable Mo booze and drugs, but you never doubt his affection for the younger man, even when he talks him into becoming a defacto drug dealer for his high schools weekly parties. The movie, written and directed by Jason Orley, relies completely on Davidsons performance, even if its really “American Vandal”s Griffin Gluck whos the actual lead. If you hadnt been able to buy Zekes essential goodness and charisma, the movie would have fallen apart. Here, more than ever, its clear Davidson has that X-factor that makes stars, even if hes such a live wire on the screen you cant help but worry for his own well-being off camera, given that he seems to be living such a crazy, gossip-filled life. He really has that seed of unpredictability, but also so much heart that you cant help but hope Mo somehow finds a place for Zeke in his life even after he outgrows him. Davidson is so likable that you buy Mos folks (including Jon Cryer sporting a cool shaved head) not demanding their son cut him out of his life. They know hes bad, but they also know he cares about their son. Orleys made a pretty likable, mainstream film (under the American Teen banner - a new outfit designed to make high school set comedies. Imagine it as the kind of movie John Hughes might have made had to be been give his movies R-ratings, with Gluck fresh-faced and likable. However, the movie is at its best when centered on Zeke and his buddies, and when it was over I still wanted to know what happened to them further down the line - the mark of a well-written/well-acted comedy. I imagine BIG TIME ADOLESCENCE will for sure appeal to Pete Davidson fans, but even if hes not your cup of tea, give this a shot. It reveals theres more to him than what you see on SNL, and if anyone was going to break out and be the next Adam Sandler or something, Davidson would have my bet.

1 nomination. See more awards  » Learn more More Like This Comedy, Drama 1 2 3 4 5 6 7 8 9 10 5 / 10 X A pair of sisters find out that the mother they thought was dead is alive and starring on a soap opera. Director: Hannah Pearl Utt Stars: Hannah Pearl Utt, Ayden Mayeri, Oona Yaffe Thriller 5. 3 / 10 Set deep in the wilds of Appalachia, where believers handle death-dealing snakes to prove themselves before God, a pastor's daughter holds a secret that threatens to tear her community apart. Directors: Britt Poulton, Dan Madison Savage Kaitlyn Dever, Olivia Colman, Walton Goggins 6. 5 / 10 The sexual, psychological, and moral unraveling of an obsessive-compulsive suburban mom. Debra Eisenstadt Kate Alberts, Amy Anderson, Kristjan Aru Mystery 5. 6 / 10 After discovering a disturbing video from a night she doesn't remember, sixteen-year-old Mandy must try to figure out what happened and how to navigate the escalating fallout. Pippa Bianco Rhianne Barreto, Charlie Plummer, Poorna Jagannathan Horror 6. 6 / 10 A soon-to-be stepmom is snowed in with her fiancé's two children at a remote holiday village. Just as relations begin to thaw between the trio, some strange and frightening events take place. Severin Fiala, Veronika Franz Richard Armitage, Riley Keough, Alicia Silverstone 5. 7 / 10 A young African-American living in Chicago enters into a seductive new world of money and power after he is hired as a chauffeur for an affluent businessman. Rashid Johnson Ashton Sanders, Margaret Qualley, Nick Robinson 7. 4 / 10 A young actor's stormy childhood and early adult years as he struggles to reconcile with his father and deal with his mental health. Alma Har'el Shia LaBeouf, Lucas Hedges, Noah Jupe 6. 1 / 10 Reeling from a one-sided breakup, heartbroken Karen breaks into her ex's lake house. There, she strikes up a complicated relationship with provocative younger woman Lana. Lara Gallagher Otmara Marrero, Sydney Sweeney, Will Brittain The story of a young man who, after losing his mother, goes to work with a doctor specializing in lobotomies and therapies. Rick Alverson Tye Sheridan, Jeff Goldblum, Hannah Gross Muslim teenager Hala copes with the unraveling of her family as she comes into her own. Minhal Baig Geraldine Viswanathan, Jack Kilmer, Gabriel Luna Rent Due tells the story of what happens when two cousins find themselves short on paying their rent. Reggie (Ray Jr. lost his girlfriend, job and home all in the same day while his cousin. See full summary  » Mike Berry Ray Jr., Jasmin Brown, Michael Colyar 6. 8 / 10 A married couple is forced to reckon with their idealized image of their son, adopted from war-torn Eritrea, after an alarming discovery by a devoted high school teacher threatens his status as an all-star student. Julius Onah Naomi Watts, Octavia Spencer, Tim Roth Edit Storyline A suburban teenager comes of age under the destructive guidance of his best friend, an aimless college dropout. Plot Summary Add Synopsis Details Release Date: 28 January 2019 (USA) See more  » Also Known As: Big Time Adolescence Company Credits Technical Specs See full technical specs  » Did You Know? Trivia Pete Davidson's first starring role. See more » Quotes Zeke: You gotta jerk off before you fuck a girl. See more ».

Free online big time adolescence video. Free online big time adolescence test. January 28, 2019 6:51PM PT Pete Davidson plays a charming lout who makes a teenager his buddy in an okay coming-of-age movie that needed more laughs or more depth. Theres a long-standing Hollywood tradition of comic characters (the vast majority, but not all, played by stars of “Saturday Night Live”) who are patently disreputable anti-social f—ups. Its the comedy as rock ‘n roll school of bad behavior, and its exemplars are legend: John Belushi turning wreckage into blissed-out anarchy in “National Lampoons Animal House, ” Bill Murray and his jabbering slob irony in everything from “Meatballs” to “St. Vincent, ” Will Ferrells destructive moronic narcissists, Jim Carreys media-wired lunatics, the revenge-of-the nerd horndog teen partiers of “Superbad. ” So when you first see Pete Davidson in “ Big Time Adolescence, ” where he plays a druggie wastrel loser who, from his look to his attitude, is very Pete Davidson (the forest of tattoos, the platinum hair, the dark-circled popping eyes and teeth-baring sexy chimpanzee smile, the stoned spin he puts on words like dude and sick and word) you naturally assume that hes one of those characters: an outrageous homeboy douche were going to be laughing with, rather than at. He is, maybe slightly. Yet the movie isnt actually that kind of comedy. Davidson plays Zeke, who is 23 years old but still living like the total rudderless dropout he is. He works (barely) at a discount appliance store, sleeps with his ex-girlfriends, and sells drugs to high-school kids on the side; his idea of ambition is to quit his day job and sell more drugs, so that he wont have to work at all. Hes like a blank-generation version of Matthew McConaugheys Wooderson in “Dazed and Confused”: a former high-school stud whos still clinging to the part, even though its starting to look shabby on him. Zeke doesnt have a care in the world, but thats only because he doesnt care about anything, least of all himself. He does, however, have a best friend: Mo (Griffin Gluck) the 16-year-old hero of the movie. Mo is a relatively straight and together kid (with his keen intelligence, sleek good looks, and Howdy Doody haircut, he seems like sophomore class president material) but he becomes Zekes protégé in hanging out and chasing kicks. Zeke drives the kid around, giving him weed, booze, and coarse misogynistic advice in how to get laid, then slipping him increasingly large quantities of drugs to sell at parties — and if that sounds like a slightly inappropriate thing for him to do, it is. Yet to Mo, Zeke is simply the quintessence of cool. (Thats why Mo will do anything he says. And Zeke likes hanging out with Mo because thats how he can keep feeling cool. Davidson, as always, gets you chuckling at the blasé bluntness of his punk self-absorption; he gives a blithely honed and stylish youth-sociopath performance. Yet “ Big Time Adolescence, ” which is less a wild comedy than a relatively straight coming-of-age movie sprinkled with (mild) chuckles, has no illusions about Zeke as a character. He doesnt represent a force of disreputable vitality. Hes just a f—up. And frankly, I wish hed been something more: the kind of character who slays us with his forbidden hilarity — or, barring that, the sort of layered troublemaker who would have taken Davidson at least one level deeper than his comfort zone. But no, hes just there, with no arc and not all that much surprise. Hes the charming lout next door who Mo idolizes and has to outgrow, but the movie would have been more of an adventure if we didnt completely see through Zeke from minute one. I have no idea how autobiographical “Big Time Adolescence” is (or isnt) but Jason Orley, the first-time filmmaker who wrote and directed it, certainly makes it feel like youre watching the anecdotal memoir version of a sowing-your-wild-oats teen flick. Mo sneaks out of the house, blows off his well-meaning but ineffectual father (Jon Cryer) and spends as much time as possible hanging out with high-school seniors, because he thinks thats where the action is. Zeke isnt his only bad influence; so is Jon (Thomas Barbusca) his squirmy classmate in coiffed hair, who gains entrée to a “pimps and hos” party by promising to bring alcohol. The two of them go, and the party looks every bit as depressing as it sounds. Even the “pimps and hos” concept just turns out to be a thin excuse for another routine basement drink-a-thon. The atmosphere of slovenly teen hedonism is authentic, and Orley has a filmmakers instinct for how to let the rhythms of a scene play out. At the party, Mo meets a girl, played by the vibrant Oona Laurence, whos as smart (and cute) as he is, and after gliding past a few getting-to-know-you sarcasms, the two begin to mesh. The connection is real, but Zeke has given Mo his secret for how to win a girl, and it turns out to be his boilerplate version of a “neg”: Lavish all this attention on her, he explains, make a point of pampering her with her favorite latte, and then, just as shes getting hooked…ghost her! She wont know what hit her, and when you finally return, shell be yours. Pete Davidson delivers this loathsome advice with a conviction thats rather unnerving, and Mos attempt to follow it turns out to be the plot of the movie. Boy meets girl, boy woos girl, boy (following Zekes genius counsel. treats girl like trash, then boy discovers that winning her back isnt really so easy. Laurence is like the young Ally Sheedy with more moxie, and Gluck, who never seems less than genuine, registers Mos deep dismay at seeing how wrong he was. But you wish there was more to the movie than that. “Big Time Adolescence” isnt bad, but its a trifle. It kept making me think of teen movies with central characters who go rogue in major ways that had more bite and surprise to them, like “The Perks of Being a Wallflower” or “Edge of Seventeen” or “mid90s. ” The wild card here is supposed to be Pete Davidson. Yet how wild a card can he be if he never seems like anything but a pest pretending to be a rock star? Hong Kong FilMart, Asias largest film and TV trade fair, will be postponed from its scheduled date in March to a new slot in August. The decision was a response to the growing fear of the novel coronavirus which has spread from mainland China to reach more than 20 countries and territories so far. The. The annual Far East Film Festival in Udine, Italy is to add a works-in-progress section to its Focus Asia industry services for the first time this year. The section will be curated by Marie-Pierre Valle, an executive with sales agency Wild Bunch. It will focus on Asian films in post-production, and those which are seeking. For all the kerfuffle that erupted in the spring of 2019 over the visual design of Sonic the Hedgehog, the blue-furred speed-demon mascot of the Sega video game–turned–live-action kiddie adventure, you wish that the creators of “Sonic the Hedgehog, ” who went back and redesigned the character after being pressured (I almost wrote bullied) by his. A new survey has revealed a major mental health crisis is permeating the U. K. film and TV industry, with close to 90% of off-screen professionals experiencing mental health issues on the job – significantly worse than the general population, in which 65% struggle with mental health at work. Commissioned by The Film and TV Charity. Boldly declaring itself “the first musicians union in the country to take a position in the 2020 Democratic primary, ” the 7, 000-member American Federation of Musicians Local 47 announced Wednesday that it has has endorsed Bernie Sanders for president, a little less than three weeks out from the California primary. In making the announcement, the union. By its very nature, science is supposed to be an impartial judge. But is it really? In her thought-provoking documentary “Coded Bias, ” director Shalini Kantayya questions the neutrality of technology, arguing that computers have a built-in bias that reflects the faulty assumptions of the people (usually men) who program them. Her emphasis is on the. In todays film news roundup, “Apollo 13” gets a three-day re-release, “Calm With Horses” gets a home, and Malin Akermans action-comedy “Chick Fight” rounds out its cast. ANNIVERSARY RELEASE “Apollo 13” will be re-released to 600 North American theaters on April 5, 6 and 8, nearly 50 years after the liftoff of the ill-fated 1970.

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Free online big time adolescence lyrics. From the outside, the building at 800 Fourth Street in Liverpool looks about the same as it always has. Other than the name above the entrance, the former A. V. Zogg Middle School  (more recently the Liverpool Community Church) appears as it did upon construction in 1928. But inside, rooms within the Zogg Building have transformed into a dorm room, a hospital wing, editing suites and storage for old movie sets. Since Hollywood writer and director  Jeremy Garelick purchased the building in 2017, film production company American High has produced three films in the Zogg Building, now called Syracuse Studios. The newest film - titled "Big Time Adolescence. is currently in filming on premise and around the Syracuse area. The film brought to town Saturday Night Live's  Pete Davidson (along with fiancee Ariana Grande) rapper and actor Machine Gun Kelly,  Sydney Sweeney and Jon Cryer. Amidst filming, co-owner of American High and a producer for "Big Time Adolescence. Will Phelps, gave an inside look at Syracuse Studios and the beginnings of what Garelick and Phelps hope will become a thriving film industry in Syracuse. Enter the doors of American High and interns - in essence students of Garelick's emerging  film school - rush around the halls with headsets attached to their ears. Many of the interns come from Syracuse University. Down the line, some will be hired officially by Garelick, who hopes to educate students as well as locals in order to build a network of talent in the area for future American High productions. American High will also host classes taught by Garelick or visiting Hollywood filmmakers. To the left of the main entrance, a small room has been converted into the reception room of a doctor's office. Though Phelps couldn't say much about the upcoming film, we do know that "Big Time Adolescence" will feature scenes at a doctor's office or hospital room. As Syracuse Studios creates more small sets within the old school building, it will become possible for a variety of movies to be shot there, said Phelps. "Big Time Adolescence" filming has also taken the crew to local locations like Sylvan Beach. Instead of a patient room, a door off the doctor's office reception room leads to an editing suite. There, Waldemar Centeno, a Los Angeles television and film editor who has worked on shows like ABC's "The Goldbergs. edits scenes shot the previous day. On the walls, crew members have signed the titles of films made by American High so far. Currently, Holly Slept Over. Banana Split" and "Looks that Kill" are written in sharpie. American High will film three more films this year, Phelps said. Though the active sets at Syracuse Studios are off-limits to outsiders, Phelps did offer a glimpse into the world of movie making by showing off the behind-the-scenes work. In the basement of Syracuse Studios, the props storage room looks as full and as eclectic as a Salvation Army. Furniture, books, games, room decor, toys - anything you can think of - fill the room. In the next room over, American High stores its large, wooden set flats from previous movies for possible future use. In the upcoming months and years, American High hopes to expand operations from Syracuse Studiosn - like turning the former gymnasium into a complete sound stage. If "Big Time Adolescence" hits the big screen in the future, Liverpool and Syracuse locals will recognize the exterior of the Zogg Building and the scenes shot around town. The stars of the film have already drawn attention to the area with sightings at local favorites like Funk 'N Waffles, Dinosaur BBQ and Wegmans. Pete Davidson and Machine Gun Kelly even recorded a music video while in town with a shout out to Syracuse at the beginning. Phelps said that the cast of the movie have hit it off - which feels like a testament to Garelick's vision for the Zogg Building and Syracuse Studios. "Pete's insanely funny, he's like a young Adam Sandler. Sydney Sweeney is incredibly talented and  Griffin Gluck is insanely talented. Phelps said. "They've got an insane chemistry - it's like the movie is coming to life. They're hanging out on the weekends and they're all kind of taking on the persona of their characters. Note to readers: if you purchase something through one of our affiliate links we may earn a commission.

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Free online big time adolescence videos. Pete Davidson is set to star in American Highs upcoming drama, “ Big Time Adolescence. ” The feature  will be the  directorial debut of Jason  Orley, who is helming from his own screenplay. The script was included on the 2014 Black List. Will Phelps, Glen Trotiner, Mason Novick, and Jeremy Garelick are producing the movie, which will begin shooting in July. It is the fourth feature from American High, a newly formed partnership between Garelick and Mickey Liddells LD Entertainment. “ Big Time Adolescence ” tells the story of a teenage boy coming of age in his dull suburban town under the destructive guidance of his best friend, a charismatic college dropout (played by Davidson. The other cast members include Griffin Gluck, Sydney Sweeney, Machine Gun Kelly, Thomas Barbusca, Emily Arlook, and Oona Lawrence. “This is a story Ive wanted to tell for a very long time, and I am so unbelievably grateful to the team at American High for giving me the chance to bring it to life, ” said Orley. “I also couldnt think of a better partner than Pete Davidson to lead our incredible cast. ” Davidson has been a featured player on “Saturday Night Live” since 2014. He has also been featured in “Trainwreck” and the recent Netflix feature “Set It Up. ” Veteran festival programmer, Anderson Le has teamed up with a group of Asian-American and Asian filmmakers to launch creative studio East. Its objective is hatching pan-Asian stories for a global audience. The new outfit will have offices in Ho Chi Minh City and Los Angeles and have activities that stretch from development, financing and production. The glitz of the annual Hong Kong Film Awards will be put to one side this year as a response to the coronavirus outbreak. The awards organizing committee said that it remains important to recognize filmmakers efforts. But the awards show will shift from its scheduled mid-April slot and change its format to avoid creating. Picture Tree Intl. has secured global sales rights of Berlin comedy “Nightlife, ” directed by Simon Verhoeven, following his last film “Welcome to Germany, ” which was Germanys comic relief to the refugee crisis. The film sold to more than 60 territories and screened at more than 50 festivals worldwide, while being the No. 1 box office hit. MADRID — Swooping on one of the buzzed-up high-profile Spanish-language titles at Ventana Sur, Film Factory Entertainment has acquired world sales rights to “El Olvido Que Seremos” (“Forgotten Well Be”) starring Javier Cámara (“Talk to Her”) and directed by Academy Award winning writer-director Fernando Trueba (“Belle Epoque”. Produced by Dago García Producciones for Caracol TV. Effie T. Brown joined film financing fund Gamechanger as CEO earlier this year because she wanted to make a difference in the industry. After “Parasites” historic win at the 92nd Academy Awards, she finally feels hopeful. “It was that feeling of — and its a bit of a stretch — ‘Wait, Obama is being elected. Following her Oscar-nominated turn in “Bombshell, ” Margot Robbie looks to have found her next project, signing on to co-star opposite Christian Bale in a new David O. Russell film at New Regency. Russell would direct from his own script. Plot details are being kept under wraps. Matthew Budman, an executive producer on “Joy” and “American. In todays film news roundup, “Postscript, ” “Apeirogon” and “Porgy and Bess” are all being developed as feature films, AMCs Adam Aron will be honored at CinemaCon and SXSW drama “South Mountain” has found distribution. PAGE TO SCREEN “P. S. I Love You” is finally getting a sequel. Alcon Entertainment has acquired film rights to “Postscript, ” the.

Big Time Adolescence movie is currently in Post-Production December 15, 2019 • Filming completed; editing of shot film; music composition and recordings, as well as sound and visual effects being added. Who's Involved: Oona Lawrence, Griffin Gluck, Thomas Barbusca, Machine Gun Kelly, Pete Davidson, Sydney Sweeney, Emily Arlook, Jason Orley Rating: N/A Runtime: 1 hr, 30 m Big Time Adolescence Official stills & photos Big Time Adolescence Plot: What's the story? Story of a teenage boy coming of age in his dull suburban town under the destructive guidance of his best friend, a charismatic college dropout. Poll: Will you see Big Time Adolescence? Big Time Adolescence Cast: Who are the actors? Crew and Production Credits: Who's making Big Time Adolescence? A look at the Big Time Adolescence behind-the-scenes crew and production team. American High Big Time Adolescence Trailers & Videos Production Timeline: When did the Big Time Adolescence come together? On or about December 15, 2019 • The film was in Post-Production status. On or about July 22, 2018 • The film was in Production status. Big Time Adolescence Release Date: When is it coming out? Big Time Adolescence is coming out To Be Announced (TBA. United States TBA Canada TBA Questions: Frequently Asked About Big Time Adolescence Looking for more information on Big Time Adolescence Check out the below links, may contain affiliate links. Across the Web More Info on IMDb.

Bryan Steffy Getty Images It's been a weird year for Pete Davidson. On one hand, he became one of the biggest stars of Saturday Night Live 's modern era, but at the price of a whirlwind relationship with Ariana Grande that became the stuff of tabloid fodder. That led to a scary Instagram post and Davidson quitting social media. After all the drama of 2018, Davidson has emerged at Sundance with a new movie called Big Time Adolescence, which early reviews are saying shows off Davidson's legit acting chops. As Sundance describes the movie: Its funny: humans have been growing up for a really long time, but somehow we still suck at it. Just look at sixteen-year-old Mo (Griffin Gluck. Hes bright enough and comes from a good family, yet his best friend is … Zeke (Pete Davidson. Yeah, that Zeke—the aggressively unmotivated college dropout who used to date Mos older sister. Mos well-meaning dad (Jon Cryer) is less-than-thrilled by this state of affairs. His sister? Woof. So instead of spending his days readying himself for adulthood, young Mo is getting a very different sort of schooling. Zeke favors a nontraditional style with practicals in dealing, partying, and ghosting. Academia this aint. A still from Big Time Adolescence, the move that could transform Pete Davidson into a serious leading man. Sundance After its Sundance debut this week, critics are taking a serious look at Davidson as a leading actor. Natalia Winkelman at the Daily Beast said the movie turns Davidson into a "bona fide movie star. She writes: The films biggest draw is Davidson, who, as lazy, zany Zeke, shines center stage. Its a relief to see the comedian give such a natural performance given his rollercoaster year. USA Today 's Patrick Ryan writes that "If his Adolescence performance is indicative of work to come, this won't be Davidson's last trip to the Park City fest. And the Hollywood Reporter 's John DeFore writes, Pete Davidson is so on-target you might forget all the lines he's flubbed on Saturday Night Live. " It's high praise for Davidson's first lead-role outing (prior to this, he was impressive with a small part in Set It Up) and it comes just as The Hollywood Reporter said on Tuesday that Davidson will star in an untitled comedy directed by Judd Apatow, his first since 2015's Trainwreck with Amy Schumer. And it sounds like the film wasn't at all fun to film. Davidson told Variety that when they were filming in Syracuse, New York, he kept getting in trouble with the police. “It sucked, ” Davidson said. “The whole town of Syracuse blows. Lets be honest, they just found out I was there and tried to arrest me the whole time. The cops, because theres nothing going on there, they were hunting me down the whole time. They tried to arrest me for bringing business to your town. Never again, Syracuse. ” Well, at least he made it through. Meanwhile, after returning to SNL following his social media scare, Davidson and John Mulaney's bit reviewing films went viral. It's starting to look like Davidson's 2019 will be much better than his 2018. Matt Miller Culture Editor Matt is the Culture Editor at Esquire where he covers music, movies, books, and TV—with an emphasis on all things Star Wars, Marvel, and Game of Thrones.


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Free online big time adolescence book. From left to right: Big Time Adolescence" cast members Machine Gun Kelly, aka Colson Baker; Griffin Gluck; Pete Davidson; Sydney Sweeney; and Jon Cryer are pictured in Getty Images file photos. The movie was filmed in the Syracuse area in 2018 through the Liverpool-based American High. A new movie filmed in Central New York is headed to Hulu. Deadline reports the streaming service bought “ Big Time Adolescence ” for 4 million after the film was nominated for the grand jury prize at the 2019 Sundance Film Festival and certified 90 percent “fresh” on Rotten Tomatoes. Its unclear how much the movie cost to make, but the production was described as a “low budget indie. ” The movie was shot last summer around Syracuse through the Liverpool-based production company American High. Written and directed by Jason Orley, “Big Time Adolescence” stars Pete Davidson (“Saturday Night Live”) as a charismatic college dropout who corrupts a 16-year-old virgin (“American Vandal” actor Griffin Gluck) with a growth hormone deficiency. The films cast also includes Colson Baker (better known as rapper Machine Gun Kelly) Syndey Sweeney (“The Handmaids Tale”) Emily Arlook (“Grown-ish”) Thomas Barbusca (“The Mick”) Oona Lawrence (“Petes Dragon”) and Jon Cryer (“Pretty in Pink, ” “Two and a Half Men”. Cryer told THR that he loved doing the movie because he got to punch Davidson in the face. Davidson, who also serves as an executive producer, earned high praise for his first starring role in the comedy-drama, drawing comparisons to Matthew McConaugheys Wooderson in “Dazed & Confused. ” Other reviews compared the coming-of-age film to John Hughes, whose high school comedies were the inspiration for Hollywood filmmaker Jeremy Garelick (“The Wedding Ringer, ” “The Hangover”) when he bought the former A. V. Zogg Middle School in Liverpool, N. Y. The school, now known as Syracuse Studios, is used for shooting high school-set comedies under Garelicks production company American High, as well as a film school for aspiring filmmakers and actors. A release date has not been announced for “Big Time Adolescence. Deadline reports the film is still eyeing a theatrical release, likely before it begins streaming on Hulu. Davidson, who returns to “SNL” for his sixth season later this month, appears to be using “Big Time Adolescence” as a launching point for a film career. He reportedly shot a new star vehicle directed by Judd Apatow this past summer and is in talks for a role in James Gunns upcoming “Suicide Squad" sequel. Davidson, however, may have lost some fans in CNY after he called Syracuse “trash” and claimed that local police targeted him during the film production. “It sucked. The whole town of Syracuse blows, ” the 25-year-old comedian told Variety in January. “To be honest, they just found out I was there and tried to arrest me the entire time. Theres nothing going on there so they were hunting me down the entire time. Davidson was pulled over by Manlius police in Fayetteville, N. Y., in August. He was not charged but his passenger and friend, fellow comedian-actor Joseph “Joey” Gay Jr., was charged with a violation for unlawful possession of marijuana and a fourth-degree felony for possession of concentrated cannabis. Joey Gay pleaded guilty to unlawful possession of marijuana in a plea deal; he paid 225 in cash in fines. Davidson suggested he was targeted because of his celebrity status. He was spotted in public frequently during breaks in filming, including at Destiny USA with superstar pop singer Ariana Grande (his then-fiancee) and local restaurants like Dinosaur Bar-B-Que and Funk 'n Waffles. Davidson and Gay also performed at a charity comedy show at Syracuse Studios. Town of Manlius Police Capt. Kevin Schafer said its officers do not target anyone: “When we stop a vehicle, we dont know whos in it. ” Davidson was driving and pulled over for violating vehicle and traffic law, Schafer told and The Post-Standard. Davidson attempted to return to Syracuse last month for two shows at the Funny Bone at Destiny USA, but canceled days prior due to “unforeseen circumstances. American High is about to begin production on its sixth movie in Liverpool and the surrounding area. The title, cast and director have not been announced, but recent casting calls have sought vintage cars, hundreds of extras and a “special dairy cow. American High also shot “Holly Slept Over, ” “Banana Split, ” “Looks That Kill” and “Sid is Dead" over the past two years. American High co-founder Jeremy Garelick, meanwhile, is set to write and direct a separate high-profile project: A reboot of “Look Whos Talking, ” the 1989 movie that starred Kirstie Alley and John Travolta with Bruce Willis as the voice of a babys inner monologue. Note to readers: if you purchase something through one of our affiliate links we may earn a commission.

Free online big time adolescence stories. Photo: Steve Granitz/WireImage. Pete Davidson has been cast in a movie that's very Pete Davidson-esque. It's called Big Time Adolescence, and it's about a high schooler whose life spins when he comes into contact with a charismatic college dropout. Davidson plays the dropout. Deadline reports that the project, an independent effort, will be financed by American High. Davidson, 24, has been a featured player on Saturday Night Live since he was 20. A stand-up comedian, he has appeared in movies over the years, most recently as Glen Powell's benevolent sidekick in Set It Up. This marks his first starring role in a film. (Or second, if you count his role in the upcoming Big Lebowski spin-off Going Places. Big Time Adolescence is one of Hollywood's fabled Black List screenplays. It appeared on the list of Hollywood's best unproduced screenplays in 2014. It is writer-director Jason Orley's first feature-length project. Machine Gun Kelly, the rapper whom you might recognize from the song "Bad Things" with Camila Cabello, will also star in the film. Oona Laurence, Griffin Gluck, Tomas Barbusca, and Sydney Sweeney (who also stars in The Handmaid's Tale and HBO's upcoming Sharp Objects) have also been cast in Big Time Adolescence.

Free online big time adolescence full. Release date: TBD Studio: N/A Director: Jason Orley MPAA Rating: N/A Screenwriter: Jason Orley Starring: Pete Davidson, Machine Gun Kelly, Griffin Gluck Genre: Drama Plot Summary: The movie, which follows a teen boy coming of age in his dull suburban town under the destructive guidance of his best friend, a charismatic college dropout. EXCLUSIVE: Hulu has acquired the Pete Davidson film Big Time Adolescence in a deal we hear is worth 4 million. The coming-of-age pic, based on Jason Orley s Black List script, reps Orleys directorial debut and follows a teenage boy (Griffin Gluck) in his dull suburban town under the destructive guidance of his best friend, a charismatic college dropout (Davidson. Sydney Sweeney ( The Handmaids Tale) Colson Baker aka Machine Gun Kelly ( The Dirt) Thomas Barbusca ( The Mick) Emily Arlook ( Grown-ish) Oona Laurence ( A Bad Moms Christmas) and Jon Cryer ( Two and a Half Men) also star. The pic made its world premiere at the Sundance Film Festival in January and clocked an immediate 90% fresh on Rotten Tomatoes, with Davidson earning high praise for his strong performance in his first leading role. Related Story Amazon Studios Closing World Rights Deal For Jennifer Kent-Directed 'Alice + Freda Forever. Toronto Jason Orley, Pete Davidson, Colson Baker, Machine Gun Kelly, Griffin Gluck, Jon Cryer, Emily Arlook from ‘Big Time Adolescence Chad Kirkland Big Time Adolescence is the fourth feature from American High, a newly formed partnership between Jeremy Garelick and Mickey Liddells LD Entertainment. We understand Neon remains in talks for theatrical distribution on the pic. Producers are Liddell ( Ben Is Back,  The Zookeepers Wife,  Jackie) Garelick ( The Break-Up, The Wedding Ringer,  Best. Worst. Weekend. Ever. Mason Novick ( Juno,  500 Days of Summer,  Tully) Will Phelps ( Holly Slept Over,  Banana Split) Pete Shilaimon ( Risen, Anthropoid,  Megan Leavey) and Glen Trotiner ( Holly Slept Over,  Banana Split. Big Time Adolescence was also co-produced by Amy Breuer ( Holly Slept Over) with executive producers Ryan Bennett ( Holly Slept Over,  Banana Split) Michael Glassman ( Dog Days,  Fast Color) and Michelle Knudsen ( Queen & Slim,  When We First Met. UTA Independent Film Group is repping worldwide sales. ‘Big Time Adolescence Stars On Jason Orleys Authentic Coming-Of-Age Tale — Sundance Studio Davidson returns to Saturday Night Live  on September 28. Over the summer he shot his feature star vehicle with Judd Apatow directing for Universal. That untitled comedy, which Davidson co-wrote and executive produces, comes out on June 19, 2020. Deadline exclusively reported recently that Davidson is in talks for a cameo in James Gunns upcoming The Suicide Squad, which is about to go into production. Davidson is repped by ICM Partners, Brillstein Entertainment and Gray Krauss Sandler Des Rochers. Orley is repped by UTA, Rise Management and Hansen Jacobson.

Free online big time adolescence 2017. Free online big time adolescence worksheets. The actor stars opposite Griffin Gluck in a conventional but well-acted two-hander. Much about Pete Davidsons unique appeal, as “SNL” comedian and celebrity, has to do with his smirk: a slender half-moon with naughty connotations and an undercurrent of sadness. “ Big Time Adolescence ” provides the first indication of how that smile can tell a story. As the 22-year-old Zeke, the listless college dropout who becomes the rambunctious older-brother figure to 16-year-old Mo (Griffin Gluck) Davidson projects an outward confidence even as the movie makes it clear that his character is full of it. The strength of “Big Time Adolescence” stems from Mo waking up to the real intentions behind that smile. As coming-of-age stories about wayward teens go, writer-director Jason Orleys debut is a sturdy, endearing portrait of youth in revolt that takes few surprising turns. But the two actors sell their dynamic well enough to inject the story with palpable authenticity despite the familiar premise. As Mos handy opening voiceover explains, he first got to know Zeke as the cool boyfriend to Mos older sister; when that relationship fell apart, Mo swooped in, drawn to Zeke and his fellow partying twentysomething pals more than the comparatively drab possibilities of high school social life. Theres no doubt that Zekes hedonistic lifestyle represents a threat to Mos future, but that sense of danger is exactly what draws Mo in. Orleys best sequence comes in the credits, with a slo-mo depiction of the duo drinking beers with an adult crowd after dark, establishing the euphoric escape Mo finds in Zekes carefree life. The rest of the movie revolves around whether Mo will wake up to the danger Zeke poses to Mos own future. Orleys script lingers on Zekes gleeful vulgarity and cocksure attitude, as well as Mos willingness to take it at face value. “You gotta jerk off before you fuck a girl, ” Zeke advises the teen, driving down a suburban road while letting Mo hold the wheel. That might sound innocuous enough, but its only a matter of time before Zeke begins to impact Mo in more perilous fashion, handing him weed and other drugs to sell at underage parties under the guise that it will make the pariah more popular. For a while, it seems to work, as Mos sudden burst of confidence allows him to lure classmate Sophie (Oona Laurence) into a charming date night, which culminates with a late-night drinking session at Zekes home. Mo falls into a long line of horny white kids pursuing first love and geeking out over his first kiss, but “Big Time Adolescence” spikes that formula with Zekes smarmy commentary and destructive behavior. When Mo tries to tell Zeke and his friends about the encounter, they dont just haze the poor kid — they give him a tattoo. Needless to say, these circumstances lead Mos dad (Jon Cryer, in a sensitive turn) to confront Zeke on multiple equations, as the older man attempts to determine whether the wild-eyed reprobate is a role model or simply a glorified babysitter. His logical concerns strike Mo as overblown, but its only a matter of time before their antics lead to bigger trouble: After a car crash leads police officers to investigate the high schools drug-dealing problem, Mo becomes an object of interest and his allegiance to Zeke becomes an open question. “Big Time Adolescence” heads toward a series of complications in a straightforward manner, as if playing “Superbad” Madlibs. It comes as no great surprise when Mo angers family and friends alike, while growing more skeptical of Zeke right on schedule. Once it established its ensemble, the movie hits a series of familiar beats. And while its fun to watch Zeke hang out with his boisterous crowd of likeminded partiers — including an amusing but underutilized Colson Baker (aka Machine Gun Kelly) — the movie ultimately feels too formulaic and safe to match the wild energy they bring to the room. Ultimately, “Big Time Adolescence” works best as a two-hander between a young man who pretends to have wisdom to share, and his disciples eagerness to soak it all in. Gluck, best known at this point for “American Vandal, ” shows real potential for playing stone-faced introverts keen on finding an outlet for their latent desires — but the movies less fixated on his struggle than the way it reflects back on Zekes self-destructive nature. Davidsons first major movie performance doesnt give him a big moment, but its littered with many engaging smaller ones rich with implications about his aimless trajectory. Orleys sharp visual style draws a telling contrast to Zekes sloppy way in the world. Visiting a museum, the pair gaze at an abstract painting that Zeke writes off as “scribbles and dicks, ” before concluding, “Theres more to life than scribbles and dicks. ” That sort of inane observation — both crass and genuine in its quest for meaning — epitomizes the essence of a sturdy dramedy that makes up for its lack of depth in scrappy charm, and a willingness to admit that sometimes the best characters are ones destined to screw everything up. Grade: B “Big Time Adolescence” premiered in the U. S. Dramatic Competition at the 2019 Sundance Film Festival. It is currently seeking distribution. Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.

 

 

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Play 0:00 0:00 Settings Fullscreen level 1. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged on a lawn, and I— I took the one less traveled by, And that has made all the difference. level 2 Love you man! Robert Frost forever! level 1 "Didn't hit one light on the way home. level 1 Hes taking a shortcut obviously. level 2 That's a loophole to avoid DUI level 1 Looks like an off-road vehicle. No problem here. level 1 Not all who wander are lost. level 1 Why do i feel like someone's gonna jump out and scare me at the end level 1 No tire tracks in the snow? Must be crunchy level 2 No snow here, it's dead grass shown in b&w. level 1 I do beg your pardon but I'm driving in your garden level 1 It's the Bandit from Smokey and the Bandit. level 1 That's how the Waze app works and why you get to places faster. level 1 I've done with but with much more gas, fishtailing and flying snow. level 1 This is why teens, or stay at home adults need hand cuffed when not supervised and on a leash when out. You cant expect responsibility out of people who have never exercised it.

Free Online The Roads Not taken. Cosmic ray burst ASC-281B-94973Y47C was never remembered by humanity as having any major effect on the path of history. But, nevertheless, it did. The tightly packed formation of cosmic rays impacted the side of the reaction chamber at incredible velocity, casing a slurry of charged particles to go flying in every direction. As these particles penetrated the reaction chamber, they hit the side of two identical electromagnetic waves that were being focused inside at opposite vectors. They instantly got trapped, and the air around them started to heat up. Within a few nanoseconds, another batch of cosmic rays hit, and the deuterium-tritium mixture inside the chamber erupted in a fireball of nuclear fusion. The guys running the experiment instantly saw something was wrong. Fusion was occurring inside the reaction chamber, but it was too soon - the initiation process hadnt begun yet. The atmosphere inside the device had lit up on its own. One of the university students looked at the camera feed, and immediately recognised what was happening. The way the ball of energy inside the chamber was shaped, and the way it was moving, betrayed what it was to anyone who was familiar with the phenomenon. At any other point in time, ball lightning forming inside the reaction chamber of a fusior would have been seen as a curiosity at most. But now, the students were preparing to run an experiment on the particles released by a sustained fusion reaction, which meant they had almost every related instrument the university was in possession of trained on the device. And this was MIT, so they had a lot of instruments. Inside that steel chamber, all of the minute electromagnetic and electrostatic fluctuations that held ball lightning together were being observed and noted by a dozen instruments. And the overlapping electromagnetic fields that had created this phenomenon in the first place were being traced down by the magnetometers that were supposed to be monitoring the magnetic fields in the room caused by the other experiments they had planned to run. What was going to be a normal experiment on charged particles had turned into something that could revolutionise power production for decades. And at the same time, slow humanitys reach to the stars for centuries. In another timeline, internal electrostatic fusion devices might not have won out over the giant electromagnetic fusion reactors everyone had predicted. In another timeline, more tests might have been carried out on large quantities of high-energy plasmarised deuterium, and not the low temperature deuterium plasmas used in fusors. In another timeline, someone might have noticed the slight changes in gravity around a running tokamak fusion reactor, the ever so subtle warping of spacetime in the presence of their giant amounts of deuterium plasma. But that was not the case. ———— No one ever found out who fired first. Amidst the chaos and destruction, any major amount of information regarding that first launch was lost. We do know that it probably wasnt the Western Alliance or the Eastern Federation, but rather a random terrorist cell. At the end of the day, it didnt matter. The effect was the same no matter who it was. In total over 800 nuclear devices were detonated. The total yield was in the gigatons. No major city survived. Washington and Moscow were hit first, followed by every major military base and population centre. 600 million died. The death toll would have been a lot higher if not for the fact that most of the submarines on patrol either didnt receive firing orders or didnt act on them. On June 17, 2053, the world ended. ———— The Phoenix roars upwards, climbing out of its silo and into the Montana sky atop a pillar of white smoke and clear flames, the thunder from its engines deafening anyone nearby. Leaning over slightly as it soars towards space, it quickly breaks the sound barrier, shockwaves forming around it as it climbs higher and faster. Once it reaches orbit, the faring panels lining the side of the rockets payload deploy, and the spacecraft is cut free. The spacecraft in question was unremarkable, scrounged together from some leftover Gemini and Apollo components that they had found in a nearby museum. But inside, was a man who was making history. Zefram Cochrane has just become the first human to fly through the heavens above Earth since World War III broke out. And, naturally, he will not be the last. There are plenty of guys on Mars who need resupplies fast, and so there is work to be done. The Phoenix and its launch complex could never be used for anything important itself, but that didnt matter. It had proved to the world that even amongst the chaos, manned spaceflight and exploration was still an achievable goal. ———— The X-15C streaked across the North Atlantic, making sweeping s-turns as it slowly decelerated from orbital velocity. After 55 minutes of skipping through the atmosphere, the spaceplane was nearing its landing site, and the pilot started to drop the nose. Not 15 minutes later, with a bang followed by a tremendous screech the landing skids hit the runway, and the aircraft came to a stop. The X-15C We Still Have Hope had just returned from a resupply and crew rotation run with Space Station Freedom, or at least whats left of it. Orbiting 200 miles high, the station, which had just 40 years ago been boosted to 500 miles, was within a hairs breadth of entering the atmosphere when Man managed to regain spaceflight capability after WWIII. Being the only large space station left, since all of the more modern ones like Harmony had been targeted with ASATs the moment war broke out, Freedom is a relic from a long gone era, almost as old as the heavily modified X-15 and Gemini spacecraft that are now servicing it. As the pilot and the passenger sitting behind him unstrap themselves and clamber out of the cramped aircraft, perpetrations are already being completed at Launch Complex 3, all the way on the other side of Ascension Island. The Gemini B Perseverance disconnects its umbilicals with the launch tower, and the engines on the Titan III below it ignite, the huge flames and clouds of smoke being visible from the Space Landing Complex four and a half miles away. As the spacecraft rises into the sky We Still Have Hope is wheeled into a hanger, and engineers start ripping off the spent heat shield tiles. ———— Elon was sitting in the mess hall of Mars Research Outpost 3 when it happened. The news wasnt exactly shocking, per say, everyone had known it was a possibility. But nevertheless the impact was immense. Everyone just froze, looking at the TV screen as the Earth was shattered before their very eyes. It didnt take long for them to come to their senses again, and start thinking about the future. What had just happened ensured they wouldnt be getting resupply runs for decades, probably more. But they didnt need to give up, and abort back to Earth. The base was partially self-sufficient, and with enough work, it could survive until the next resupply missions. It would be hard, but they could do it. The same story played out on the Lunar colonies, and even way out at the bases on Titan and Enceladus. Soon, the Intrepid, powered by its liquid-core NERVA engines was making frequent trips every 3 years between Saturn and Mars, while Starships made trips between the Moon and Mars. Phobos and Saturns rings were utilised as refuelling posts, with nuclear reactors electrolysing hundreds of tons of water every month. After a few years of very hard work, life had started to flourish among the heavens. ———— Space Shuttle Endeavour fired off several pulses of its RCS thrusters as it finally made contact with Freedom. Soon, latches mounted around the docking collar swung into place. The RCS was safed, and umbilical connectors clicked together. Finally the hatch was opened, and the crew of STS-283 greeted the crew of Freedom-137. A few days later, as Endeavour remained docked to Freedom, Perseverance departed for the last time. Not one hour later, it was gliding back to Earth beneath its parawing. Endeavour had started life as a replacement to Challenger, and over the years it had endured much, including having its hanger collapse on top of it after a nuclear blast. But now it was once again working to bring about a new age of spaceflight. Together with Atlantis and Buran, Endeavour was a barely reusable spaceplane from a long gone era. But, it was all the Earth had left, as almost every other spacecraft had been incinerated in a nuclear inferno. Freedom had already become a hub for Earth orbital operations, and now it was becoming a hub for operations throughout the entire solar system. Every now-and-then a Starship would swing by from Luna to say hello, but none of them dared to land. If they did, there was no guarantee they could get back into orbit. Now, that had changed. A Space Shuttle could hold 7 people, even more with a dedicated passenger module. Easy transport between Earth and the planets had become possible. ———— Annnnnd. thats it. What you just read is the intro to a story I will never write. I originally wanted to do something like ‘Transcendent Humanity in the Star Trek universe, where humans never develop the warp drive and end up maxing out all of our other technologies, but my writing skills are just too bad to do that. It took me weeks to write just this intro bit, and I cannot write convincing characters, so Ill probably never finish this. If anyone else wants to take a go at it, feel free to. There isnt anywhere near enough of this on this subreddit, and I just hope this short story will inspire someone with far better skills to do something similar. Also, in the highly unlikely event which will never ever happen ever that someone wants to collaborate with me on this, feel free to DM me. I am an insane (and I mean insane) Star Trek nerd, and I am very good when it comes to aerospace engineering, which means I would be good as a technical advisor. So anyway, sorry readers if you wanted more, but it will probably never happen. I hope you enjoyed the setup though! 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Από τη Βικιπαίδεια, την ελεύθερη εγκυκλοπαίδεια Χαίνσελ και Γκρέτελ Συγγραφέας Αδελφοί Γκριμ Τίτλος Hänsel und Gretel Γλώσσα Γερμανικά Είδος παιδική λογοτεχνία   Σχετικά πολυμέσα δεδομένα ( π   •   σ   •   ε) Το Χάνσελ και Γκρέτελ ( γερμανικά: Hänsel und Gretel ‎) είναι ένα δημοφιλές παραμύθι γερμανικής προέλευσης, που δημοσιεύτηκε αρχικά από τους αδελφούς Γκριμ το 1812. Ο Χάνσελ και η Γκρέτελ είναι δύο αδέλφια, που γίνονται αντικείμενο απαγωγής από μια κανίβαλη μάγισσα που ζει στο δάσος, σε ένα σπίτι κατασκευασμένο από τούρτα, γλυκίσματα και πολλές άλλες λιχουδιές που θα μπορούσε να φανταστεί κανείς. Τα δύο παιδιά δραπετεύουν λόγω του ότι υπερέχουν σε εξυπνάδα. Το παραμύθι έχει αναπαρασταθεί σε διάφορα μέσα, με πιο γνωστή την όπερα Hänsel und Gretel (1893) του Ένγκελμπερτ Χούμπερντινκ. Στο σύστημα κατάταξης παραμυθιών Άαρνε-Τόμσον, το "Χάνσελ και Γκρέτελ" κατατάχθηκε στη Θέση 327. Βρίσκεται στη λίστα: Βιβλία με περισσότερα από 100 εκατομ. αντίτυπα. Πλοκή [ Επεξεργασία, επεξεργασία κώδικα] Εικονογράφηση του Άρθουρ Ράκμαν Η ιστορία λαμβάνει χώρα στη μεσαιωνική Γερμανία. Ο Χάνσελ και η Γκρέτελ είναι τα παιδιά ενός φτωχού ξυλοκόπου. Με το ξέσπασμα ενός λιμού, η γυναίκα του ξυλοκόπου αποφασίζει να πάει τα παιδιά στο δάσος και να τα εγκαταλείψει, για να φροντίσουν μόνα τους τον εαυτό τους, ούτως ώστε εκείνη και ο σύζυγός της να μην πεθάνουν της πείνας. Ο ξυλοκόπος αρχικά αντιτίθεται, αλλά εν τέλει συναινεί διστακτικά στο σχέδιο της συζύγου του. Δε γνώριζαν όμως ότι στην κρεβατοκάμαρα των παιδιών, ο Χάνσελ και η Γκρέτελ τους άκουσαν. Όταν οι γονείς πέφτουν για ύπνο, ο Χάνσελ ξεγλιστρά έξω στο σπίτι και συγκεντρώνει όσα περισσότερα λευκά βότσαλα μπορεί, έπειτα επιστρέφει στο δωμάτιό του, καθησυχάζοντας την Γκρέτελ ότι ο Θεός δε θα τους εγκαταλείψει. Την επόμενη μέρα, η οικογένεια κάνει βόλτα μέσα στο δάσος και ο Χάνσελ φτιάχνει ένα μονοπάτι από λευκά βότσαλα. Αφού οι γονείς τους τους παρατήσουν, ο Χάνσελ και η Γκρέτελ ακολουθούν το μονοπάτι για να γυρίσουν στο σπίτι. Όταν η μητέρα τους τους βλέπει, εξαγριώνεται και τους κλειδώνει στο σπίτι. Ο Χάνσελ και η Γκρέτελ δεν μπορούν να δραπετεύσουν. Το επόμενο πρωί η οικογένεια ταξιδεύει στο δάσος. Ο Χάνσελ παίρνει μια φέτα ψωμί και αφήνει ένα μονοπάτι ψίχουλα, για να επιστρέψουν σπίτι. Πάντως, αφού τους παρατήσουν οι γονείς τους άλλη μία φορά, τα παιδιά διαπιστώνουν ότι τα πουλιά έφαγαν τα ψίχουλα κι έτσι χάθηκαν μέσα στο δάσος. Μετά από μέρες περιπλάνησης, ακολουθούν ένα όμορφο λευκό πουλί σε ένα ξέφωτο, και ανακαλύπτουν ένα μεγάλο εξοχικό σπίτι χτισμένο από μελόψωμο, τούρτες, γλυκά και παράθυρα από ζάχαρη. Πεινασμένα και κουρασμένα, τα παιδιά ξεκινούν να τρώνε τη σκεπή του σπιτιού, όταν ανοίγει η πόρτα και ξεπροβάλλει μια αποκρουστική παλιόγρια και δελεάζει τα παιδιά να μπουν μέσα στο σπίτι, με την υπόσχεση ότι θα τους προσφέρει μαλακά κρεβάτια, γευστικό φαγητό και καυτό μπάνιο. Μπαίνουν μέσα, χωρίς να έχουν επίγνωση ότι η οικοδέσποινά τους είναι μια αιμοδιψής μάγισσα που παρασύρει παιδιά, για να τα μαγειρέψει και να τα φάει. Το επόμενο πρωί, η μάγισσα καθαρίζει το κελί στην αυλή από το προηγούμενο θύμα της. Έπειτα ρίχνει το Χάνσελ μέσα στο κελάρι και αναγκάζει την Γκρέτελ να γίνει η σκλάβα της. Η μάγισσα ταΐζει συνεχώς το Χάνσελ για να παχύνει. Ο Χάνσελ το συνειδητοποιεί και χρησιμοποιεί την τάση της μάγισσας προς όφελός του. Κάθε φορά που η μάγισσα ελέγχει το πόσο πάχυνε ο Χάνσελ, πιάνοντας το δάχτυλό του, εκείνος της βγάζει ένα κόκκαλο που βρήκε στο κελάρι. Λόγω της τύφλωσής της, η μάγισσα ξεγελιέται, σκεπτόμενη ότι ο Χάνσελ είναι πολύ αδύνατος για να φαγωθεί. Μετά από εβδομάδες με το ίδιο αποτέλεσμα, η μάγισσα γίνεται όλο και πιο ανυπόμονη και αποφασίζει να φάει τον Χάνσελ ούτως η άλλως. Την επόμενη μέρα, η μάγισσα προετοιμάζει το φούρνο για το Χάνσελ, αλλά αποφασίζει ότι είναι αρκετά πεινασμένη για να φάει και τη Γκρέτελ. Πείθει την Γκρέτελ να σκύψει μπροστά στον ανοιχτό φούρνο, για να δει αν η φωτιά είναι αρκετά καυτή. Η Γκρέτελ, αισθανόμενη την πρόθεση της μάγισσας, παριστάνει ότι δεν καταλαβαίνει τι εννοεί. Εξοργισμένη, η μάγισσα της δείχνει τί ακριβώς θέλει να κάνει, και η Γκρέτελ τη σπρώχνει μέσα στο φούρνο. Αμπαρώνει την πόρτα, αφήνοντας "το ανίερο πλάσμα να καεί στις στάχτες" ουρλιάζοντας από τον πόνο μέχρις ότου πεθαίνει. Η Γκρέτελ ελευθερώνει το Χάνσελ από το κλουβί και οι δυο τους ανακαλύπτουν ένα βάζο γεμάτο θησαυρούς και πολύτιμους λίθους. Βάζουν τα πετράδια μέσα στα ρούχα τους και παίρνουν το δρόμο του γυρισμού. Μια πάπια μεταφέρει τα δύο παιδιά απέναντι, από μια έκταση νερού, και φτάνοντας πίσω στο σπίτι τους βρίσκουν μόνο τον πατέρα τους που τους αποκαλύπτει ότι η μητέρα τους πέθανε από άγνωστα αίτια. Ο πατέρας τους περνούσε όλες του τις μέρες θρηνώντας για την απώλεια των παιδιών του και χαίρεται όταν τα βλέπει σώα και αβλαβή. Με τον πλούτο της μάγισσας, ζουν όλοι μαζί ευτυχισμένοι. Ιστορικό και Ανάλυση [ Επεξεργασία, επεξεργασία κώδικα] Εικονογράφηση από τον Τέοντορ Χόζεμαν Οι Γιάκομπ και Βίλχελμ Γκριμ άκουσαν το "Χάνσελ και Γκρέτελ" από τη φίλη του Βίλχελμ (και μέλλουσα σύζυγος) Ντόρτσεν Βιλτ [1] και το δημοσίευσαν στο βιβλίο τους το 1812. [2] Στην εκδοχή των Γκριμ, η σύζυγος του ξυλοκόπου είναι η βιολογική μητέρα των παιδιών και η υπαιτιότητα για την εγκατάλειψή τους μοιράζεται εξίσου και σε εκείνη και στον ξυλοκόπο. Σε επόμενες εκδοχές, έγιναν κάποιες μικρές αλλαγές: η σύζυγος έγινε η μητριά των παιδιών, ο ξυλοκόπος είναι αυτός που προτείνει το σχέδιο να παρατήσουν τα παιδιά και γίνονται θρησκευτικές αναφορές. Η σειρά όπου ο κύκνος τα βοηθάει να διασχίσουν το ποτάμι αποτελεί ακόμη μια προσθήκη στις επόμενες εκδοχές. Άλλη αλλαγή ήταν ότι κάποιες εκδοχές ισχυρίστηκαν ότι η μητέρα πέθανε από άγνωστα αίτια, εγκατέλειψε την οικογένεια, ή έμεινε με το σύζυγό της μέχρι το τέλος της ιστορίας. [3] Το παραμύθι ενδεχομένως να προέρχεται από τη μεσαιωνική περίοδο του Μεγάλου Λιμού (1315-1321. 4] που προκάλεσε απελπισμένους ανθρώπους να παρατήσουν τα παιδιά τους, για να φροντίσουν τον εαυτό τους, ή ακόμη να βρουν καταφύγιο στον κανιβαλισμό. Οι λαογράφοι Αϊόνα και Πίτερ Όπι υποδεικνύουν στο βιβλίο The Classic Fairy Tales (1974) ότι το "Χάνσελ και Γκρέτελ" ανήκει σε μία ομάδα ευρωπαϊκών παραμυθιών, κυρίως γνωστά στα Βαλκάνια, όπου παιδιά ξεγελούν αγριάνθρωπους μέσα στην ίδια τους την παγίδα. Το παραμύθι φέρει ομοιότητες στο πρώτο μισό του Σαρλ Περώ Ο Κοντορεβιθούλης (1697) και της Μαντάμ Ντολνόι Finette Cendron (1721. Η σημείωση των Όπι είναι ότι και στα δύο παραμύθια εγκαταλείπονται παιδιά, για να βρουν το δρόμο της επιστροφής ακολουθώντας ένα φτιαχτό μονοπάτι. Στο Finette Cendron, οι Όπι παρατηρούν ότι η ηρωίδα καίει ένα γίγαντα βάζοντάς τον στο φούρνο, με παρόμοιο τρόπο όπως την εξουδετέρωση της μάγισσας από την Γκρέτελ, και τονίζουν ότι το κόλπο του Χάνσελ με το κόκκαλο παρουσιάζεται και σε ένα σουηδικό παραμύθι, αλλά αντί για κόκκαλο είναι κλαδί. Ένα σπίτι φτιαγμένο από γλυκίσματα βρέθηκε σε ένα χειρόγραφο του 14ου αιώνα. [1] Το γεγονός ότι η μητέρα ή μητριά πεθαίνει όταν τα παιδιά σκότωσαν τη μάγισσα, έκανε να θεωρήσουν πολλοί σχολιαστές ότι η μητέρα ή μητριά και η μάγισσα είναι μεταφορικά η ίδια γυναίκα. [5] Στο ρωσικό παραμύθι Η όμορφη Βασιλική, η μητριά παρομοίως στέλνει τη μισητή της θετή κόρη μέσα στο δάσος, για να δανειστεί έναν αναπτήρα από την αδελφή της, που αποδεικνύεται ότι είναι η Μπάμπα Γιαγκά, επίσης κανίβαλη μάγισσα. Εκτός από την επισήμανση της απειλής των παιδιών (όπως επίσης και της εξυπνάδας τους) τα παραμύθια έχουν κοινή ενασχόληση με το φαγητό και με το βλάψιμο των παιδιών: η μητέρα ή μητριά θέλει να αποφύγει την πείνα, ενώ η μάγισσα δελεάζει τα παιδιά να φάνε το σπίτι της από γλυκά, για να τα φάει μετά εκείνη. [6] Άλλο ένα παραμύθι αυτού του τύπου είναι το γαλλικό The Lost Children. [7] Οι Αδελφοί Γκριμ αναγνώρισαν τα Finette Cendron και Ο Κοντορεβιθούλης ως παράλληλες ιστορίες. [8] Πολιτιστική σημασία [ Επεξεργασία, επεξεργασία κώδικα] Το μονοπάτι από ψίχουλα (breadcrumbs) του Χάνσελ και της Γκρέτελ ενέπνευσε το εργαλείο πλοήγησης "breadcrumbs" που επιτρέπει στους χρήστες να διατηρήσουν τα ίχνη της τοποθεσίας τους μέσα από προγράμματα και ντοκουμέντα. [9] Η όπερα Hänsel und Gretel του Ένγκελμπερτ Χούμπερντινκ είναι μία από τις καταξιωμένες όπερες, και θεωρείται μία από τις πιο σημαντικές γερμανικές όπερες. [10] Παραπομπές [ Επεξεργασία, επεξεργασία κώδικα] ↑ 1, 0 1, 1 Opie & Opie 1974, σελ. 237 ↑ Tatar (2002) σελ. 44 ↑ Tatar (2002) σελ. 45 ↑ Raedisch (2013) σελ. 180 ↑ Lüthi 1970, σελ. 64 ↑ Tatar 2002, σελ. 54 ↑ Delarue 1956, σελ. 365 ↑ Tatar 2002, σελ. 72 ↑ Mark Levene (18 Οκτωβρίου 2010. An Introduction to Search Engines and Web Navigation (2nd έκδοση. Wiley. σελ. 221. ISBN   978-0470526842. Ανακτήθηκε στις 24 Ιουνίου 2016. ↑ Upton, George Putnam (1897. The Standard Operas (Google book) 12th έκδοση. Chicago: McClurg. σελίδες 125–129. ISBN   1-60303-367-X. Ανακτήθηκε στις 15 Οκτωβρίου 2007. Εξωτερικοί σύνδεσμοι [ Επεξεργασία, επεξεργασία κώδικα] Project Gutenberg e-text SurLaLune Fairy Tale Pages: The Annotated Hansel and Gretel Original versions and psychological analysis of classic fairy tales, including Hansel and Gretel The Story of Hansel and Gretel Collaboratively illustrated story on Project Bookses A translation of the Grimm's Fairy Tale Hansel and Gretel.

Gretel & hansel official trailer (2020. Conspiracy theorie: what if the swan that helped them out was the ugly duckling. Gretel & hansel 2019. Man The Spider Amazing. Streetmare Night On Elm A. 🤷🏻‍♂️. Xάνσελ και Γκρέτελ: Το "Hunger Game" της μεσαιωνικής Ευρώπης, Nyctophilia Η χρησιμοποιεί cookies για να εξασφαλίσει τη σωστή λειτουργία της, την δυνατότητά σας να επικοινωνήσετε μαζί μας, καθώς και να βελτιώσει την εμπειρία σας στο website. Χρησιμοποιώντας αυτόν τον ιστότοπο, συμφωνείτε με τη χρήση των cookies. Αποδοχή Αναλυτικά.

One of the dumbest trailers for a movie I've ever seen, they did a terrible job putting that together. Gretel & hansel (2020 film. Was Sean okay after this was filmed? Lol. Gretel & hansel director. Το Μικρό Θέατρο Λάρισας κλείνοντας 10 χρόνια συνεπούς παρουσίας στον χώρο του ποιοτικού παιδικού θεάτρου, παρουσιάζει στη Μυτιλήνη στο Δημοτικό θέατρο της πόλης, αυτή την Παρασκευή 31 Ιανουαρίου σε δυο παραστάσεις στις 17. 15 και στις 19. 15 το αγαπημένο παραμύθι των αδελφών Γκριμ «Χάνσελ και Γκρέτελ», που θα μιλήσει στην καρδιά των μικρών και μεγάλων σε κείμενο – σκηνοθεσία Γιώργου Πούλη. Μέσα στο παγωμένο και σκοτεινό δάσος, ο Χάνσελ και η Γκρέτελ περιπλανώνται πάρα πολλή ώρα και ενώ η πείνα τους μεγαλώνει συνεχώς, αντιλαμβάνονται πως έχουν  χαθεί! Ξαφνικά και για καλή τους τύχη βλέπουν ένα πολύ παράξενο σπίτι ανάμεσα στα δέντρα… ένα σπίτι που δεν μοιάζει με τα άλλα. Ένα σπίτι που σίγουρα δεν έχουν ξαναδεί έως τώρα. Η οροφή του, οι τοίχοι του, η πόρτα του και ακόμα-ακόμα και τα παράθυρά του είναι φτιαγμένα από γλυκά, καραμέλες και σοκολάτα! Παντού γλυκά! Αλλά τι είναι μέσα; Μια πολύ καλή γιαγιά που θα τα περιποιηθεί… Έτσι φαίνεται στην αρχή τουλάχιστον γιατί η αλήθεια είναι πως στην συνέχεια άθελά της η μάγισσα θα ενώσει ακόμα περισσότερο τα δύο αδέλφια, θα τα δυναμώσει και θα τα πείσει πως η συνεργασία, η αγάπη & η κατανόηση μεταξύ τους θα τα οδηγήσει πίσω στον αγαπημένο τους πατέρα! Παίζουν και χορεύουν οι ηθοποιοί: Κωνσταντίνος Φερεντούρος, Κατερίνα Γρηγορίου, Νίκος Παπαγιάννης, Μαργαρίτα Τοκατλίδη. Κείμενο – Σκηνοθεσία: ΓΙΩΡΓΟΣ ΠΟΥΛΗΣ Σκηνογραφία: ΕΜΜΑΝΟΥΕΛΑ ΑΛΦΙΕΡΗ Κοστούμια: ΤΕΤΑ ΒΑΣΙΛΑΤΟΥ Σχεδιασμός Φωτισμών: ΔΗΜΗΤΡΗΣ ΝΙΚΟΥ Γραφιστικά: ΣΤΕΛΙΟΣ ΚΑΛΟΓΕΡΑΚΗΣ Ειδικές Κατασκευές: ΘΑΝΑΣΗΣ ΓΡΑΜΜΕΝΟΣ Δημόσιες Σχέσεις: ΜΙΚΡΟ ΘΕΑΤΡΟ ΛΑΡΙΣΑΣ Μουσική Επιμέλεια: ΔΗΜΗΤΡΗΣ ΚΑΡΑΤΖΙΟΣ Ζωγραφική: ΜΙΝΑ ΑΣΗΜΑΚΟΠΟΥΛΟΥ Τεχνικός Σκηνής: ΣΑΚΗΣ ΣΑΚΕΛΛΑΡΙΟΥ Παραγωγή: ΜΙΚΡΟ ΘΕΑΤΡΟ ΛΑΡΙΣΑΣ Διάρκεια: 80 λεπτά (με διάλειμμα) Κρατήσεις – Πληροφορίες: 6974797109 ΠΡΟΠΩΛΗΣΗ: ΒΙΒΛ/ΛΕΙΟ BOOK & ART – 22510 37961 Προπώληση 8 – Ταμείο 10 – INFO – 6974797109 Το Σάββατο 1 η Φεβρουαρίου η παράσταση θα παρουσιασθεί στην Καλλονή, στο Δημοτικό θέατρο Καλλονής ( ώρες 17. 15 & 19. 15) ΠΡΟΠΩΛΗΣΗ: ΒΙΒΛ/ΛΕΙΟ ΤΟΠΟΛΙΝΟ – ΤΗΛ. 22530 24130 Προπώληση 8 – Ταμείο 10 – INFO – 6974797109.

Gretel & hansel film. Gretel & hansel official trailer (2020.

 

Gretel & hansel imdb. Gretel & hansel movie. 2:26 sends shivers down my spine each time. Μια φορά και ένα καιρό, έξω από ένα μεγάλο δάσος, ζούσε ένας ξυλοκόπος τόσο φτωχός, που με δυσκολία εξασφάλιζε κάθε μέρα λίγο ψωμί για τη γυναίκα του και τα δύο του παιδιά, τον Χάνσελ και την Γκρέτελ. Κάποια μέρα, ο φτωχός ξυλοκόπος δεν είχε ούτε αυτό το λίγο ψωμί για την οικογένεια του. Όταν ξάπλωσε το βράδυ να ξεκουραστεί, στριφογυρνούσε στο κρεβάτι του αλλά λύση δεν έβρισκε στο πρόβλημα του. Τότε του μίλησε η γυναίκα του και του είπε: «Ακουσε με άνδρα μου, αύριο το πρωί πάρε τα παιδιά, δώσε τους ένα κομμάτι ψωμί και μετά οδήγησε τα στο δάσος. Όταν φτάσεις βαθιά μέσα στο δάσος, εκεί που είναι πυκνό και δύσβατο, άναψε μία φωτιά και άφησε τα μόνα τους και φύγε. Δεν έχουμε πια τη δυνατότητα να τα συντηρήσουμε». «Αχ γυναίκα μου» απάντησε ο άνδρας, «να αφήσω τα καλά μου τα παιδιά στο δάσος; Θα τα φάνε τα άγρια ζώα! » «Λοιπόν αν δεν συμφωνείς» απάντησε η γυναίκα «τότε θα πρέπει να πεθάνουμε όλοι μαζί από την πείνα» και συνέχισε να επιμένει μέχρι που ο άντρας της συμφώνησε τελικά. Τα παιδιά δεν μπορούσαν να κοιμηθούν από την πείνα και έτσι άκουσαν τον διάλογο των γονιών τους. Η Γκρέτελ θεώρησε ότι αυτό θα είναι το τέλος τους και άρχισε να κλαίει με λυγμούς,  αλλά ο Χάνσελ την παρηγορούσε λέγοντας: «Σταματά Γκρέτελ, και μη φοβάσαι εγώ θα μας βοηθήσω». Μετά σηκώθηκε από το κρεβάτι, έβαλε την ποδίτσα του, άνοιξε σιγά-σιγά την εξώπορτα και βγήκε έξω. Κάτω από το φως του φεγγαριού παρατήρησε χαλικάκια να γυαλίζουν στην αυλή. Ο Χάνσελ μάζεψε όσα μπορούσε και τα έβαλε στην τσέπη της ποδιάς του.  Μετά γύρισε στο σπίτι. «Ηρέμησε Γκρέτελ, κοιμήσου ήρεμα και όλα θα πάνε καλά» είπε στην αδερφή του και ξάπλωσε και αυτός στο κρεβάτι του για να κοιμηθεί. Την άλλη μέρα το πρωί, πριν ακόμη βγει ο ήλιος, ήρθε η μητέρα και ξύπνησε τα παιδιά. «Ξυπνήστε παιδιά, θα πάμε στο δάσος, πάρτε από λίγο ψωμί αλλά μη το φάτε τώρα, κρατήστε το για το μεσημέρι». Η Γκρέτελ πήρε το ψωμί και το έβαλε κάτω από την ποδιά της, καθώς ο Χάνσελ είχε τις τσέπες του γεμάτες με χαλίκια. Μετά ξεκίνησαν όλοι μαζί για το δάσος. Όταν προχώρησαν λίγο, ο Χάνσελ κοντοστάθηκε και κοίταξε προς το σπίτι. Μετά από λίγο ξανασταμάτησε και έψαχνε το σπίτι με τα μάτια του. Το ίδιο έκανε ξανά και ξανά. Ο πατέρας που το είδε αυτό, τον μάλωσε: «Χάνσελ γιατί σταματάς συνεχώς, συγκεντρώσου στο δρόμο και προχώρα». «Αμάν πατέρα! Κοίταγα το άσπρο γατάκι που ανέβηκε στη σκεπή και θέλει να με αποχαιρετήσει». «Χαζούλη δεν είναι το άσπρο γατάκι» του απάντησε η μητέρα «αλλά ο ήλιος που έχει ανατείλει και φαίνεται πάνω από την καμινάδα». Ο Χάνσελ φυσικά δεν κοιτούσε για το γατάκι, αλλά πετούσε κάθε τόσο ένα από τα άσπρα χαλίκια που είχε στις τσέπες  του. Σαν φτάσανε βαθιά μέσα στο δάσος, τους λέει ο πατέρας: «Παιδιά μαζέψτε ξύλα, θα σας ανάψω μια φωτιά για να μη κρυώνετε». Ο Χάνσελ και η Γκρέτελ μάζεψαν πολλά ξύλα μέχρι που σχηματίστηκε μία μεγάλη στοίβα. Μετά άναψαν τα ξύλα και όταν η φωτιά είχε δυναμώσει για τα καλά, τους λέει η μητέρα: «Τώρα ξαπλώστε δίπλα από τη φωτιά, εμείς θα συνεχίσουμε στο δάσος για να κόψουμε ξύλα. Να μας περιμένετε να έρθουμε να σας πάρουμε». Ο Χάνσελ και η Γκρέτελ κάθισαν δίπλα στη φωτιά, μέχρι το μεσημέρι. Τότε φάγανε το λίγο ψωμάκι που τους αναλογούσε. Πίστευαν ότι ο πατέρας έκοβε ακόμη ξύλα, καθώς άκουγαν χτύπους από το τσεκούρι του. Όμως δεν ήταν το τσεκούρι που έκανε τον θόρυβο, αλλά ένα κλαδί που ο πατέρας είχε δέσει σε ένα δέντρο και το οποίο παρέσυρε ο αέρας και το χτυπούσε πέρα δώθε. Στη συνέχεια περίμεναν μέχρι το βράδυ, αλλά ο πατέρας και η μητέρα δεν φάνηκαν και κανείς δεν ήρθε να τους  πάρει. Όταν νύχτωσε για τα καλά, η Γκρέτελ άρχισε να κλαίει, αλλά ο Χάνσελ την παρηγορούσε: «Περίμενε να βγει το φεγγάρι και θα τα καταφέρουμε να γυρίσουμε στο σπίτι». Όταν βγήκε το φεγγάρι την πήρε από το χέρι και ακολούθησαν τα οποία γυάλιζαν με το φως του φεγγαριού και τους έδειχναν το δρόμο για το σπίτι. Έτσι περπατούσαν όλη τη νύχτα και καθώς ξημέρωνε κατάφερεαν να φτάσουνε πίσω στο σπίτι τους. Ο πατέρας χάρηκε πολύ μόλις είδε τα παιδιά του γιατί είχε λυπηθεί πολύ που τα άφησε μόνα. Η μητέρα έκανε και αυτή ότι χάρηκε, αλλά στα κρυφά είχε θυμώσει. Μετά από λίγο καιρό, πάλι δεν υπήρχε ψωμί στο σπίτι και ο Χάνσελ και η Γκρέτελ άκουσαν το βράδυ την μητέρα τους να λέει στον πατέρα: «Την προηγούμενη φορά τα παιδιά βρήκαν το δρόμο για το σπίτι, και εγώ δεν είπα κουβέντα, αλλά τώρα δεν έχει μείνει παρά μισή φραντζόλα ψωμί στο σπίτι. Αύριο πρέπει να οδηγήσεις τα παιδιά πιο βαθιά στο δάσος ώστε να μη μπορούν να βρουν το δρόμο για το σπίτι, αλλιώς κανείς δεν θα μπορέσει να μας σώσει». Του άντρα του φαινόταν πολύ δύσκολο και σκεφτόταν ότι θα είναι καλύτερα να μοιραστεί και την τελευταία μπουκιά με τα παιδιά του. Επειδή όμως τα είχε οδηγήσει ξανά στο δάσος, αισθάνθηκε ότι ούτε τώρα μπορούσε να αρνηθεί στη γυναίκα του. Τα παιδιά άκουσαν και πάλι τη συζήτηση των γονιών τους. Έτσι ο Χάνσελ σηκώθηκε για να μαζέψει χαλίκια, αλλά μόλις έφτασε στην πόρτα την βρήκε κλειδωμένη, καθώς η μητέρα τους την είχε κλειδώσει. Ο Χάνσελ παρηγορούσε και πάλι την Γκρέτελ: «Κοιμήσου αδερφούλα μου, και ο καλός Θεούλης θα μας βοηθήσει». Το πρωί, οι γονείς έδωσαν από ένα κομμάτι ψωμί στα παιδιά, μικρότερο και από το κομμάτι που τους έδωσαν την προηγούμενη φορά, και ξεκίνησαν να πάνε στο δάσος. Στο δρόμο ο Χάνσελ έτριβε το ψωμί και το έκανε ψίχουλα. Κάθε τόσο σταματούσε και πετούσε ένα ψίχουλο. «Γιατί σταματάς συνέχεια και κοιτάς πίσω» τον ρώτησε αυστηρά ο πατέρας. «Συγκεντρώσου στο δρόμο σου». «Α, κοιτάω για το περιστέρι το οποίο κάθεται στη σκεπή και θέλει να με αποχαιρετήσει», είπε ο Χάνσελ. «Χαζούλη, δεν είναι το περιστέρι αλλά ο ήλιος ο οποίος έχει ανατείλει και φαίνεται πάνω από την καμινάδα», του απάντησε ο πατέρας. Αλλά ο Χάνσελ έκανε ψίχουλα όλο του το ψωμί και το πέταξε στο μονοπάτι. Οι γονείς οδήγησαν τα παιδιά βαθύτερα στο δάσος, εκεί όπου δεν είχαν βρεθεί ποτέ  άλλοτε. Πάλι άναψαν μια μεγάλη φωτιά και πάλι είπαν στα παιδιά να καθίσουν και να κοιμηθούν και το απόγευμα θα επέστρεφαν να τα πάρουν. Προς το μεσημέρι η Γκρέτελ μοιράστηκε το ψωμί της με τον Χάνσελ, αφού ο αδερφός της είχε σκορπίσει το δικό του ψωμί στο μονοπάτι. Πέρασε το μεσημέρι, πέρασε και το απόγευμα, αλλά κανείς δεν πήγε να πάρει τα παιδιά. Ο Χάνσελ παρηγορούσε την Γκρέτελ και της έλεγε: «Περίμενε να βγει το φεγγάρι ώστε να μπορώ να δω τα ψίχουλα που έχω σκορπίσει στο δρόμο, θα τα ακολουθήσουμε και θα πάμε στο σπίτι μας». Όταν όμως βγήκε το φεγγάρι, ο Χάνσελ δεν μπόρεσε να βρει τα ψίχουλα, γιατί τα πουλιά του δάσους τα είχαν ήδη φάει. Ο Χάνσελ δεν έχασε το θάρρος του όμως και είπε στην Γκρέτελ ότι θα έβρισκε μόνος του το δρόμο για να βγουν από το δάσος. Όμως πολύ γρήγορα χάθηκαν και περπάτησαν όλη τη νύχτα και όλη τη μέρα μέχρι που αποκοιμήθηκαν από την κούραση. Μετά περπάτησαν άλλη μία μέρα αλλά δεν κατάφεραν να βγουν από το δάσος. Τα παιδιά ήταν πολύ πεινασμένα, καθώς δεν είχαν τίποτε άλλο να φάνε παρά μόνο μερικές άγριες φράουλες που βρήκανε στο δρόμο τους. Αφού περπάτησαν και την επόμενη μέρα μέχρι το μεσημέρι, φτάσανε σε ένα σπίτι το οποίο ήταν φτιαγμένο ολόκληρο από ψωμί, είχε επικάλυψη από γλυκά και τα παράθυρα ήταν από άσπρη ζάχαρη. «Εκεί θα σταθούμε και θα φάμε μέχρι να χορτάσουμε» είπε ο Χάνσελ. «Εγώ θα ξεκινήσω από την σκεπή, εσύ ξεκίνα να τρως από το παράθυρο, που είναι γλυκό και θα σου αρέσει». Μόλις άρχισε η Γκρέτελ να τρωει από τη ζάχαρη άκουσε μία φωνή από μέσα να λέει: «Κρίτσι, κρίτσι κριτσινάκι, ποιος μασουλάει το σπιτάκι» Τα παιδιά απάντησαν: «Κανείς κυρά, κανείς κυρά, Είμαι ο αέρας που φυσά. » Και συνέχισαν να τρώνε. Η Γκρέτελ έσπασε και έβγαλε ένα στρόγγυλο τζάμι από το παράθυρο ενώ ο Χάνσελ έκοψε ένα τεράστιο κομμάτι γλυκό από την σκεπή. Τότε άνοιξε η πόρτα και μια γριά βγήκε  από το σπίτι. Ο Χάνσελ και η Γκρέτελ τρόμαξαν τόσο πολύ που ότι κρατούσαν τους έπεσε από τα χέρια. Η γριά όμως κούνησε το κεφάλι της και είπε: «Αμάν καλά μου παιδιά, αφού κινήσατε και ήρθατε εδώ, ελάτε μέσα μαζί μου» και πήρε τα παιδιά από το χέρι και τα έβαλε στο σπιτάκι. Μέσα τους ετοίμασε καλό φαγητό: Γάλα, και τηγανίτες με ζάχαρη, μήλα και φουντούκια και μετά τους ετοίμασε και δύο ωραία κρεβατάκια. Ο Χάνσελ και η Γκρέτελ ξάπλωσαν και νόμιζαν ότι έφτασαν στον παράδεισο. Η γριά όμως ήταν μια κακιά μάγισσα η οποία παγίδευε τα μικρά παιδάκια. Για να καταφέρει να τα πιάσει είχε φτιάξει αυτό το σπιτάκι με τα ζαχαρωτά. Όποτε κάποιο παιδάκι πήγαινε στο σπιτάκι,  η μάγισσα το έπιανε, το μαγείρευε, το έτρωγε και έκανε μεγάλη γιορτή. Έτσι ήταν πολύ χαρούμενη που ο Χάνσελ και η Γκρέτελ έφτασαν στο σπιτάκι της. Το πρωί πριν ακόμη ξυπνήσουν τα παιδιά, η μάγισσα σηκώθηκε και πήγε στα κρεβατάκια τους μουρμουρίζοντας όλο χαρά: «Ωραίο μεζεδάκι θα έχω! ». Μετά άρπαξε τον Χάνσελ και τον έβαλε σε ένα μικρό κλουβί. Μόλις ξύπνησε ο Χάνσελ είδε ότι είχε γύρω-γύρω κάγκελα και δεν είχε χώρο παρά για να κάνει λίγα βήματα. Την Γκρέτελ όμως την σκούντησε για να την ξυπνήσει και της φώναζε: «Σήκω τεμπέλα, φέρε νερό και πήγαινε στη κουζίνα για να μαγειρέψεις κάτι καλό. Στο κλουβί είναι ο αδερφός σου, τον οποίο θέλω πρώτα να παχύνω και μόλις είναι αρκετά παχύς θα τον φάω. Για αυτό θα πρέπει τώρα να τον ταΐζεις». Η Γκρέτελ τρόμαξε και έκλαιγε, αλλά ήταν αναγκασμένη να κάνει ότι έλεγε η γριά. Η μάγισσα έδινε στον Χάνσελ τα καλύτερα φαγητά, ενώ στην Γκρέτελ έδινε μόνο τσόφλια καβουριών. Κάθε μέρα πήγαινε στο κλουβί και έλεγε: «Χάνσελ βγάλε το δάχτυλο σου για να δω αν είσαι αρκετά παχύς. » Ο Χάνσελ όμως έβγαζε πάντα ένα κοκαλάκι και η μάγισσα αναρωτιόταν πως γίνεται και δεν πάχαινε καθόλου. Μετά από τέσσερις εβδομάδες, η μάγισσα βαρέθηκε να περιμένει και λέει στην Γκρέτελ: «Πήγαινε και φέρε νερό γρήγορα, είτε είναι παχύς ο αδερφός σου είτε όχι, ήρθε η ώρα να τον φάω. Θα ζυμώσω κιόλας ώστε μαζί με τον αδερφό σου να ψήσουμε και πίτα! » Η Γκρέτελ ήταν πολύ λυπημένη αλλά δεν μπορούσε να κάνει αλλιώς οπότε πήγε να φέρει το νερό στο οποίο θα έβραζε ο αδερφός της. Έπειτα η μάγισσα την έβαλε να ανάψει την φωτιά και να κρεμάσει την κατσαρόλα με το νερό. «Πρόσεχε» είπε η μάγισσα «θέλω να ανάψω φωτιά στον φούρνο για να ψήσω το ψωμί». Η Γκρέτελ καθόταν στη κουζίνα και έκλαιγε με πικρά δάκρυα. Σκεφτόταν ότι θα ήταν καλύτερα να τους έτρωγαν τα άγρια θηρία στο δάσος και να πέθαιναν μαζί, παρά να ετοιμάζει τώρα το νερό για να μαγειρέψουν τον ίδιο της τον αδερφό. «Θεούλη μου, βοήθησε μας τα καημένα να ξεφύγουμε! » προσευχήθηκε. Τότε φώναξε η γριά: «Γκρέτελ, έλα εδώ στον φούρνο, » και καθώς έφτασε η Γκρέτελ της είπε: «Κοίτα μέσα αν το ψωμί έχει αρχίσει να παίρνει χρώμα, τα μάτια μου είναι αδύναμα και δεν μπορώ να δω τόσο μακριά. Αν και εσύ δεν μπορείς να δεις τόσο μακριά θα σε βάλω πάνω στο φτυάρι και θα σε σπρώξω μέσα στον φούρνο για να δεις από κοντά». Η κακιά μάγισσα είχε σκοπό, μόλις η Γκρέτελ μπει μέσα στον φούρνο, να τον κλείσει ώστε να ψηθεί μαζί με το ψωμί και τελικά να φάει και αυτήν μαζί με τον αδερφό της! Ο Θεός όμως φώτισε την Γκρέτελ και το κοριτσάκι απάντησε: «Δεν καταλαβαίνω με ποιον τρόπο θα πρέπει να καθίσω πάνω στο φτυάρι, καλύτερα να ανεβείς πρώτα εσύ και να μου δείξεις. » Έτσι η γριά κάθισε στο φτυάρι για να της δείξει και καθώς ήταν πολύ ελαφριά, η Γκρέτελ την έσπρωξε με το φτυάρι όσο πιο βαθιά μπορούσε μέσα στον φούρνο και έκλεισε γρήγορα-γρήγορα την πόρτα και την ασφάλισε. Η γριά άρχισε να φωνάζει και να παραπονιέται αλλά η Γκρέτελ το έβαλε στα πόδια για να μην την ακούει και τελικά η μάγισσα κάηκε. Τότε πήγε η Γκρετελ στον Χάνσελ και άνοιξε την πόρτα του κλουβιού, φωνάζοντας του γεμάτη χαρά: «Βγες έξω Χάνσελ, ελευθερωθήκαμε! ». Τα παιδιά αγκαλιάστηκαν, φιλήθηκαν  και έκλαιγαν από χαρά. Όλο το σπίτι της μάγισσας ήταν γεμάτο με μαργαριτάρια, διαμάντια και άλλες πολύτιμες πέτρες.  Τα παιδιά γέμισαν τις τσέπες τους και έφυγαν ψάχνοντας να βρούνε το δρόμο για το σπίτι τους. Τελικά έφτασαν σε ένα ποτάμι με πολύ νερό και δεν ξέρανε πώς να το περάσουν. Τότε η αδερφούλα είδε ένα άσπρο παπάκι να κολυμπάει πέρα δώθε και του φώναξε: «Αχ καλό μου παπάκι πάρε μας στην πλάτη σου». Όταν την άκουσε, το παπάκι πήγε και την πέρασε στην απέναντι πλευρά του ποταμού. Αμέσως μετά πέρασε και τον αδερφό της απέναντι. Μετά από αυτό βρήκανε τον δρόμο για το σπίτι τους. Μόλις είδαν τα παιδάκια τους οι φτωχοί γονείς, χάρηκαν πάρα πολύ. Είχαν μετανιώσει που τα άφησαν μόνα τους, και δεν είχε περάσει μέρα που να είναι χαρούμενοι όσο έλειπαν τα παιδιά. Χάρη στους θησαυρούς που έφεραν μαζί τους τα παιδιά, η οικογένεια δεν χρειάστηκε ποτέ πια να πεινάσει. Και έζησαν αυτοί καλά και εμείς καλύτερα. Ο Χάνσελ και η Γκρέτελ, το πασίγνωστο παραμύθι των αδελφών Γκριμ, είναι πλούσιο σε μηνύματα. Η υπόθεση αφορά μία μάγισσα, που τρώει μικρά παιδάκια αλλά, όπως στα περισσότερα παραμύθια ο κακός  δεν τα καταφέρνει και στο τέλος «αυτοί ζουν καλά και εμείς καλύτερα! ».

YouTube. Gretel & 26 hansel and griddle. Φαντασίας 2020, Έγχρ. Διάρκεια: 87' Αμερικανοκαναδέζικη ταινία, σκηνοθεσία Όζγουντ Πέρκινς με τους: Σοφία Λίλις, Τσαρλς Μπαμπαλόλα, Άλις Κριγκ Μια φορά κι έναν καιρό μια νεαρή κοπέλα κι ο μικρός αδελφός της αναζητούν στέγη και τροφή σ ένα σκοτεινό δάσος. Θα βρεθούν στο σπίτι μιας γυναίκας που θα τους φιλοξενήσει πρόθυμα, γρήγορα όμως θα υποπτευτούν πως εκείνη κρύβει κάποιο επικίνδυνο μυστικό. Πού παίζεται: Αναλυτικά οι μέρες και ώρες προβολών Η γνώμη των κριτικών Μήτσης / Αθηνόραμα Γαλανού / Εφ. Συντακτών Δανίκας / Πρώτο Θέμα Δημητρόπουλος / News247 Ζουμπουλάκης / Βήμα Καϊμάκης / Athens Voice Χαρμπής / Καθημερινή Οι κριτικές του κοινού Δεν έχουν καταχωρηθεί ακόμα κριτικές από το κοινό Αναλυτικά οι κριτικές του κοινού για αυτή την ταινία Δώσε την κριτική σου * Όνομα * e-mail Σχόλιο Επιθυμώ να λάβω ενημέρωση με email σε περίπτωση απάντησης Trailer Links Επίσημο website της ταινίας IMDB:Γκρέτελ & Χάνσελ Rotten Tomatoes:Γκρέτελ & Χάνσελ AllMovie:Γκρέτελ & Χάνσελ.

Gretel & hansel& 39. january 31. Gretel & hansel end credit scene. Gretel & hansel 3. Gretel & hansel official trailer reaction.

 

 


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Watch Movie Beneath Us Torrents openload youtube at Dailymotion

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STREAM

 

 

  • Directed by: Max Pachman
  • 2019
  • movie Info: The American Dream becomes a nightmare for a group of undocumented day laborers hired by a wealthy couple. What they expect to be their biggest payday turns into a terrifying fight for survival
  • stars: Lynn Collins, Josue Aguirre
  • Ratings: 5,8 / 10 stars

 

My mom's death came unexpectedly during a stressful Christmas season. At the ripe old age of twenty-seven, she collapsed in the kitchen from an apparent heart attack, leaving behind this world and her six year old son. I remember her arguing with my Grandpa, though what they discussed was beyond what my young mind could comprehend. “It's adult stuff, ” they simply responded as I asked. The three of us lived together, my mom, my Grandpa and myself, seeing as my father left long before I was born. Leaving nothing behind but a note saying he wasn't ready for children, running off and never looking back. In his absence, Grandpa had stepped up, taking his place as a father figure. He must've been in his late seventies by the time I was born. Though none of us knew for certain, because he'd always joke about the answer whenever asked. But, even with his advancing age, he never took a day off, always working to provide for the for the family. Despite the sudden onset of her sickness, my mom didn't die immediately. They managed to keep her alive for a week in the hospital, and they worked around the clock to keep her going, doing their best to figure out what had caused her heart to suddenly give up. She spent the remainder of her life in a coma, and I kept her company for as long as I could. My Grandpa would take care of me while waited for her to pass, making sure I ate, and just sitting by my side as I held my mother's hand, desperately wishing for her to come back to me. On the day of her death, my mother briefly regained consciousness. Only awaking to look deep into my eyes, staring intently into my soul, as if she was letting me know everything would be alright. She reached out her hand, grabbing onto mine tightly, and I felt a surge of energy flowing through my body, one filled with pure love and joy, making the hairs on my arms stand up. During that split second, our souls merged for the briefest of moments, and something that had existed within my mother was passed over to me. Then, as quickly as it began, it faded away my, and mother fell silent in her bed, an ominous beep filling the room, as doctors and nurses rushed to her aid. They did what they could to bring her back for a second time, but in the end she was a lost cause. Following her death, Grandpa took me out for burgers and a milkshake. It was a tradition that had started years prior, when he discovered that pretty much any time I felt sad, it could be remedied, or at least helped with a burger and a strawberry milkshake. Though it was just a minor act of kindness, one that couldn't ease the fact of my mom's death, it brought me a sense of normalcy, briefly taking away the feeling that the world had just ended. Two weeks passed, and the funeral had been arranged. We didn't have much family to speak of, but my mom was a well liked person at work, with plenty of friends who showed up to pay their final respects. I'd seen a few of them before; Her boss: Mr. Roberts, and her best friends. But as a kid, I didn't feel all that comfortable around people who were essentially strangers, and it took me a while to get used them. I stood by Grandpa, holding onto his hand tightly, as different people spoke a few words. I listened intently to the stories they told, and thought about my own favorite memories. Then, as I looked up to see the next speaker take the stand, I saw something surrounding all the guests. It was vague as first, hardly noticeable at all, but as people got closer to me, I noticed a clear outline hanging around them, clinging onto each and every person at the funeral. Like an aura radiating out from their bodies, varying in both intensity and emotion. While most were gleaming with strong, brilliant auras, spreading around the church with a sense of hope and joy, others looked darker; Feeling more pitiful and empty, as if their life force was simply lacking, or spread too thin. Among the weak ones, Mr. Roberts stood out with his pitch black aura, his energy paling in comparison to the rest, full of despair and a bizarre feeling of intense agony. He'd looked miserable since the beginning of the funeral, but until then I assumed it to be due to the circumstances. Now, I noticed he carried himself in a strange way, each step he took was a struggle. I turned to my Grandpa, who also had a magnificent aura surrounding him. He immediately noticed that something was bothering me, and quickly got me out of there without asking any questions. I wanted to tell him what I'd seen right then and there, but something within me made me keep quiet, as if telling him would be wrong, an dthat I had to carry the burden on my own. The vision faded as soon as we'd left the funeral, and my Grandpa assumed the mass of people, and that the somber atmosphere was just too much for me. We went home, and I thought that would be the end of it, until a few days later when I overheard Grandpa on the phone mentioning that Mr. Roberts had passed away suddenly, and that he'd send flowers since he had meant a great deal to my mom. Even at a young age, I was able to connect the dots, and realized his horrible aura at the funeral meant he had been only days away from death. Years passed, and the vision had become little more than a distant, childhood memory to be ignored. I started school, and lived a relatively normal life, though a bit of a loner who kept quiet, and without a large family, I was more or less happy. My grandpa took it upon himself to teach me all the important aspects of life. From cooking, washing, reading and math, to more personal issues such as love and respect. As an avid hunter, he even took me along once, teaching me about gun safety and such. After a couple of sessions we both realized it wasn't for me, but I appreciated the effort nonetheless. For all intents and purposes, he was my father. Nevertheless, I kept calling him Grandpa, and he never seemed to mind. The next vision would come to me on the school bus. I sat in my designated seat and listened to music, just doing my best to ignore all the noise around me, as we slowly made our way to class. As I glanced up, I suddenly noticed the same beautiful aura I had seen so Smany years ago, now surrounding all the other kids on the bus, everyone full of hope, unique and magnificent in their own way. everyone except for Lucy. Lucy suffered from Leukemia, which at the time, I didn't understand the severity of. My immature brain still not realizing that death could strike anyone at any moment, regardless of age. Her aura was weak, though not rid of all life force, it had definitely diminished to the point where she was standing on death's doorstep. Lucy was sick, and it had been showing for quite some time. Despite her illness, she kept her great attitude and eternal optimism. Though she was more of an introvert, she was well liked, but kids are immature, and since her diagnosis, many had shied away in fear of her sickness. Knowing exactly what her aura meant, I decided to sit next to her, just to keep her company while she slowly inched towards the end of her line. We started talking, and to my surprise we had a lot in common. Daily bus rides together turned into daily lunches, and before long, we became good friends. During the following months, we spent pretty much every day together, hanging out after school, watching movies, talking about our hopes and desires. She confessed a lot of her inner secrets during out talks. That death wasn't something she'd been prepared for, and that she was horrified of what came after. Then she told me she'd never kissed anyone before, which at the age of thirteen wasn't a big deal, neither of us had any relationship experience, but in her case she feared she would miss out on a lot of important milestones in life. It was through Lucy I learned that with the appropriate amount of focus, I could actually lock in on individual people's aura. Rather than having uncontrolled bouts of my visions, which left me exhausted and confused, I could see each person's aura as I interacted with them. Her aura kept fading as the disease took its course, but despite the vanishing life force, the quality seemed just slightly better. Rather than the dull energy I'd seen on the bus the first day we spoke, there was a glimmer of joy hidden beneath, and even though I couldn't say it for certain, I like to think I made a positive impact. As her birthday came around, I brought her chocolate, flowers and a dinner invitation. A proper date that had been part of her bucket list for the longest time, and I fully intended to make the best of it. We ate at an Italian restaurant, and with our exquisite taste in food, we naturally ordered pizzas. The dinner was followed by a movie. Her pick was horror, which for whatever bizarre reason had always been her favorite. The movie itself wasn't anything beyond average, and as we grew tired and started leaning on each other, I felt truly content with life. I'd almost fallen asleep by the time the movie ended, and just as we lifted or tired heads and turned towards each other, a spark ignited, and we shared our first kiss. It was the purest, and genuinely one of my happiest moments. Even when the kiss itself wasn't the best, being her first and mine as well, our friendship had over the course of a year, flourished into something deeper. One of the most beautiful years of my life, only to immediately be followed by one of the worst. never wanted to die in a hospital. In her mind, an unexpected death at home would be better than a drawn out month in hospice care, full of suffering before her body finally gave out. We'd both just turned fourteen, and I'd come to pick her up for a walk in the snow filled park, during a particularly cold winter. As I arrived, her mother invited me in, explaining that Lucy was getting ready for our date. I knocked on her door, once, twice, and yet she didn't respond. Having seen her weakening aura for the better part of a year, I quickly spiraled into panic. Without hesitation, I barged in to see her lying on the bed, looking as if she was just sleeping, but her aura had completely vanished. No pulse, no breathing. Lucy had died quickly and peacefully from an embolism, all while she waited for our date. Honestly, it wasn't the death on its own that haunted me the most; We'd all expected it, and thus made the most of the short time we had together. What truly tore a hole in my heart was the empty seat on the bus, serving as a constant reminder that Lucy was gone, that I had once again outlived one the most important people in my life. My Grandpa, was naturally just as distraught as myself, and as he had always done, ever since I was a kid, he took me out for burgers and a strawberry milkshake. We talked, and laughed, and I admitted my feelings for Lucy, who'd been my first unofficial girlfriend. Then, just for a moment, with all the emotions brought on by reminiscing, and just mentioning her, gave me another vision. I hadn't intended for it, but I unintentionally got a glimpse of my Grandpa's aura, and I saw that it had rapidly diminished into a bleak version of its former self. “Grandpa, are you feeling alright? ” I asked as a reflex. He gave me a peculiar look before answering. “Of course, kiddo, a bit tired, but I'm as good as ever, ” he said with a smile on his face, but it didn't feel real. There was something unsettling behind his cheerful facade, as if he knew he exactly what I'd seen, that his time on Earth was a limited resource. Time takes its toll, and there's not a single person in this world strong enough to withstand its ever present tide. Grandpa's once bright and fantastic aura had turned dull, and his time would soon come. At that point, I still hadn't told anyone about my gift. Not that it would've mattered, as death would always be an inevitable part of life, one people would rather keep as a surprise. Instead, I decided to spend as much time with him as possible, just as I did with Lucy. Naturally, he was ecstatic to have me around more, though a bit confused to my newfound, clingy behavior. “How old are you anyway? ” I asked him during one of our many lunches. “I'm 105! ” He chuckled. Another false number like he always gave. A few nights later, just as I'd fallen over the edge into the realm of dreams, I was abruptly awoken by sounds down in the garage. I carefully peeked out through the window, to see our car pull away from the driveway, quickly leaving the street. I snuck down, to my Grandpa had gone missing. I tried calling him, but it went straight to voicemail. Then I sat nervously in the kitchen, staring out the window as I awaited his return. Once a couple of hours had passed, I was about ready to call the police, but just as I picked up the phone, he came driving back, parking the car down the street and walking the rest in an attempt at being quiet. As he opened the door, I immediately noticed something that should have been reassuring, but instead it sent a dreadful shiver down my spine. the brief two hours he'd been gone, his aura had grown stronger. Not stronger in the sense that the quality had improved, or even changed, but his actual life force had increased as if he'd gone back several decades in time. “Where were you? ” I blurted out as he walked past the kitchen. “H-hey, kiddo, didn't realize you were still awake, ” he stuttered. “I- I- just went to the pub. Needed time to think, didn't mean to wake you. ” “Think about what? ” “I haven't been feeling like myself lately, just needed to get some thoughts in order. ” At that point his mysterious disappearance gave way to a hint of anger. “And you were drinking and driving? ” “Just half a beer, I would never drive impaired. ” He walked over and hugged me, promising everything was alright, and without any further explanation he said he needed to sleep. Maybe I was naive, and should have dug deeper, but at the time I blindly accepted his explanation, and that was that. A few years passed, and my Grandpa remained his strong, hard working self. I myself had just reached eighteen years of age, which meant I was legally an adult, and had successfully sent out a bunch of college applications to be rejected, while I worked part time. Each year I'd made a tradition out of visiting both my mother's and Lucy's graves on their respective birthdays. I never felt like I'd gotten closure following my mother's death, with the doctors failing to explain what killed her at such a young age. I put flowers on their graves, and spoke to them for an hour, hoping they had found peace on the other side. Even without being particularly religious, it helped me cope with the loss. In the meanwhile, it seemed my Grandpa had developed a ritual of his own, or maybe it was one I just hadn't noticed before. Over time his aura kept growing weaker, and as it did, he would disappear for a couple of days at least once a year, blaming it on either a business trip, or old friends, only to return with an aura as strong as ever. Since I learned to control my ability, I'd seen auras come in all shapes and forms, but never had I seen someone with a fluctuating aura, and with his biannual disappearing acts, I had started to grow suspicious. After some contemplation, I decided to follow him. To prepare for the eventual stalking, I kept a close eye on his constantly diminishing aura, knowing that once it reached a certain point, he'd leave on one of his trips. December quickly rolled around, and he made the excuse that he had to visit an old friend who had fallen ill earlier in the year. With my part time job I'd finally saved up enough money for a car, and in the snowy weather, following him discretely proved to be an easy enough task. He drove a couple of hours over to the next town, and eventually pulled into a street leading to a run down neighborhood. I observed him from afar, and made sure I parked my own car on the next street over. I quickly sprinted over to follow him on foot, while he waited outside the door to an old house. After what felt like an eternity, he knocked a second, and then a third time. Once the door opened, he was greeted by a man in his late eighties; Too frail to keep upright without the support of his cane, and his aura just as feeble. He took one look at my Grandpa, sighed, and invited him inside. I snuck over to one of the windows, and watched them walk into the kitchen. They sat themselves down around a table without speaking a word, and the old man poured them both a tall glass of whiskey. While my Grandpa didn't touch his drink, the old man instantly chugged his own in one large gulp, before snatching the other glass. “How did you find me? ” the man finally asked. My Grandpa responded quietly, inaudible through the window. “And now you've come to collect what little life I have left, huh? All so you can keep on living for another hundred years, ” he said matter of factly, without the faintest hint of surprise or fear. Grandpa didn't respond, he just sat quietly and stared at the man. “Well, I'm half way dead anyway, no point fighting it. ” “Any last wishes, James? ” “How about fuck you? I should have killed you when I had the chance, ” the man said as he chugged his second glass of whiskey. He slammed his empty glass down on the table, and stared into Grandpa's eyes. “Get on with it then. ” After a short moment of intense silence, and the two men staring each other down, my Grandpa reached out his hand, grabbing the old man by his arm. The man instantly froze in place, and his angry expression was replaced by one of intense agony. He tried to pull his arm free, but his muscles were paralyzed by the grip, he could do nothing but watch as his own life force drained. “Fuck you, ” he let out one last time. Within the span of ten seconds, his aura had completely vanished, and he fell over dead on the table, all the while my Grandpa's aura improved ever so slightly. I slumped down on the ground in shock, horrified by what I'd just witnessed. Heartbroken by the fact that the only person I'd relied on since the death of my mother was a murderer. As I heard my Grandfather open the door, I quickly ducked out of sight around a corner, where I patiently waited for him to leave. Once I heard his car drive away, I darted into the house to the dead man's aid, frantically trying to call an ambulance. It felt like hours passed between dialing the number and the ambulance arriving, and be it out of morbid curiosity or the need to figure out how to prevent more deaths, I went searching through the house for answers. The two of them had clearly known each other, and if I was lucky, maybe I could get answers. His mail read: “Gordon Lewis, ” which didn't match what my grandfather had called him, so I figured it could be a fake name. I kept digging, through closets, drawers, and wardrobes, desperate to find any information at all before the paramedics arrived. As I rummaged through his bedroom, I noticed a box stuffed under his bed, marked: “Charles Bishop. ” I opened the box to find newspaper clippings and several bundles of pictures. Some of the older, more worn out photos were sepia toned, and pictured a middle aged man holding a Ring-Necked pheasant he'd hunted, alongside a smiling kid diligently holding onto a rifle. The date on the photo read January 17th 1939, and the back read “Charles and James Bishop, first hunting session. ” The pictures were all dated in the late thirties and early forties, and as I studied them I realized that the man bore a striking resemblance to my grandfather. I grabbed another bundle that seemed to contain pictures from the seventies, and the same man, albeit slightly older, appeared in most of the photographs. It was, without an ounce of doubt, my grandfather, except in the span of the past eighty years, he'd barely aged. Most of the newspaper clippings held stories about mysterious deaths and murders throughout the 20th century, while the rest were just obituaries. At the bottom of the box, I pulled out a much newer photograph, one with the date October 10th 1992. I almost dropped it in shock when I realized I had seen the photo before. It was one of our own family pictures, just my mother, my grandfather, and myself as an infant. I quickly shuffled through the photos again to make a basic timeline. The man who had raised me, who I had called 'Grandpa. for the better part of my life, had to be at the very least, over a century old. As the ambulance arrived with its blaring siren, I collected some photos from the box, and met them at the door. A couple of paramedics barged in while a police officer started questioning me about what I'd seen. At a first glance, the murder scene didn't look suspicious at all, just a heart attack that I happened to witness. A part of me desperately wanted to tell them about my grandfather. That I'd seen him suck the life out of the poor, old man, but I knew that would more than likely put me in a psychiatric institution, and that if he ever figured out that I'd accused him, he might come after me. So, I made my own plan to bring him down. Once I drove home, I snuck in through the garage, which lead into a back room where we stored our hunting equipment. I grabbed one of the rifles, figuring that if I were to confront him, I should at least have the chance to defend myself. I quietly made my way into the kitchen, to find my grandfather sipping on a glass of whiskey, visibly distraught. Without letting him notice me, I put the rifle down behind the corner, and placed myself in the doorway, a safe distance from him. As he noticed me, he tried to shake off his miserable demeanor and quickly put on a fake smile. “Hey kiddo, didn't see you there, where have you been? ” he said, trying to sound casual. Speechless, I just threw the bundle of pictures onto the table. He took one glance and immediately recognized them. “Where did you find these? ” he asked nervously. “I saw you, with that man, ” was all I managed to get out before the words froze in my throat. With the context provided he didn't need to ask what I meant. He knew he'd been caught red handed. “I followed you today, to that house, where you-” the words froze in my throat. He stood up from his chair, wearing a worried expression on is face as he walked towards me. “It's really not what it looks like, ” he started saying. Before he could reach me, I grabbed the rifle and pointed it directly at his chest. “Woa, what are you doing? ” “Stay the fuck away from me, I saw how you killed that man! ” I shouted on the brink of tears. He started backing away with his hands raised. “Please, you- you don't understand, just- just put the gun down. ” I kept the rifle pointed at him with trembling hands, as he backed into a corner, almost falling over. “I saw the photos, I know how you kill people to stay alive, ” I said. He froze in place as I inched closer. “How many have you killed? ” “No, it's not like that, they- they weren't good people, I wouldn't- I- I-” Whether it was the intense emotion of that moment, or if it was just the next stage in my developing ability, I don't know, but something about his aura changed. As if the hundreds of souls he'd stolen started to split apart, enough for me to recognize each individual person he'd killed. Hundreds of lives sacrificed only to give him a few extra years on Earth, and though the vast majority of them were strangers I didn't know, I recognized the old man he'd killed, and I saw one that sent shivers down my spine. mother. “I chose them specifically because they hurt others, please, you have to believe me, ” he begged as I snapped back to attention. “My mother? You- you killed her, ” I said with barely a whisper. “She- she threatened to stop me, I tried to talk her out of it, but she wouldn't listen. I'm- I'm sorry. ” He tried to approach me again, but I quickly pressed him back. “Are you going to kill me? ” he asked in terror. I thought about for a moment, a part of me desperately wanted to pull the trigger, to avenge my mother. Unfortunately, I couldn't separate the monster that stood before me from the man that raised me, a person I still loved and cared for. “No, but I'm going to call the police, ” I said as confidently as I could. I picked up the phone to call the police, looking away for a split second. “Stop that! ” my grandfather shouted as he grabbed onto my rifle, trying to snatch it away from me. As I tried to get it back, I pulled too hard on the trigger, accidentally firing off a shot that hit him straight in his chest. He let go, and without speaking another word, he fell, dead before he even hit the ground. Following the shot, my memory went hazy. I vaguely remember dialing the number, the paramedics showing up along with the police. They asked me several questions, but in the end it was deemed an accident, and with the various aliases the police found linked to my grandfather, no chargers were pressed against me. He had lived an extraordinary long life, at the cost of others. Whether most of the people he killed deserved it or not, I do not know, but I'm certain he didn't do it to better the world. As for me, nothing has been the same following my grandfather's death. Not only because I've been left alone by everyone I ever loved, but because as his life drained from his ancient body, our powers merged into one, and while he knew how to control it, for me it's something that always lurk in the background. I can no longer stay too close to people, because the more time I spend with them, the more I passively drain their life force, stealing it unwillingly as their aura slowly grows weak. Maybe I can learn to control it, or maybe this my grandfather's punishment for killing him. Whatever the case, in a twisted turn of events, I've been given the choice between living forever while those around me die a premature death, or to fade away alone. I've already made my choice, no one will get hurt because of me, so I will observe from afar, letting people know when their time is near in the hopes that they'll make the best of what they have left. In the end, it's not the time we're given that matters, but what we do with it that makes life worthwhile...

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Watch Movie Beneath using. The best defense against revolution is a large middle class - they have something to lose in a revolution so they work to keep the unwashed masses from starting anything, and they keep people believing that even if you can't aspire to a private island, a least you can aspire to own your own home in the suburbs if you work hard and eat all your vegetables. In a lot of nations, this role is served by the military - they get fed well and have a few luxuries, they see how much worse off they could be, so they support the status quo. I'm not saying I want it to happen, because civil war is not going to be fun, but if the middle class actually does get reduced to a sufficiently small group, it's going to get messy.

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Hi, my name is Brandon, and my mom needs your help. I guess I do too, if you can get to me. Either way, I hope you can help me figure out whats going on, and how to help my mom. My sister and I were walking home from school yesterday when we saw a car speeding down the street. My sister pushed me closer to the lawn near us, keeping me away from the incoming car. Shes a great sister, and always does her best to keep me safe and out of trouble. Shes sixteen, and Im ten, but sometimes she seems even older. She always looks so worried about something, but Im afraid to ask what.  When the car drove past, she cursed, which I was going to joke about, but her face was very serious, and she looked even more worried than she usually does. Then she did something she hadnt done since I was a little kid; she picked me up! She told me to wrap my arms around her neck and hold on. I squirmed and complained, not wanting to be treated like a little kid in front of the neighborhood—even though I didnt see anyone outside—but I quickly stopped when she said that something was wrong, and we needed to get home as fast as possible.  I wear a leg brace, from when I fell down the stairs a bit over a week ago. I can walk just fine, but moving any faster is a big hassle, and I get tired very quickly if I try. So, I let her carry me. Even with the weight of my backpack and hers, she practically jogged all the way home, and I waved at the few people we saw on their lawns and in their garages as we went by.  We got home only a few minutes later. The walk usually took up about fifteen minutes. Our Dad was standing on the front porch, and he my sister both shared the same faces of worry. My sister—Linda, I forgot to say—put me down, and she ran up to dad. They whispered for a while, and I heard my dad mention something about it being too early to get more of the medication. He said that he —someone else*—*couldnt do anything for her.   Linda looked up our parents' bedroom window, and then my Dad told me to go to the kitchen and make a snack. Even though I hadnt done much walking, I was still a bit hungry, so I happily agreed. I knew not to ask too many questions when things got serious.   We all headed inside, and Linda and my dad went upstairs. I went to the kitchen and started making a burrito from the leftovers of last night, and waited for the muffled sounds that I knew would come, and could—if I really listened—sometimes hear.  I chewed softly, so that the noise wouldnt cover up any sounds from upstairs, and eventually I heard them. On every occasion—including this one—I'd hear my dads voice, soft and comforting, and my sisters, doing the same. A third sound, sort of like animal growls, was always present, but it would eventually go away, and Id hear my mom start to talk after a while. I usually didnt hear her voice for about ten minutes into all this, and until then, the weird animal noises would get louder or quieter depending on my dads voice.  After it was all done, my sister would come down first, and then my dad shortly after, and mom would a few minutes later. She always looked like she had just woken up, and my dad and sister would always have smiles on their faces; but I knew there was still worry beneath those.  So, I waited, patiently eating my ultra-burrito—beef, shredded cheese, salsa and rice—until the usual happened. I heard footfalls on the steps, and my sister came into the kitchen. She messed up my hair and asked if I saved her some of the ground beef—I did—and went to the fridge for some water. Dad came a few seconds later, and he messed up my hair as well. I knew it was their way of saying, “everything is alright. ” and that made me happy.  By the time mom came into the kitchen, the three of us had made burritos—I was on my second one—and we greeted her happily. Rather than mess up my hair, she kissed me on the forehead and asked about my day. Dad, practically choking on his burrito, quickly asked the same; apologizing for not remembering. We all laughed, and I told them about how we had bacon, egg, and cheese sandwiches on Texas toast and tater tots for lunch, about how we started practicing for the Pacer test in gym, and how Jacob—my best friend—shot a rubber band in the music substitutes coffee cup. I didnt tell them that I had given Jacob the rubber band.  Later, we all went upstairs to what my dad calls the “game room”, and watched some stuff on Netflix in there. It was Friday, and I had already finished most of my homework, so after the movie they said I was free to play video games as late as I wanted—which really meant only until midnight, when the timer for the Wi-Fi shut off and didnt turn on again until 6am.  Near the end of the movie my mom started looking that way, which is sort of like shes hurting, but I can never figure out exactly where. My dad and sister immediately got those looks of worry on their faces, and my dad said I could go play games now if I wanted. The movie hadnt ended, and I really wanted to see what happened, but I knew better than to talk back during times like that, so I went into my room and turned on my PlayStation 4.  I was confused, because my mom only got like that once or twice a week, it had already happened this morning. It happened last week too, the same day that I fell down the stairs after getting up from bed to go get some water. I remember it more than most times because my dad looked pretty shaken up, and unsure of what to do. After a few moments he had eventually given my sister the keys to his car, and she drove me to the hospital while he helped my mother upstairs—who was apparently in one of her moments of pain. I dont remember exactly what had happened, but my sister spoke for me once we got to the hospital; explaining that I had fallen clumsily and awkwardly, landing on my leg. I agreed, even though I for some reason couldnt remember falling.  As I played my game, I heard my mom moan in pain, and my dad and sister trying to calm her down. I heard shuffling footsteps, which passed by my room after a while. Then I heard the door to my parents room close, and my moms moans of pain started to sound like howls. I turned the volume of my headset up, so that all I could hear was the audio of the video game. I stopped trying to listen, and instead focused on the gameplay. After a few minutes and kills, Linda opened my door and peeked in, and I gave her a smile. She shot one back, but still looked extremely worried; sad, even. She then quickly looked away, and hurried off; forgetting to close my door.  I really hated when they did that—leaving it open. So, I took off my headset—which was wired, and too short to keep on to reach the door—and went over to close it.  Without my headset, and with the door open, I could clearly hear the sounds coming from my mom and dads room. That weird, animal-like growling noise was the loudest, and beneath it I heard my dad and Linda talking fast and harshly. There were other sounds, too. Something that sounded like scraping, and slapping. I knew I shouldnt listen in, knew that I should just close my door and ignore it, but the sounds were so weird, and I was so curious.  I had never questioned them, and always did what my parents said, but I was worried too, and wasnt a little kid anymore. If I could play violent games and watch scary movies, I could know what was going on with my own mom.  So, disobeying my dad for the first time—to his knowledge, at least—I crept out of my room, down the hall, and up to the closed door of their room. I put my ear to the door and listened. I heard those strange noises, which at that point had become very creepy. The weirdest thing about them was that they sounded familiar; even though I was sure that I hadnt heard any animal sound like that. I heard footsteps walking around what mustve been the bed, and I assumed they belonged to my dad and Linda. My mom rarely left the bed when she started having pains.  The animal noises rose from the muffled growls of before to angry-sounding shouts, and I heard the footsteps that I assumed belonged to my Dad and Linda scramble away from the bed. Things were silent for a while, and then another angry, animal cry erupted, and even shook the house! It was so loud that I gasped, but thankfully the sound of the shaking house covered it up. My dad, in a voice that sounded totally scared, said:  “Hey, its okay. Just calm down and well get you through this. Linda and I, see? Shes right there. Im right here. Just relax and well help you get to sleep. ”  I heard him approach the bed, slowly and carefully, and the animal voice responded with a low grumbling, but did not roar again. From the other side of the bed I heard my sister come closer as well. My mom, who I had figured out to be responsible for the animal noises, kept up a low, belly-deep growl, but did not shout at either of them. I was relieved, happy that my dad had managed to calm her down. Feeling a bit ashamed for having listened, I started to turn back, but then I heard something which froze me in place.  From within the room I heard a voice somewhat different from the animal one—a voice that was much calmer, and for some reason its calmness made me uneasy.  “The boy is listening. Let me see him. ”  My dad, who had been whispering calming things to my mom, stopped talking at once, and all the other sounds within the room quieted. I heard Linda, in a voice that sounded like she was crying, say, “Please. No. Not again. ” My dad pretty much repeated what she had said, and he hadnt even tried to hold back the sounds of his sobbing.  Before I could run, or call out an apology, or even think to do anything, the door opened, and I saw it all.  My mom was lying on the bed, with a blanket tightly laid over her legs. The ends of the blanket had been tucked beneath the mattress, as if it was meant to hold her down. Her head rested on a pillow, and her eyes were closed. Her thick brown hair was draped over the pillow, and her face was slick with sweat. Her arms were crossed across her chest. She was obviously sleeping.  My Dad and Linda stood on each side of her, and both had turned to me with expressions of utter horror. I smiled, sheepishly, and—out of nervousness—waved. My dad choked out a noise, which sounded vaguely like “No”, and Linda just stared; open-mouthed and wide-eyed.  Then I realized something odd—beyond their shocked expressions. Mom was on the bed, and Linda and Dad flanked her. So, who had opened the door?  As I asked myself this question, I heard that same animal growling of before, and even though my eyes flicked to my mom, I realized that the sounds hadnt actually been coming from her. The growling originated above me, and my dad and sister both cried out.  Before I could look, something wrapped itself around my neck and pulled me up, as if it meant to hang me. I struggled, and my hands clamped around something felt unusually soft. I could dig my fingers into it, could brace it with my hands and feel something, but it didnt feel solid; didnt feel like it had any real substance.  My dad ran forward to try and help, but whatever had grabbed me had other limbs or hands, and knocked him back roughly. My sister screamed, and grabbed the lamp from the nightstand beside the bed. As my vision became red, and my breathing became hard, she hurled the lamp at something above me, and I was released from the hold of whatever monster had grabbed me. I heard it roar in pain or anger, and before I could thank her, Linda had scooped me up and carried me out of the room.  We ran down the hall until we reached the door of her room, which she kicked open. She set me down on the bed, closed the door, and told me to help her move her bookcase in front of it. I asked about dad, reminded her that he was still trapped in there, but she yelled at me to obey her. I did, reluctantly, and we blocked the door with the tall wooden case. I again asked about dad, and she insisted that he was safe, that the thing wasnt after him.  When I asked who it was after, she started crying, then went and sat on the bed. I didnt know what to do, so I just stood there, half-listening to her crying, half-listening for any sounds of some approaching creature. After a few seconds she wiped her face with the sleeve of her cardigan, then silently motioned for me to come sit by her on the bed. I did as she wanted, and she put an arm around me.  “Do you know what happened before you were born? ” She was eerily calm as she asked this, as if remembering something terrible that could only be spoken from a distant and deeply sad state of mind. I shook my head, assuming she hadnt meant her birth, or any of the moments of her childhood I knew about. She nodded, and continued.  “When you were still in momomach, still a baby inside of her, there was another kid in there as well. Mom and dad were told that they were having twins. But a few months into the pregnancy, the other twin vanished. Disappeared from her belly. You were of course born once it was time for her to give birth. ”  I looked at her, confused, but she didnt offer any other information beyond that brief story. “What happened to it? Where did it go? ” I didnt want to say the word, but I knew that somehow it had died.  “Doctors said that it was an abnormality—a weird event—of birth. A lot of complicated science stuff goes on with the body, and things dont always happen the way they should. ” She looked extremely sad as she said this.  “So, is this related to why mom has always been sick? ” I was starting to piece things together, I thought.  “Yes, in a way. Normally, when such a thing happens, parts of the other baby are absorbed by the remaining baby. It doesnt ‘vanish from thin air, or anything. But somehow” she struggles here, and the tears gather in her eyes again, “somehow, the other baby, your twin, survived. It persisted as something else, and lived in our moms body. There is a man who has been helping us with this situation. Hes the one you saw driving very fast away from our home earlier that day. ”  “What does he do? ” I didnt mean to interrupt, and knew she was going to tell me, but I was so curious about this other baby that shouldve been born with me.  She smiled, tears falling down her face, and continued. “Hes a kind of doctor. This other baby, it lives on in our mom, somehow. As a sentient—er, aware—clump of cells, I guess. Its able to think, to feel, and sometimes tries really hard to do those things through our mom. So hard that it makes her sick. This is where the doctor comes in. He gives her medication that basically quiets the unborn baby, and allows her to feel okay. Years ago, when you were younger, the other baby only tried to talk once or twice every few months. But as the years go by, it gets stronger, and tries to talk more often. The medication is expensive, and aside from that, hard to make in the way we need it. ”  A sound from down the hall interrupted her, and I heard something approaching her bedroom door. The noise was odd, because it sounded like someone walking, but as if they wore only one shoe, and if that shoe were actually a really heavy boot; compared to the relative softness of the other.  Thud for one foot, and a soft pat for the other. It was easy to tell between the two on our hardwood floor.  Linda looked terrified, and had involuntarily grabbed my arm. I put my hands on hers, and told her the bookcase would hold—even though I had no idea if it would. I urged her to continue the story, and she did—while keeping an eye on the door.  “See, mom loves you. She loves me. Shes a great mom, and wouldnt think for a second to let either of us come to harm. And well, she feels the same way about the unborn child. She could, you know. ” I nodded, understanding what she meant. “with the medication, with a high enough dosage. But she cant bring herself to do it. So, she just keeps it quiet for as long as she can, and bears the pain when it crops up. But even though shes tolerated it, even though shes loved it despite the pain it brings her, its not satisfied. It wants to be born. ”  The noises outside her room finally reached the door. What sounded like someone blowing, or the wind coming through a window and hitting a curtain, beat softly against the door. A few books shifted, but otherwise the door was holding strongly.  Linda continued. “One day last week, the other child got really upset. We didnt have much of the medication with us, so we could only give mom a small dose. It wasnt enough, and the thing broke out of her while she slept. Were still now sure how, but apparently it can manifest—come into the world—as a spirit of some kind, or a sort of elemental specter. Like those enemies in that fantasy game you like, where you need a weapon with a special type of enchantment in order to deal damage to them. Well, it got loose, and unfortunately it did so at the same time you happened to be going to get a glass of water. ”  Then, for the first time since it happened, I remembered. I woke up, weirdly thirsty. The air in my room felt very dry, and I couldnt manage to go back to sleep. I got out of bed and left my room, intending to go downstairs to get some water. Before I could go down one step, I felt something wrap around my leg. I dont remember the pain exactly; I know it hurt, and I know it hurt so much that I almost passed out, and only really became aware of things once Linda and I had arrived at the hospital. I never saw what had grabbed me, so I believed that Id just fallen down the stairs.  Linda bent down towards my leg, and started removing my cast and brace. I asked what she was doing, and she said that she was showing me the truth.  When she removed everything and lifted up my pant leg, I saw my leg bare for the first time since the accident. A thick black line, like an unsteady paintbrush stroke, wound up around my leg, from my foot to my kneecap. The blackened skin looked hard, but was soft to the touch when I felt it. Only a few small areas of the skin werent stained by the blackness. I didnt feel any pain, but there was a strange hollowness about the leg, that I cant really describe as anything other than that. Even though the leg was there, something about it felt missing.  “It seized you. It took some of your leg. Nothing to keep you from walking and using it, but stole enough for it to have an idea of what having a leg is like. ”  “Why? ” I asked, with obvious fear in my voice. The barricaded door was still holding.  “Because it resents you for being the one to survive. It wants to be you. Or wants your body. Or wants to copy it. Im not sure, and mom never tells us more than that. ”  Just then, we heard the noises against the door stop, and our dads voice replaced them. “Linda? Brandon? Where are you? ”  “Were in here! ” We said in unison. Linda hopped off the bed, and I joined her; hobbling behind, leaving my brace on the bed. We moved the bookcase aside, and opened the door. Our dad stood there, looking a bit roughed up, but otherwise alright. He looked down at me and started to stutter out something, but Linda interrupted him, saying, “He knows. ”  Dad nodded grimly, then turned to Linda and said that mom had managed to pull it back, but not for long. He told her to take me away from the house for a while. She argued, saying that she wasnt leaving him, but he cut her off and firmly ordered her to do as he said. Im sure Linda wouldve protested more, if dad hadnt suddenly been pulled to the ground. Before we could grab him, he was dragged across the floor back towards his room, and violently thrown inside. I saw his body hit the wall hard before the door slammed shut. Linda screamed and ran forward, but I was too terrified to move. She ran straight ahead but something—something invisible—stopped her and she fell back onto her butt. She was then raised up into the air, as if something had grabbed her by the throat and lifted her up. She was suspended there for a moment, then whatever held her slammed her against the wall. She was slammed, over and over, by some invisible and powerful force. She screamed the first few times, then went suddenly quiet. Despite this, she was still slammed against the wall a couple times more. A dark patch of red—barely visible in the darkness of the hall—had stained the wall. When Lindas body was totally limp, and horribly smashed, the force that held her tossed her body down the stairs.  I had stood there, the whole time, watching my sister be killed. It wasnt until I heard her body land downstairs that I finally thought to act, to do something. I ran back into her room and shut the door. Using all my strength, I managed to push the bookcase back in front of it, barricading myself in.  I then heard those weird, mismatched footsteps approach the door again. The windy, breath-like sound attacked the door, louder this time, and I stumbled to the bed. Lindas laptop was on the bed, and I grabbed it and held it against myself while sitting in the corner. The sounds continued for a while, then stopped.  I didnt want to open the door and check on if the thing was still out there, knew even at my age that that was a dumb idea. So, I just listened closely. It mustve known that I was listening, because I heard that same voice which had spoken earlier; moments before I was grabbed by the neck while standing in the doorway of my parents room.  The voice said: “Brother? May I borrow a sock? My foot is so cold. ”  That was an hour ago. When I did not respond, it laughed, and the power went out a bit later. I dont know what its planning, but the bookcase seems to be strong enough to hold it, even if it could somehow managed to break the door.  I dont have a phone of my own—too young to—and Linda mustve had hers in her pocket when she. I opened her laptop and figured that I may as well write and post somewhere about what happened. Someone, please help us. I know Linda is gone, but my mom and dad could still be alive. Right? Please, you have to help us.


Watch Movie Beneath.
Watch movie beneath usa.
Watch Movie Beneath us.

Watch movie beneath 2013. Ill never forget it. The day I subscribed to unimaginable sorrow. I didnt know what I was doing. I know I cant be blamed for it. I was young and naïve. “Here Danny this is how you play! You prick your finger like this, and then you write your name with the blood, fold it up, make your wish, and burn it in the candle. ” Came 10-year-old Marks voice. I watched as he held the paper out over the candle that sat centered in the middle of our sloppily drawn pentagram. “Here you try. ” He handed me a small piece of ripped paper. I never considered what the consequences could be. “What did you wish for Mark? ” I asked trying to figure something out. “If I tell you it wont come true. ” I shouldve known that. Thats how birthday wishes work to. After some careful consideration I decided to wish that Zack would get hurt super badly. Zack was my school bully and I hated him. I pricked my finger with the needle and wrote my name with the small amount of blood. I held it over the candle and only released it when the flame began to burn my finger. A few weeks later Zack was in a horrible car accident. Both his parents and sister were killed, and he was left in a wheelchair. I had wanted Zack to get hurt, but not like this. His family didnt deserve any of that. I was traumatized by the incident, but I never told anyone that it was my wish. I Asked Mark if his wish came true and he got mad at me and stopped talking to me. In my head that confirmed it. I decided I would never mess with this stuff again. Years later, during college I met Jackie. She was curt, matter of fact, blunt. She dressed in loose jeans and dirty flannels, giving the image that she didnt care about her appearance. I really didnt care for her as a person, bit was forced to work with her on a project regarding the intricacies of modern art. I was only taking an art class an elective because I enjoyed drawing, but my major was Computer Science. She was okay to work with and did her part well enough. I managed to graduate with an associates degree and got a decent job working for a large semi-conductor company. “Happy one-year anniversary Danny. Make sure to check the company website and make your 10 hours of vacation are added. ” My bosss voice conveyed no congratulatory tone. He handed me a cupcake with a “one” shaped candle and walked away from desk. I finished work for the day and decided to stop for some coffee on my way home. I wanted to get the deck re-painted before the sun went down and needed an extra kick after a long day. I was waiting for my Coffee when I heard my name. “Danny? Is that you Danny? ” Came a female voice. I turned and found myself looking at a rather pretty girl about my age. She seemed familiar but I couldnt a figure it out. “Yes, do I know you? ” I asked with no small amount of suspicion. She laughed in a manner I found rather cute. “Yes, you do. ” She stated flatly, waiting for me to recognize her. After a moment she sighed. “Its Jackie. Im Jackie from college. Remember the super boring art project? ” She inquired. I was stunned, and apparently my face showed it. “Pick your jaw up, you look like an idiot, ” she teased with a laugh. We both got our coffee and sat at a table to catch up. When we decided to leave, I worked up some courage and asked her for her number. “Oh, I get it, now youre into me, but in college I wasnt good enough for you? ” She teased with a gleam in her eye. I shrugged apologetically and decided to play her game right back. “To be fair, in college you dressed like a bum. Acted like it to if I remember correctly, ” I fired back with a smirk. I was sifting through my memories, trying to remember if she had ever showed any interest in me. She sat up in her chair for a moment with a look of surprise, and then settled back down, resting her chin on her fist. “Touché, ” she conceited. A small smile appeared on her lips. “Hand me your phone. I think that I would like to see you again after all. ” I couldnt help but feel a little flattered. Again, I wore my emotions on my sleeve, and she saw right through me. “Your blushing, ” She stated. I could feel my cheeks get a bit hotter. She giggled that cute giggle again, and with that we said our goodbyes and headed our separate ways. We continued dating for some time. Things were going incredibly well. We spent many evenings out together, frequenting bars and clubs, or sitting at home, watching movies and shows with just each other as company. We decided she would move into my apartment, as it was larger and closer to her work. To commemorate the occasion, we got a kitten. Despite Jackies tomboyish nature, she insisted that we name it Mittens. I avoided using the name at every possible chance, preferring just to call it cat. I could feel second hand embarrassment every time she would say its name in her baby voice. It was a few months later that the big news came. Jackie was pregnant. I was overjoyed. I was scared. I was happy. I was sad. Emotions flowed through me like a river, but they eventually stabilized, and I felt nothing but excitement. While the pregnancy was not planned, we were financially okay, and I was planning to propose anyway. I had a dream that night. A lone candle burns in a dark room. The flame grows larger and begins to stutter. From the flames a piece of torn paper emerges. The paper floats wistfully into the air, unfolding. Written on blood on the paper is the word “Danny. ” A white flash. A car is driving through a four way stop light. They have the green. They start driving and are immediately struck in the side by a large SUV that ran a red. Two dead adults in the front. A dead young girl in the back. Zack, unconscious and bleeding in the back, legs crushed. An unfamiliar young boy stands next to the ruined car, staring at me, his hands coated in blood. I woke to up a loud booming in the hallway. I looked to the door as the pounding approached. “Rooaar, I am wifezilla! ” Jackies voice rang out as she entered the room dressed in sweats with her hair frizzy and unkempt. I smiled as I looked at her, my dark dream fading into the back of my mind as the woman I loved filled me with light. I decided this was the moment. “Well, actually you arent Wifezilla, ” I said to her as I casually reached under the bed and grabbed the ring from out of her line of sight. I could almost feel her gaze piercing the back of my head. “However, ” I continued as I dropped to one knee in-front of her, “I would like you to be. Jackie, you have made me the happiest man alive, and know that sounds cliché but I dont know how else to word it. I cant wait any longer. Will you marry me? ” I opened the black velvet box, revealing a sparkling diamond ring. She fell to her knees with me and gave me a resounding, tear filled “Yes. ” The baby was born nine months later, healthy as could be. Soon after we were happily married. We bought a new house together, a nice place to start our family together. The cat had a hard time adapting and kept peeing in random places, but after a few months started to use the litter box again. During that time, we shared many secrets and shames, and she became the first one I ever told of how I had wished for Zack to be hurt. She had hugged me and said there was no way it could be my fault, and our life together moved on. “Vroom here comes the airplane, ”I said playfully as I tried to get Ethan to eat his food. He smiled happily until the food entered his mouth. His face scrunched and he began crying loudly. I figured I wouldnt like mashed carrot either. After picking him up and calming him down I decided to try one more time. I placed the baby food on the table beside me and tried to feed him. He screamed again, and I heard glass shatter. I looked down and saw the baby food on the ground, shattered glass and orange mush flung all over the floor. I mustve bumped the table? It was the only explanation. He was just old enough now that he started to sleep in the crib. He showed incredible dexterity and was able to climb out the crib if we didnt raise the gate correctly. He did not like the crib. He cried every night unless he fell asleep with us. We let him lay with us until he was asleep, and then would carefully transfer him to his crib. In the middle of the night I woke to my door creaking open. I strained my eyes in the dark, trying to see what opened it, but it was useless. Quick as a dart I turned on my bedside lamp only to find Ethan in the doorway. My heartbeat began to normalize when I realized there was no danger. Upon returning him to his crib I noticed that somehow, the gate had been lowered. By the time Ethan was two years old he was finally sleeping in his own bed. On this particular night we had decided to stay up late to watch a movie together. Ethan snuggled with Jackie, and we watched Pixars newest movie as a family. Ethan pointed to the floor at his sippy cup and looked back up at Jackie. She set him down to go get it when he accidentally stepped on the cats tail. Mittens back arched, and with a loud hiss she scratched Ethans arm before darting off into another room. Ethan cried loudly, a small amount of blood seeping through the shallow wound. After some comforting and a bandage, we were able to calm him and send him to sleep. In the middle of the night we were woken by a loud, violent yowl. There was a crash, another loud yowl, and then nothing. Jackie and I both jumped out of bed and ran to see what was happening. In the kitchen we found Ethan sitting, drinking happily from his sippy cup. Not four feet from him was Mittens. I heard Jackie stifle a gasp. Mittens neck was turned at an impossible angle, clearly broken. A small amount of blood dripped from her mouth. We looked for intruders but found no sign of forced entry. We never had an explanation. I suspected Ethan, but Jackie wouldnt hear of it. Ethan was seven now. He was in the middle of second grade. He had been doing well in school and was learning to write. We received a call from his teacher, Mrs. Connie. We were told he written a rather inappropriate story and were asked for a parent teacher conference. When we arrived, we were told that Ethans behavior had begun to degrade. He was starting to lose friends because he was being mean to them. We told the teacher that at home Ethan acted as normal as ever. She handed us his sloppily written story: I have a cat. Her name is Mittens. Mittens is nice to me. Mittens is soft. One day Mittens was mean to me, so I gave myself to the other me, and he made Mittens go away. The story sent shivers down my spine and all but confirmed what I had already suspected. Jackie only scoffed at the idea of her angel doing something so brutal. Besides it wouldnt even be physically possible, given his age at the time, right? We thanked Mrs. Connie for her time and headed home. Once home, we sat Ethan down to have a talk about his story. “Ethan, ” I started, “Did you write this story? ” I handed the paper to him. He looked it over and nodded up at me, with his big child eyes gleaming with life and energy. “Did Mrs. Connie show you my story? ” He asked. I nodded to him. “I told her not to. She wasnt supposed to. Now I want Mrs. Connie to go away. ” He crossed his arms and pouted. “Thats no way to talk about a teacher. Mrs. Connie is only there to help you. Ethan, who is the other you? ” I wanted answers fast. My child was possibly suffering from mental illness and I wanted to put an end to it as soon as possible. Ethans demeanor seemed to change with the subject, his eye glazing over, losing that childish look and adopting the gaze of someone who had lived a millennia. “There is no other me. Its only a story. ” The voice sounded like his, but the rhythm was different, almost old. “Ethan, I need you to be honest with me. ” I refused to relent. “There is no other me! ” Ethan shouted with surprising authority. Ethan eyes suddenly conveyed murderous intent. Ice cold dread shot through my body. He got down from the couch and walked to his room, slamming the door behind him. I looked at Jackie, “What the hell was that? ” She shrugged, visibly shaken by the ordeal. Ethan didnt come down for the rest of the night. Jackie received a call from the school the next morning. Connie had been found dead in her classroom. She hung herself from the ceiling, found by one of the kids that would come in early for extra help. Jackie told me she tried to have a sit down with Ethan about suicide, but he would only sit silent. Right in the middle of their conversation he just got up and walked into his room, shutting the door behind himself. It went on like this for weeks. Ethan wanted nothing to do with us. He would still go to school, eat and do everything required of him, but without a word. Tonight, I was up to get a late-night snack in the middle of the night. I walked past Ethans room and heard something. I put my ear to the door. Whispering? “Make them go away. Make them both go away. No, its wrong. They are nice to us. No! They make us do things we dont want to do. They get us in trouble. Let me make them go away. Just like Mrs. Just like Mittens. ” I lost my balance and stumbled, making a small thump on the floor. The whispering stopped. Ethans door slowly cracked open. I was terrified. From the barely cracked door I could see one of Ethans eyes staring intently at me, wrapped in empty darkness. “Hey bud, Im just on my way to get a snack, would you like something? ” My voice was a little shaky. Ethan stared with his single visible eye for a moment more before ever so slowly shutting his door. I shivered as goosebumps coated my body, my appetite suddenly gone. I returned to my room and appraised Jackie of what I heard. She sat up in bed and listened as I told her my suspicions of mental illness. Jackie only nodded, finally relenting to me that she did not want to believe that our child might be a sociopath. As I talked to her about options I watched as her face suddenly drained of blood, her eyes focusing behind me. I turned to find Ethan standing in the doorway. When had he opened the door? He stepped into the room, impossibly making no noise at all. The door shut behind him, affected by an unseen force. “There will be no mental help. ” He stated flatly. “I am not a sociopath. ” He looked at Jackie. “Ethan did not kill Mittens, I did. ” He looked to me. “And I also killed Mrs. ” It was startling to hear such words, and such confidence conveyed in the voice of a little boy. He stared with dead eyes from Jackie, and back to me. The door opened behind him, and he walked silently back to his room, again shutting the door behind him. Jackie and I were frozen in mute shock, both horrified by what our child was doing. We stayed up the rest of the night, discussing new options. We opted for church. We wouldnt tell him, we would simply show up. But the next day Ethan was back to normal. He was talkative and seemed to have no recollection of what had happened. He attended church with us happily, and even joined in the singing sessions. During this time of peace, I decided to start some research into the occult. Possession, curses, and even voodoo. The local library had a surprising amount of literature pertaining to all things supernatural. For the first week or so I read a lot of interesting things and more often than not found myself reading simply because it was fascinating. I was will flipping through a particularly old leather volume, aptly named Ritualia, when I saw an illustration that made my breath catch in my throat. It was a simple drawing. A single candle, in the middle of a pentagram, a piece of paper burning in the flame. Memories of my childhood flooded through my vision. The guilt of Zacks dead parents, and his paralysis. I gulped, and read the passage beneath the illustration: The Ritual of Desire: Simply draw a pentagram, place a lit candle in the middle, and burn parchment with your name written in blood. Then you may state your desire. Be forewarned, the simplicity of this ritual betrays its price. Should your desire be answered, the being behind the veil will extract the price of the firstborn. For the firstborn to be returned into the custody of our world, the one who states their desire must forfeit their life, or the life of a loved one. An exorcism may also work, but no such research exists to back up this claim. This was it. I found exactly what I was looking for. I could find no author or credit otherwise anywhere within the book. When that thing returned to Ethans body, I would be ready. I returned to the church that evening before heading home. I found Father David sitting at a desk in a back room, sifting through various papers. I did not know him well, having only been going to his church about two weeks, and only having two face to face interactions with him. He welcomed me warmly and asked what I could do for him. I stumbled for the correct words. “Father, if you believe in god and heaven, then you must also believe in the devil, and hell, right? ” I questioned. “Of course. Lucifer tempts us everyday and it is our duty to believe in the lord to protect us. ” He explained. “And demons to then? And the rituals used to contact them? To ask favors of them? ” Father Davids smile vanished, and he stood up from his chair, eyeing me now with a look of suspicion and fear. Before he could speak, I began talking. I explained everything to him, from the incident with the candle, Zacks accident, and all the strange and terrifying incidents with Ethan. I told him of the book I found in the library, and its suggestions. During my explanation of the situation, Fathers gaze transformed from fear and disgust, to stone cold determination. Finally, I stopped talking, waiting for a response. “Tonight, ” Father David started, “We do the exorcism tonight. Everyday is another day he could hurt you or anyone else. ” I was caught off guard, but I was not about to argue with him. I watched as he grabbed a few items. A large, ancient looking bible, a large silver crucifix, and an ornately decorated glass bottle filled with water. In the back of my mind, I hoped Jackie wouldnt be mad at me. I walked in the front door first. I was going to tell Jackie what was going on before I invited Father David in. I didnt have the chance. The house was dark, save the light of the silent TV, casting long shadows throughout the room. Jackie was on the couch, her knees up to her chest, her hands hidden under her crossed arms. Her expression conveyed pure terror. She looked at me with both relief and fear. Her eyes darted around, looking for something. Where was Ethan? “Church dad, really. ” Came the voice of child. Ethan entered the living room from the kitchen. He walked into the living room, his strut signifying that this territory belonged to him. Jackie let out a pained sob. In the darkness before I had not noticed the tears running down her face. Ethan walked in front of the TV, the glow giving his facial features a sickening white look, fringed with deep shadows. He held something up before his eyes, carefully examining it. It caught the light on a strange, reflective way and I felt my stomach turn as I recognized Jackies wedding ring, still on the finger. My voice lowered to a growl. “What have you done? ” I whispered a tone more threatening than I thought myself capable of. Ethan only smiled at me and dropped the finger on the ground. I took a step back and flung the front door open. “Father its happening now! ” I yelled into the darkness outside. Ethans smile disappeared, betraying his surprise. Father David busted through the door, his crucifix now on a silver chain around his neck, bible open in one hand, holy water in the other. Before anyone could respond Father splashed the water onto Ethan, who fell to the ground and scooted away from the priest as fast as possible until he hit the wall. Again, the priest splashed him with the water, reciting words from the bible in Latin. After a minute of small splashes of water followed by Latin passages from the bible Father David looked to me, “Quickly we must restrain him, this wont work for long. ” Through strange snarling noises Ethan began to laugh, but it was quickly put to a stop when Father David splashed a large amount of holy water on him. I grabbed a nearby lasso from Ethans toy box. It may have been a childs toy, but rope was rope and this would due. I quickly restrained him while he was stunned from the constant stream of water. “Please Ethan, come back to us. ” I whispered in his ear as I tied his arms behind his back. I stood up when the job was finished. The priest used the last of his water, and then dropped the empty bottle, replacing it with the silver crucifix. Long, powerful phrases boomed from Father Davids voice. He held the crucifix inches from Ethans face, shouting holy phrases at him. The commanding tone of his voice could not be mistaken. I rushed to Jackies side. She was holding her left hand to her chest, crusted blood covered the front of her shirt. I took her hand and gently inspected the wound. She had no ring finger, only a fleshy wound of torn skin and meat. I met her eyes with mine and smiled. I would be her strength. I used the sleeve of my shirt to wrap the wound and contain the bleeding, kissing her forehead when I was finished. I looked at her a moment, enjoying the silence with just me and her. I perked up. Why was it silent. I turned quickly around to see Ethan standing over Father David, who was now on the ground, clutching his crucifix to his heart his face still wrought with determination. Blood seeped freely from his mouth. In his hand Ethan held a long, glistening mass of red and pink. I realized with horror that is was Father Davids tongue. Ethan, now panting, and covered in more sweat than holy water, bent down and picked up the ornate bottle. He smashed it against the wall shattering it, leaving a razor-sharp protrusion in his hand. “Ethan no! ” I shouted as a leapt up. It was to late. Ethan slammed the razor glass in Father Davids throat, burying it nearly six inches deep. I fell to my knees. I felt Jackie embrace me from behind. It was an embrace motivated of pure love, and hapless sorrow. She whispered to me, as we both watched Ethan slam the glass over and over again into Father Davids throat, now a mess a blood and flesh, “I read Ritualia years ago, when Ethan first started exhibiting strange behavior, ” She explained. I felt her lips kiss the side of my head as she rested on my back. “I know you saw it to, and thats why you brought the priest. I know what has to be done. ” Those words shattered any sense of hope I had left. The color left the world, and even Ethans terrible acts seemed numb before my eyes. I couldnt stop her. I couldnt will my body to move. I watched as she leaned down and picked up a piece of the shattered glass, placing it in my hand and wrapping my fingers around it. She moved in front of me and placed a palm on my cheek, looking lovingly into my eyes. She picked up my hand with the glass and brought it to her neck. “You have to be the one to do it. ” She said softly. “Please, ” she pleaded “No, ” I whispered back, “I…I cant. ” She smiled softly. “You have to, or we all die. Theres no more time. ” Ethan stopped stabbing Father David, and looked at us, noticing what was happening. “No! ” Came two voices from Ethans mouth. He started towards us, and I looked back at Jackie. She was still smiling at me. I couldnt stop the tears. They just flowed, unrestrained. I didnt understand how there could be so many tears. I laid Jackies body down, clutching her head into my chest as I listened to her final breaths leave her body. I stayed like that for hours, sobbing loudly, my entire world, crumbling around me as I held her. Eventually I couldnt cry anymore. It was as if all my emotion had left my body. Everything was numb. I looked around my living room. It was a as if a tornado had come through. The sun had come up at some point, but everything was grey. There was no color left in the world. I gently laid Jackie down and moved to examine Ethan where he had fallen. No heartbeat. The possession had proven to much for his frail body. I walked upstairs and grabbed my gun, loading a single round into the chamber. These are my final words, as I sit in my living room, surrounded by the body of my soulmate and our child, and the innocent man who tried to help. Dont play with rituals. Dont play Bloody Mary. Dont play with Ouija boards. You never know what might be real.

Watch beneath us movie. I met twelve-year-old Bradford only an hour ago. Now his head is smashed in and hes lying in a pool of blood in the middle of my basement floor. The police will be here any minute to arrest me, no doubt. Theyll gather testimony from the other three boys that were here tonight, then from the nearly one hundred other boys that have visited my basement over the past seventeen years. Alright, writing that down makes me sound like a pervert, but Im not a pervert. Lets get that out there. This is my final confession. It all started in the year 2002. I had just graduated with a masters in psychology and was working at Top Hat Video to pay the bills while pursuing research on Psychedelic Therapy on the side. While exiting the local Cinemark after seeing M. Night Shyamalans Signs on opening night, I noticed a group of four boys gathered around the ticket booth, one of whom I recognized as a neighborhood kid, Jimmy McConkie. They had just learned that the 11:15 pm showing was sold out and were trying to figure out whose mom could pick them up. Jimmy saw me and called out. “Hey Marcus! Hows it goin? ” “Jimmy, whats goin on? ” “Signs is sold out, ” he said, visibly disheartened. “Damn, sorry man. I just saw it, ” I said. His face lit up and his friends gathered around. “Well, how was it? ” he asked. “It was horrifying, ” I said. “So good. ” “Oh man, well, well have to try tomorrow, ” he said, turning to his friends. They nodded in affirmation. Then I started thinking. My latest research had been on the use of psychedelics to treat early childhood trauma. In theory, the drugs would help access a higher plane of existence, which, with the guidance of a licensed professional, could be used to gain a deeper understanding of the trauma. Of course, much of what I was studying back then is almost common knowledge in progressive psychiatric circles today. LSD, MDMA, and Psilocybin (as found in mushrooms) are used regularly in underground guided-therapy sessions nowadays, but back then, no way. In the 1960s or 70s? Sure. Early 2000s? No. On a whim, I invited the boys over to my house. I told them Id give them a preview of Signs without spoiling too much. Since the kids still didnt have a ride home, they accepted my invitation. They packed into my Subaru Outback and I took them to my home. For all the talk about stranger danger, these twelve-year-olds were much too confident coming with me. Though, again, I had no ill intent. I never did, at any point. It sounds so creepy writing it down like this, but a handful of willing kids was exactly what I needed to test my methods. If the combination of psychedelics and hypnosis could work for trauma, why not for fun? I served the four of them Pepsi while I got the basement ready. I set up four chairs in the middle of my unfinished basement, turned on the surround-sound speakers, and got a bell from the storage room. I ground up tablets of MDMA and fed them into the dry powder inhaler. I brought the boys down and invited them to take a seat. “Im gonna set the scene for you, ” I said, handing them blindfolds. “Imagine youre on a farmhouse in the middle of rural Pennsylvania. ” Once their blindfolds were fastened, I started the binaural beats on the speakers. “You are surrounded by hundreds of acres of cornfield, ” I said and rang the bell. I took the powder inhaler to each one and instructed them to inhale on my count. “One… two… three… breathe in, ” Id say, spraying the ground MDMA. “This will help you envision the scene a bit better, ” I told them. They were giddy with excitement as I walked them through the story. I could tell when the drugs kicked in because their reactions became more animated. Once I realized my power, Ill admit I embellished the details a little bit, but the boys were having the time of their lives. Although I wanted to go deeper, I stuck with the story, making sure to get their permission before veering into spoiler territory. I ended on a strong note then let the high wear off before driving them home. The boys decided, on their own volition, that theyd tell their parents they saw the movie as planned and that it was fantastic. They knew it was sketchy going over to a single neighborhood mans house under the radar, so they promised each other to keep quiet. As the months went on, that same group of four boys returned a few more times, asking me to take them on some sort of adventure. Sometimes they had specific requests–I want to fly; Lets do a haunted house; How bout a creepy version of Disneyland, etc. Other times, they let me call the shots. The process was simple enough. I played around with drug types and dosages, along with my hypnosis techniques and music. Eventually, I had formulas for every type of occasion. As that group of four boys got older, they brought their younger brothers and other neighborhood kids as a kind of sacred rite-of-passage. In 2007, Jimmy graduated high school. He went on to other things and I stayed in the same place, continuing my research. Eventually, I got a job teaching Psychology 101 at the community college. By that time, I had myself a group of about eight regulars aged twelve to fifteen that would come over about once a month and allow me to take them on whatever adventure they (or I) wanted. Again, not a pervert. After applying blindfolds, dimming the lights, putting on music, and giving each of them a couple inhales of my special powder, I told them to imagine various scenarios. Id give only a basic level of detail and allow their drug-infused brains to fill in the gaps. Ill admit I pushed the boundaries sometimes to see what kind of reaction Id get. It was around the year 2015 when I made my first real breakthrough. I had a group of six boys, I think. After the regular setup, I decided to do something a little different. To the best of my recollection, heres how the session went: “I want you to imagine youve arrived at an abandoned mansion in the middle of the desert. Its the biggest house youve ever seen. Very dark, very creepy. You open the rusty gate that guards the property and walk through, kicking your feet through piles of moldy leaves. “You slip past what remains of the front door and walk in on a grand entrance. Double staircases, a giant crystal chandelier, granite floors. It smells of mildew and dust, like it hasnt been touched in years. Cobwebs cake seemingly every corner. As you step in and take in the utter beauty of this masterpiece of a mansion, you hear something—the faint lull of a cello. “Intrigued, you follow the sound, taking you down long, winding corridors to a two-story library. The shelves are stocked with books, but they are dusty and rotted much like everything else in the house. The faded sun makes its way through the large stained-glass windows, giving off glares of all colors. In the center of the room is a beautiful woman. She is the composite of every beautiful woman you have ever seen. ” Each of the boys shifted, smiles creeping on their faces. I couldnt help but smile too. “That beautiful woman is the one whos playing the cello. She plays with such fervent passion. The way it reverberates through the library sends a chill down your spine. As you stand there, watching her play carefully with seemingly her whole body, you notice that the second-floor mezzanine is beginning to fill up with people. People you know. Friends, family, acquaintances. They wear somber looks as they take their place standing above you. None of them seem to notice you standing there. “Suddenly, you realize why theyre there. Off to the side, behind the cellist, is an open casket. Your heart sinks as you begin to understand the situation you have walked into. You cautiously approach the mahogany casket as the cello croons in the background. You lean forward to get a closer look at the body. There, with taut white flesh, closed eyes, and caked in makeup, is your dead body. ” One of the boys yelped and fell out of his chair. The others snapped out of hypnosis, ripping the blindfolds off. A couple of them had tears streaming down their faces. I turned off the music and nervously watched them compose themselves in silence. There were so many emotions in the room, I couldnt get a good read on the boys. Eventually, once things relaxed a bit, one of the boys approached me. “Im gonna go home, ” he said. “Okay, do you need a ride? Are you okay? ” I asked. “Im… Ill be fine. I just—” he paused for a moment holding back tears. “Ive been an asshole to my little brother lately. Now Im worried that Ill die, or hell die before I have a chance to make things right. I dont want things to end like this. I want him to know—” He looked around to the other guys and saw that their emotions seemed to match his own. “I want him to know I love him. ” He walked upstairs, out the front door, never to be seen again. A few of the other boys expressed something similar—that there were a few people in their lives that they had been jerks to, that they had lied to, that they hadnt been nice to. They wanted to make things right. For the first time since I had begun this endeavor, I felt good about myself. It was the first time I had dared do anything meaningful with the therapy and it seemed to be effective. These boys lives were changed for good because of this simple session. Fast forward a few years and I have had almost a hundred different boys come to do guided psychedelic therapy sessions with me. They all understood the gravity of keeping it on the down-low—a point that tended to be baked into the initial invitation. Tonight, however, I took things too far. Rather than using the therapy as a method to help the boys explore themselves, I attempted to use it as a method to learn the secrets of the universe. Just a few hours ago, a group of four boys, two of which I had hosted before stopped by, asking if I could conduct a session. I had nothing else going on, aside from a little reading and late-night solo drinking, so I let them in. They had just come from basketball practice. They followed me into the basement and took their seats. The two boys that had been there before—Adam and Bryson—explained the process to the two new boys—Bradford and Trey. The two new boys seemed nervous, as most first-timers are, but they trusted their friends enough to proceed. I started the music, dimmed the lights, and instructed them to place the blindfolds on. I took another sip of whiskey then walked the inhaler around, giving each boy three puffs of my special sauce. Aside from generalities, I dont usually plan these ‘adventures too far in advance. I suppose it was the late-night reading of Lovecraft infused with alcohol and a relentless thunderstorm that led me on tonights particular excursion. I started the session slowly, allowing about thirty minutes for the drugs to take full effect, all while occasionally ringing the bell. “You find yourself in the middle of the woods one evening, the pink sky filtering through thick rows of pine trees. You walk carefully, mindfully through the woods, the soft padding of fallen pine needles cushioning your every step. ” The boys slouched in their chairs as they fell deeper into hypnosis. “As you walk along, smelling the sweet smell of the pines, hearing the chirping crickets, you find a fallen wooden sign half-buried in the ground. You dig it out and brush it off. On it reads something quite peculiar. ‘This way to the end of the world, it reads. You find a tree with an old rusty nail about six feet up and determine that this must be what the sign was attached to. “You continue trekking through the woods, all while keeping an eye out for whatever the end of the world might be. The further you go into the forest, the darker it gets. Pretty soon, you start to feel something. You start to internalize the gravity of the situation. Although you thought the sign was silly at first, you now believe it. You become confident that you are about to discover something groundbreaking. “The chirping crickets suddenly stop. Ahead of you is a metal stairway that leads down into a wide hole—about fifty feet in diameter. You edge closer to the hole and realize that the fading daylight doesnt offer you enough to see the extent of its depth. “You consider turning back, but the unwavering sense of curiosity gets the best of you and you decide to descend the stairs. You go slowly at first, testing the loadbearing of each step carefully. After about twenty stairs, you feel safe and start descending quicker. Another hundred feet down, you happen upon a heavy metal door with rusted bolts and hinges. “You push the door hard and it squeaks open revealing a man playing basketball alone in an empty arena. Each time the ball bounces, it echoes through the building and into the stairwell you occupy. ” Some of the boys sit upright, smirking. “After making a long three, the man grips the basketball and turns slowly to face you. He walks to you very carefully. As he gets closer, you realize the man is huge. ” The boys grip their seats. “Once hes about fifty feet away, you recognize him. Its Lebron James! ” The boys laugh in excitement. One of them stands up and pumps his fist. I cant help but chuckle to myself at my spontaneity. Lebron James is probably the only current NBA player I can name. “When he gets to the doorway, standing right in front of you, a serious look passes on his face, and he begins to speak. ” I clear my throat and drop my voice. “I know that you think youre just having a fun time, going on a psychedelic adventure, but you have to understand something, he says. ‘This journey is important. Very important. What you are doing has the potential to unlock all the mysteries of the earth. You just have to keep going. Promise me youll keep going. ” One of the boys swallows hard. All of them nod in agreement. “Then, the ball hes holding turns to fire. He dribbles it a few times and spins it on his finger, apparently unfazed. He hands you the ball and you hold it with both hands. The flames dance around the ball without burning you. ‘This will help light your path, he says, then slams the door. Lebron James is gone. You continue down the stairwell, your path lit by the flaming basketball. “After another hour of descending the stairs, you reach a second door. This one is equally heavy and rusty as the first. As you push it open, you hear the sound of waves crashing. You lean your shoulder into the door, as you did with the first one, and shove it open. Sand spills onto your feet. You look upon a beautiful endless beach of white sand bordered by blue, crashing waves on one side and lush jungle vegetation on the other. A cool, saltwater mist touches your skin. “When you hear the ding of the bell, the sun will disappear, ” I said. “One… two… three…” I dinged the bell and waited for a moment. A couple of the boys leaned forward. “You can still hear the waves crashing and feel the ocean mist, but the world is pitch black. No stars. No moon. You can only see the few feet of sand in front of you, as illuminated by the flaming basketball. As you focus on the sound, you hear someone walking toward you. When I count to three and ding the bell, the sun will reappear, and your mother will be standing there. One… two… three…” I dinged the bell again. The boys smiled nervously. “This woman brought you into the world, she fed you, clothed you, changed your diapers. Your mother sacrificed so much for you. You feel this. In this moment, you internalize an undying gratitude for your mother. You would do absolutely anything for her—youd take a bullet for her or jump in front of a bus. Absolutely anything. ” I wait for a moment, allowing my words to marinate. “Your mom stands in the sand about fifty feet back, looking at you with a smile. She invites you in, but you cant move—youre stuck in the stairwell. As soon as you realize this, you see someone else approach. A man dressed head-to-toe in black emerges from the jungle with a machete. His identity is concealed by a leather black mask. “Your mom continues to smile, unaware of the man in black approaching. You try to call out, but you cant speak. You wave your hands furiously until she pays attention. A look of fear passes over her. As she turns around to confront her attacker, the man hits her over the head, knocking her unconscious. You notice for the first time that there is a large cage in the sand behind the attacker. The man drags your unconscious mother into the cage, slams the door, and locks it. You look at her limp body sprawled out on the metal floor of the cage and are filled with rage. “You try to move again but cant. You try to scream but cant. The man in black notices you and approaches. When he is standing right in front of you, he dangles the key to the cage and laughs a deep, ugly chuckle. He then throws the key out of the door, over your head. You hear it clank down the staircase, disappearing far, far below you into the void. The man pulls his mask off revealing a horrific, warped face with gaping, bloody holes where his eyes should be. He speaks again: ‘one more door. The door slams shut, booming into the stairwell. ” One of the boys shakes his head furiously. The others look angry. Its working, I thought. “As you continue descending the stairs, lit by the flaming basketball, you feel brave and confident, like you can confront whatever lies in the third and final door. You can get the keys to the cage. You can save your mother and you can find the secrets to the end of the world. You have to be—” Thunder cracked outside, loud enough to make me jump and snap the boys out of hypnosis. They ripped their blindfolds off and stumbled to their feet, breathing heavily. “Oh my god, that was intense, ” Adam said. “You dont want to keep going? ” I asked. “Man, that was enough for one night. Great trip though, I loved meeting Lebron James. That felt so real. Didnt that feel real? ” Trey said to the others. They nodded in agreement. “Damn lightning woke you guys up, ” I said. “Well, thanks for havin us over Mr. Marcus, ” Bryson said, picking up his hat. As they started up the stairs, I noticed that not all of them snapped out of the hypnosis. Bradford sat still, blindfold on, still gripping his chair. “Should I wake him? ” I asked the others. This was Bradfords first session and I didnt want him to freak out when he awoke. “You guys go ahead, Ill wait for Bradford to wake up, ” Adam said. Bryson and Trey disappeared a couple minutes later after making plans with Adam to meet up at Bradfords house when. Adam then took a seat in the corner, excited to watch the session with Bradford proceed. “You continue descending the stairs, a blast of cool air blowing past you, ” I said. Bradford visibly shivered. “Whats your strategy? ” Adam whispered to me. I turned the music up, allowing Bradford a few minutes to descend the stairs. I walked over to Adam. “The key is to get each of the patients in touch with as many emotions and feelings as possible. Happy, sad, afraid, amused, etc. Then I try to create sensory experiences—exposing them to heat, cold, smells, tastes, etc. The more the hypnosis can infiltrate their brain, the more effective it is. ” “Whats your end goal with this session? ” Adam asked. I smiled. “We have five senses, right? ” “Yeah. Sight, smell, touch, taste, and… whats the last one? ” “Hearing, ” I answered. He nodded. “But a lot of our brain is unused, right? ” I posed. “Yeah. ” “So, what if we can experience other senses, but dont know how to activate them? ” I asked. “Like in the same sense that birds or whales know how and when to migrate. Or how any number of animals and insects can locate food or water in almost any scenario. They have these intuitions that we dont quite understand. ” “And you think these sessions can activate those extra senses? ” “I dont know if its possible to activate them in the real world, necessarily, but I do believe that we can activate them within the hypnosis. ” “What kind of senses? ” I took another sip of my whiskey. “Its still a theory, but I think we can tune our inner antenna, so to speak, to understand the secrets of the universe. ” “Like what? ” “Like if were alone in the universe. Like how all this came to be. Like what happens to the souls who have passed, ” I said. Adam sat in contemplation for a moment then smiled. “Damn, well lets hope Bradford can bring us home, ” he said. I tipped my glass to him, sipped my whiskey, then took my place at the front of the room. Bradford hadnt moved an inch. “As you descend the stairs, you begin to hear voices calling from above. You hear your dad, your siblings, your friends. They all voice their support. You can do it! Keep going! Youre almost there! Be brave! ” Bradford sat up tall in his chair. Getting closer, I thought. “The flaming basketball finally finds an end to the staircase. You step onto a cobblestone landing and look around you. You have descended into a large silo of some kind—maybe a cave or a well—with nothing but a door of similar size and configuration as the first two against the wall. On the ground, a flicker of light reveals the location of the cage keys wedged between two stones. However, before you pick the keys up, you realize that you must first open the door. “Just then someone descends the stairs behind you, but you dont feel scared. The person steps into the light of the flaming basketball and you realize that its you. You are standing face to face with yourself. He smiles at you and you smile back. ” Bradford smiled and I looked to Adam, he gave me a thumbs up. “The other you puts his hand on your shoulder and looks into your eyes. Hes almost like a more self-assured version of yourself. Hes fearless. Hes brave. Hes a hero. ‘You must understand, he says. ‘You have been endowed for this mission. You were chosen long ago for this mission. Behind this door lies a cloud of knowledge. When you open the door and step inside, you will be immersed in this cloud. You will be met with a deep understanding of the mysteries of the universe. You will see the origins of creation. You will understand the immensity of all that exists. You will know these things and understand them in a way that will allow you to communicate your findings to others in the real world. ” I took a deep breath and looked over to Adam again for approval. He nodded, a look of utter anticipation on his face. “Do it, ” he mouthed. “The other you stands aside and disappears, leaving nothing between you and the door. You understand what you must do. You take three steps forward, place one hand on the cold metallic door and apply pressure. As you do so, you feel something trickling down your upper lip. You stop pushing and wipe your nose. You are bleeding. ” Adam and I watched Bradford carefully for about fifteen seconds before he gently wiped his nose. He motioned his head to look down at his hand and opened his mouth in surprise. There was blood—actual blood—on his hands. “Holy shit! ” Adam whispered to me. Frankly, I was more shocked than he was. Bradford was my first completely immersed patient. He was in my complete control. This was not an empowering thought, mind you, it was a horrifying one. I briefly considered pulling the plug on the whole thing right then—guiding him away from the door and back up the staircase to the real world, but I didnt. Goddamn Lovecraft. I swallowed hard and held my bell steady. “Now, Im going to count to three and ring the bell. When you hear the bell, you will push open the door and become immersed in the cloud. After a few moments in the cloud, I will ring the bell and you will exit the cloud and close the door behind you. ” I repeated the instructions then took a deep breath. “Here we go, ” I mouthed to Adam. “One… Two… Three…” I said, then dinged the bell. Bradford jolted, flailing his arms and grunting. His chair rocked violently. I instructed Adam to steady it, so he didnt tumble off. How responsible of me. The jolting stopped after a minute and Bradford sat still. Both his nostrils were bleeding now. “Now, when I ring the bell again, you will exit the room and close the door behind you. One… Two…” Bradford stood up abruptly, sending the chair and Adam sprawling onto the floor behind him. He ripped his blindfold off and looked around frantically, like a trapped animal. “Bradford, its all okay, ” I said, but I knew it wasnt. He didnt wake up on his own volition. Nor was there an external stimulus to wake him up—my bell, or a loud noise like the thunder before. Something inside of the hypnosis woke him up. Adam stumbled to his feet. “Bradford, its alright buddy. Its me, Adam, right here, ” he said and reached for him. “No! ” I yelled. “Dont touch him. Come here, ” I told him. Adam obeyed and stood next to me against the wall. Bradford looked around anxiously for another minute, his feet unmoving, then fixed his eyes on the concrete block wall on the opposite side of the room. “Stay here, ” I said to Adam. I walked to the other side of the room, between Bradford and the wall, the bell clutched in my hand. Frankly, I didnt know what to do. I had to assume he was still under some kind of hypnosis, though I didnt know whose. “Bradford, when I count to three and ring the bell, you will come out of hypnosis. Again, when I count to three and ring the bell, you will come out of hypn—” He bolted straight at me, knocking me to the side and plowing straight into the wall, headfirst. “Shit! ” I yelled, stumbling back to my feet. Adam ran over. Between the two of us, we held Bradford down. He had a large gash on his head and a steady stream of blood pouring down his face, but he didnt seem to be in pain. “Bradford, listen to me, ” I said. He turned his head toward me, revealing jittering pupils, as if there was an earthquake behind those eyes. Adam was crying. His phone buzzed across the room, diverting our attention for a moment. “Do we call the cops? ” he asked. “Yes, call 911, ” I said, trying incoherently to piece together a story in my head. Once Adam got to his phone on the other side of the room, Bradford began seizing, knocking me on my ass. I backed up, recognizing my feeble body to be no match for his apparent raw animal strength. “Please, Bradford, breathe with me, ” I said. He again eyed the block wall and ran at it with full force, his skull crunching on impact. Blood spattered on the wall and the floor. He fell onto the ground with a hollow thud. Adam screamed. I tried to lay Bradfords lifeless body straight when his eyes shot open, a look of pure terror on his face. “No! ” he screamed and rolled away from me. He got onto his hands and knees, breathing heavy. As I carefully eased toward him, he let out a loud grunt and began hitting his head on the concrete floor with inhuman intensity. The sound of his head repeatedly crunching against the floor like that will haunt me forever. Blood continued to pool beneath him. I backed away from him, helpless. Adam screamed in horror. After five or six hard hits, Bradford finally collapsed onto the ground, splashing in his own blood. Tears were streaming down my face. Adam was sobbing uncontrollably. A few moments passed in bone-chilling silence. “Did you call anyone? ” I asked with a shaky voice. Adam stared unblinking at Bradfords mangled head resting on the ground. “Adam? ” He snapped out of it. “Uh, no, I—” he said, swiping through his phone. “Okay—the story—our story—” I started. Then Adams eyes grew wide. “What? ” I asked. “The others. Trey and Bryson, ” Adam said, staring at his phone with his hand covering his mouth. “What is it? ” I asked. “When they got to Bradfords house, they found Bradfords mom on the kitchen floor, ” he said and looked up at me. “Shes dead. ” “Shit, ” I said. “Its the hypnosis. It has to be, ” Adam said. “No, thats impossible, the hypnosis cant control someone who isnt under hypnosis, ” I said, nervously. “It cant be related. No way. ” “You said that the goal is to tap into other senses, right? To activate other parts of the brain? ” Adam said. “Well, yeah, thats a theory, but either way, how would that kill Bradfords mom? ” “I dont know. The only thing I can think of, is that, clearly Bradford was all-in. I mean, you hypnotized him into a bloody nose, didnt you? Maybe when you put our moms in a cage on the beach… I dont know, ” he said and slipped his phone into his pocket. “Which—oh shit—I need to check on my mom, ” he said and darted up the basement stairs. Now I sit here in my cold, mildewy basement with this dead boys body, penning my final haunting confession. For the record, I want to apologize to Bradfords family. I take full responsibility for his death. And in the case that I am the cause of Bradfords mothers death, I apologize for that, too. I dont really want to think through the scientific implications if that is the case, to be honest. All I know is that whether I spend my days as a free man or behind bars, I dont know that Ill ever be able to sleep again wondering what Bradford saw when he opened that door and stepped into the cloud. Something he saw drove him to this madness. That much is clear. I hear the police sirens outside now. One last note to the psychiatric community or those who may be looking to build upon my research: Some things are better left unknown.

Watch Movie Beneath us airways. Watch Movie Beneath user. I enjoy movies/shows that challenge me by not being predictable. Does anyone have any favorite “did NOT see that coming” movies they can recommend? Here are some I have enjoyed over the years: The Game (Michael Douglas) Cabin in the Woods Sliding Doors Sixth sense Usual Suspects Girl with all the gifts Total Recall (original) Fractured (Netflix Orig) Awake (TV series) Butterfly Effect (first one) Final Destination (first one) ———————. Edit: For others making a “watch list”, I am adding some of the suggestions: 12 Monkeys 500 days of summer A Tale of Two Sisters (Kim Jee-woon) Adaptation Arlington Road Arrival Atonement Awake (TV series) Barton Fink Beneath The Planet of the Apes Bruges Butterfly Effect (first one) Cabin in the Woods Donnie Darko Dream House Enemy (2013) Eternal Sunshine of the Spotless Mind Event Horizon Evil Dead 2 Fallen (1998) Fight Club Final Destination ( 5) Final Destination (first one) Forgotten (2017) Fractured (Netflix Orig) Frailty Girl with all the gifts Hereditary In the mouth of madness Incendies Inside Man Jacob's Ladder (the 1990 original) Limitless Lucky Number Slevin Maleficent Match Point Matchstick Men Memento Michael Clayton Monty Python and The Holy Grail Mother (2009) Mr. ROBOT Mulholland Drive Mystic River No Way Out (1987) Oldboy (2003) One Flew Over the Cuckoo's Nest Pain and Glory Planet of the Apes (original one) Predestination Primal Fear Prisoners Prisoners (2013) Psycho Radius (2017) Ready or Not Reborn Repo men Saw Se7en Shutter Island (Some disagreement on this one) Signs Sixth sense Sliding Doors Snowpiercer Sorry To Bother You Source Code Spoorloos Suspiria (2018) Synecdoche, New York Take Shelter Taxi Driver the crying game The Game (Michael Douglas) the Host from Bong Joon-ho The Illusionist The Invisible Guest (2016) The Invitation The Machinist The Mist The Others The Prestige (Suggested by multiple people) The Sting (1973) The Talented Mr. Ripley The Village The Visit The Wailing The Wave (Justin Long) The Witch (2015) Too Many Husbands Total Recall (original) Triangle Unbreakable Uncut Gems Upgrade Us Usual Suspects Vanilla Sky You're Next (2011) Your Name Zodiac.

Watch Movie Beneath us weekly. Watch Movie Beneath us on twitter. This is going to be long as shit because this is a story that took place over the span of about a year, and I'm going to tell you as much detail as I can remember. Honestly this shit gets so horror-movie script-sounding that I won't blame you in the slightest if you don't believe a word of it. I've never typed it out to the internet before, but all of my friends know about this series of events. I'll try and keep this as coherent as possible and give back story. I'm 30 now. When I was in my teens and early 20's I was really into "weird" stuff. There's a few local shops that sell unusual oddities and antiques. Like art made from dead animals, skulls, pickled specimens, things like that. I started pickling my own specimens around age 20, when I figured out it wasn't that hard. I had some articulated skeletons, but stuff I was really interested in was supposedly "cursed" stuff. I bought things people claimed were "cursed" on eBay and even drove to different states to buy things from people they claimed were haunted. I bought 3 different Dybbuk boxes supposedly cursed from eBay, I bought numerous "haunted dolls. whatever I could find. I had some weird taxidermy items too, like a couple two-headed baby chickens, a snake with 2 heads, etc. I had a few things I wasn't supposed to have, either, but I won't get into that. Long story short, nothing weird ever happened. Not a thing. I never had one unusual, creepy experience with any of this stuff. I should start this off by saying I've never really believed in the paranormal or supernatural. Like, I wouldn't say I'm a "skeptic. because I think to use that term you have to go into something deciding it isn't real and operate from that perspective. I'm fine with saying "I have no idea what that is, and I can't explain it. I won't say I don't believe in ghosts, because I don't really know what a ghost is supposed to be. I've always been into aliens, and was really obsessed with them when I was younger, but still never fully believed in them. I just kinda' liked the idea of them. I'd never seen one, or seen any real proof of one, despite pouring over documentary and late night History channel binges. So, on the subject of all things paranormal, you could say I'm a Fox Mulder and I "Want to believe. but never really did. Anyway, needless to say, after the following series of events my mind is quite a bit more open. Though I won't pretend I can tell you exactly what was going on. So I'm like 21 years old, and I'm working at Wal-Mart at the time. We had these steps we would smoke on that were outside the tire shop that lead up to another parking lot for a different building. I went out to smoke one day and was by myself, and sat at the top of the stairs. As I was smoking I noticed a paper bag sitting kind of underneath one of the bushes that was there. I dunno' why, but I looked in it. I was expecting to find some empty beer bottles or something, but inside of the bag was a porcelain lamb. It wasn't particularly creepy looking tbh. It didn't have bleeding eyes or whatever. It just looked like something that would be on your grandma's shelf. It had a red ribbon around its neck and looked really new. When I picked it up, there was a note underneath it in the bag. The note said "Take me home, I'll be a good little bitch, I promise. No, really. I know you're already about to stop reading because that sounds corny as hell, and it does, but that's literally what it said. It was written in red ink, and looked like female handwriting. Really neat. It was written on a piece of torn-out standard notebook paper. Again, I know how stupid and cliche` that note sounds, but that's actually what it said. So of course, being me, I brought the thing inside Wal-Mart and stashed it under a register because I was totally gonna' take that home. I showed it to my friend who was working there and was kinda' like "Dude, look what I just found outside. Look at this note. And he was like "Uhhhhh, you should definitely not take that home. But of course I was going to take it home. I lived for that kind of shit. Anyway, as soon as I set it down I realized it was a music box, because I jarred it enough I guess to make it start playing. I looked at the bottom of it and it had one of those metal twist pins you wind up and it plays a tune. So I turned it, and, it was the least-intimidating melody ever. It wasn't creepy at all. I was actually getting legit disappointed because if you wanted to pull a prank on someone with some scary object, this thing was doing it all wrong. I don't know what the melody was, I'd never heard it before, but it was in no way ominous. Fast forward to the end of the work day, I get in my car, come home, and show my (then) girlfriend. She was into all the same weird shit I was, so she was equally excited about this weird find. We cleared a space on our dresser for it, and from then on we just referred to it as "the lamb. Shit started going down, immediately. Like, the next day. So, me and my ex didn't have a great relationship, and I spent most of my time in the living room. She hung out in the bedroom. I'd work until around 11 at night and get home and stay on my computer playing games until like 3am. Then once she was asleep, I'd go in the bedroom and go to sleep. This way we didn't really spend that much time together, and we both quietly preferred it that way. So the very next day, I'm sitting in the living room, and I hear a rustling sound coming from the kitchen. I could see the entire kitchen from where my computer was and I assumed it was one of our two cats messing with something, but both cats were actually on the floor staring at the kitchen, just as confused as I was. The sound seemed like it was coming from on top of the fridge, and it sounded like something was rustling around the cereal boxes and bags of chips and such that were up there. I assume it was a mouse, because we'd found a mouse in the house before (The first specimen I ever pickled myself, actually) and went over to the kitchen to check for a mouse. I turned on the light and as I walked in the kitchen, I heard "the grudge" noise. I've only seen The Grudge once, because it was one of the only films that has ever actually scared me. I'm not easily frightened and I generally don't much care for horror movies, but something about the... sound of the Grudge freaked me the fuck out when I was younger. The only similar thing that's scared me recently was the screaming bear in Annihilation. Anyway, I start walking toward the fridge, and I'm totally hearing the Grudge noise. This is ONLY impactful because this is literally one of the only things I've ever been afraid of. And it was coming directly from the top of the fridge, where the rustling sound had been. I froze dead in place, and so did my cats. They didn't want to go anywhere near that either. I had no idea what to do. I was literally on the verge of passing out. So I tried to articulate this in my head and I decided that the fridge must be broken, and that a fan or something in it must be grinding. I crammed that thought into my head and sat back down at my chair and put on my headphones. (I did leave the light on, I'll admit. Normally I sat in the total dark. In my head, I was really trying to convince myself the fridge was making that noise, but I was finding it really hard to do. But I also was in panic mode, and I was like "What do movies and ghost shows and shit say? Don't acknowledge it exists. So I became the dad in every horror film and I just said "Fridge is broken" and went back to playing WoW while on the verge of jumping out of my own skin and using my headphones to drown out the noise. I actually sat there for way longer than I normally played WoW, because I was genuinely terrified to either move, or take my headphones off. I had this horrible thought in my head that as soon as I removed my headphones, I would hear the noise like right next to my ear and turn and some old woman would eat my face or some shit. I have no idea how long the noise went on, or when it stopped. So I literally sat there until sunrise. I never went to sleep, and I used an Elvis playlist and chatting to my guildmates in WoW to distract me as best I could. But I literally just sat there frozen in terror the entire night, until the sun came up, and my girlfriend woke up. She came in the living room at about 8am and was pissed off at me because I never went to bed. She complained I played games too much, even though we both knew she didn't want me around anymore than I wanted to be around her. But our relationship issues aside, she was badgering me about being on the computer all night and I just said "I don't want to talk about it. And she kind of let it go. She softened up quite a bit, looked a little confused, but I think she could tell I was freaked out. Then she proceeded to freak me the fuck out even further. She showed me her arm and said "The cat scratched the fuck out of me last night. And she indeed had what appeared to be a cat scratch down the length of her forearm. Problem was, she kept the bedroom door closed, and like I said, both of the cats were in the living room with me, and I hadn't moved from that chair. No one let the cat in the bedroom. They were in the livingroom with me the entire night. In fact, when sunrise finally came, they were still almost in the exact same spot staring at the kitchen that they had been when I went back to playing WoW. I didn't say anything about it. I just said "Oh. Dang. And felt like I was going to be sick. Since I hadn't slept, I called into work that day. Even though in reality, I just really wanted to leave. So I did an unusual thing and me and my girlfriend went bowling for the day. Then to a movie. Then dinner. I was clearly acting weird because we never really did anything together, and I was clearly trying to avoid the house. I actually asked if she wanted to go night fishing and she finally asked me what the fuck was going on. I didn't tell her though. I didn't want to talk about it. She declined my generous offer to fish in the dark and we ended up going home. We started our nightly ritual. She retired to the bedroom to watch TV, and I stayed in the living room. The Grudge noise started within an hour of me sitting down. This time as soon as it started I willed my completely stiff-in-fear body to get up and walk down the hall to the bedroom. I left my computer running and WoW open, and said I felt like watching TV. My girlfriend again remarked that I was acting fucking weird and I again declined to talk about it. I couldn't hear the Grudge noise from the bedroom. I took some Benadryl and went to sleep when she did, which was hours before I normally went to sleep. The next day I went to work, and at around 9pm she called me. I was the manager of the Toys department (Shut up) and had a bit of lee-way in using my phone since no one really supervised me. So I answered and she was on the phone freaking out. She was screaming into the phone and I could hear knocking in the background and couldn't really make out what she was saying. Finally I made out a sentence. She was saying "There's banging, someone's trying to get in, through the walls" I left work and drove home and stayed on the phone with her the whole time, and at some point on my drive home she left the house and started running down the street. I picked her up in her pajamas as I was driving back and she said someone was trying to break through the walls. She heard banging on all the walls of the bedroom. By this point I was pretty fucking certain I knew exactly what she was hearing but I still didn't want to say anything about it. I wanted to calm her down, and told her that it was squirrels. I said I'd seen some squirrels going into a hole in the side of the wall and was afraid we might have them in our walls. This was entirely made up. But it actually calmed her down. She didn't know squirrels could live in your walls and I convinced her this was the case and I told her I'd call an exterminator in the morning and have them come out and check it out. We went back to the house, much to my despair. My squirrel story had calmed her down, but that was short lived. The way our house was set up, we had a bathroom that was connected to our bedroom, but not by a door. Just by the wall. So you had to leave our bedroom and the bathroom was the next room on the right, so the bathroom wall and our bedroom wall were the same wall. Make sense? Anyway, we got inside, she went to the bathroom, and immediately started screaming again. I came into the bathroom to see what she was screaming at and it looked like a tiger had been clawing at the bathroom wall. The one that connected to our wall. The wallpaper (Who wallpapers a bathroom anyway. was torn off about six feet high and there were large gashes in the drywall beneath it. Reminder, this is all like, about four days into having this fucking lamb. At this point, we got in the car, and I told her about the Grudge noise. Her initial reaction was that we needed to get rid of the lamb, but something told me I couldn't. She wanted to just donate it to a thrift shop or something but I had this weird sense of unease about doing it. I felt like we couldn't get rid of it that way. I felt like someone had to know what it was, and want to take it from us. I can't explain why I felt that way, I just did. So, at this point we did what you would probably not expect, and we actually just. fuckin' lived with it. Like this went on every day. We had rules about it. The first rule was we never talked about it in the house. We never even mentioned it. We pretended the lamb did not exist. It was like that episode of Family Guy where they had a giant octopus living in the house and just no one wanted to talk about it. When we had something to say about it we would always say "Let's go for a drive" and we would know what it meant. The clawing at the bathroom wall was getting deeper all the time. Eventually there was a huge hole in the drywall, and it was starting to claw through the drywall that was connected to our bedroom. That was when I really started freaking out. For about a year we lived with everything. We just ignored it and pretended it didn't happen. Every night I sat with the Grudge noise. Things would fly off shelves. Doors would slam. Straight up Paranormal Activity bullshit, every day. One of the worst ones was one of our pickled specimens' jars exploded. It was a bird we'd had for a while, and the mason jar exploded on the mantle in the living room. Glass went everywhere and it took hours to find it all, the bird ITSELF also completely exploded, sending body parts splattering around the living room. It was hell. And I had a few friends I would tell about it every day when I came into work. Like, they'd ask for updates on what the lamb had been doing, and I'd tell them whatever freaky story we had for the previous day. It was literally a daily occurrence at that point. But then it got to a point we couldn't ignore anymore. My girlfriend was waking up with bruises and scratches almost every day, to the point it started to look like she was self-harming. She had a lot of piercings and tattoos so she wasn't too troubled by the pain but didn't really enjoy having to wash blood out of the sheets every day. When it got too much was when I was sitting in the bathroom, browsing my phone, and I heard a female voice say "Hey, come here. So I finished my business and walked in the bedroom and said "Did you call me. And she replied with "I was really hoping that was you. This is about six months in. At this point, it started TALKING. Like literally speaking. It had a little girl's voice. I know, again, that's so cliche` and stupid sounding, but it would occasionally speak and we could hear it. We never responded to it. Everything we'd read on the subject told us to never, ever respond. We'd hear it at our door at night, saying things like "Hey, can I come in, please. Please let me in. At this point you've probably tuned this out and chalked this up as some kind of excessively-long, poorly-written creepypasta, but I promise you, it isn't. Her whole family knew about it as well. All my friends did. Everyone knew about this thing. When we had friends come over, they'd ask us about certain shit "the lamb" had destroyed. like 'What's up with the bathroom wall. And we'd just respond by shaking our heads, and they got the message. Eventually no one came to our place anymore. Everyone said it freaked them out to be there and they were terrified just to walk in. Even her parents stopped coming over. Her mother wouldn't even drive down our street. Still, we ignored it. As best we could. Until one night, I'm sitting on my computer, and a voice right behind me says "Hey. I thought it was my girlfriend, so without turning around I said "Yeah, what's up. And the voice responded "Nothing. Then I realized, it wasn't her voice, and I spun around, and nothing was there. I just broke the cardinal rule, and I fucking talked to it. I shat a brick, grabbed my girlfriend and told her what I did while we drove around in the car. She proceeded to call me an idiot for an hour and asked what we were going to do now. So finally, I decided to Google local paranormal investigators. I contacted a local paranormal investigation "agency" and sent them an e-mail with a more condensed version of everything I've just told you. They responded in a few hours, and asked me to send them a picture of the lamb. That was the first time since the day we set it down, that I had ever touched it again. (Also I should note, it did not collect dust) I put it in the middle of the kitchen table, grabbed my camera, and took some pictures of it. I sent the pics away in an e-mail thing. Until this point these people had been responding to me in a matter of hours, and now suddenly a day had gone by. Then two days. In those two days, everything had escalated tenfold. The house was never quiet now. The Grudge noise could be heard OUTSIDE of the house, and it never stopped. Half the electronics didn't work. The TV barely worked, it would flicker on and off. The power would go on and off, the taps would start running and then close, the garbage disposal would turn on, the doors were slamming and opening non-stop. It was completely out of control and we couldn't stay in the house anymore. Mind you, I wasn't rich, I'm living on a Wal-Mart salary here, but we got a hotel room. I brought a laptop and I e-mailed the paranormal investigators again. They replied to me this time, and told me the lady who answers the e-mails was also, medium, or whatever, and that when I sent her the pictures, she locked herself in her house and has refused to come out for the past two days. They told me they were sorry, but whatever I had was out of their league. So fucking great, right? My house is fucking possessed, and it's now gone apeshit because I talked to it, and the paranormal investigators don't even want to fuck with it. I contemplated calling a Priest or something but I'm not religious and I didn't know if I would have to have faith in the lord Jesus or whatever for it to work. I contacted another paranormal investigations company in the area and sent them the same pics, and basically begged them for help. THIS TIME, they actually responded, and were helpful, and they drove down from about 2 hours away to help us. When we showed up at our house, nothing was happening. It was quiet, and everything looked normal. The doors were all closed, no sounds, nothing. Worse yet? They busted out all these gadgets that I'm not going to pretend I knew what they did or what they were for. Some had lights, some made beeps, some buzzed, one made little lasers all over the house, they had recorders, microphone equipment, they saged the house, walked around waggling electronics at various locations. I don't know exactly what the fuck they were doing, but I at least appreciated that they seemed to be trying. They weren't getting shit though. Nothing was happening. I even recorded bits of it on my camera. Then all of a sudden, stuff DID happen. My camera quit working, out of nowhere. The battery just KO'd. All their noisy equipment started making noise and something was over 9000. There were 3 people and they started talking to it, like "If you're here, give me a sign" and then they asked it to knock on stuff, and this all went on for like two hours. Eventually, they wrapped up, and the woman who was with them said that she believed the thing inhabiting our lamb wasn't a spirit. She said it wasn't ever a person, and it was something else. She said it was pretending to be a little girl to try and trick us, and the fact that we weren't being tricked was angering it. They left, and told me that she'd call me the next day. She said she knew someone who might be willing to take it. I couldn't fathom who would want this thing, but my girlfriend and I spent the night in the hotel again, and I did indeed get a call from the woman the next day. She said she had spoken with someone named John Zaffis and that he was excited, and wanted the item. I didn't know who that was at the time. She told me he was "The Haunted Collector" but that meant nothing to me. They said he had a paranormal museum. They came back to the house, got the lamb, and mailed the thing off to him. Later I realized that the dude had a TV show and was the nephew of Ed and Loraine Warren. And that's basically the end. Once this Zaffis dude had agreed to take it, everything stopped. We never had another weird incident again. I never fixed the bathroom wall though. We moved out when we split up and left it like that for the people we sold the house to. So, on a side-note. I recently (The last six months) watched The Conjuring movies. In a very short scene, in, I believe, The Conjuring 2, there's a shot of the Warren's daughter sleeping in her bed. On her nightstand, is an identical lamb to the one that I had. When I saw it, I almost started crying in horror. Though the one in the film has a blue bow around its neck, and the one I had I'm pretty sure was red. The one in the film also doesn't appear to be a music box. Before anyone asks, yes. I do actually still have the pictures of it that I sent to the original paranormal team, but unless you really, really want them, I would rather not even touch the memory card that contains them. Edit: I got asked for pics, so I mustered up the nads to go get pics of it from when the investigators were there. I don't know how to add pics to my post, so I'll post links to a couple.

Artist: clipping. Album: There Existed an Addiction to Blood Listen/Purchase: Bandcamp Spotify Google Play Music Tidal iTunes/Apple Music YouTube Background - provided by /u/yung_hokage_stef Comprised of rapper, actor, film producer, Tony award-winning thespian and frequent Sesame Street guest Daveed Diggs, alongside noise producers Jonathan Snipes and Bill Hutson, clipping. is an experimental hip-hop group hailing from Los Angeles, California. Since their inception in 2009, the trio has steadily released numerous projects to online audiences, each receiving acclaim from music publications and experimental fans alike, and in doing so have built up one of the most unique and critically celebrated discographies of the decade. Known primarily for their incorporation of harsh noise elements, clipping. have continuously rejected the comfort of familiar time signatures, standard song structures and catchy beats in lieu of hideously distorting them beyond recognition with unlikely inspiration from early avant-garde musicians such as John Cage and Pierre Schaeffer. Ambient art rap for the apocalypse, if you may. And yet, despite their near-inhospitable soundscape, clipping. have remained firmly rooted within hip-hop, proudly embracing the genres spirit of interconnectivity, anti-establishment and DIY ethics. From collaborations ranging from Hellfyre Club to Gangsta Boo, a consistent use of out-of-the-box samples, and ever-present political undertones, clippings discography is more like the music of yesteryear reprogrammed for a digital age in which every point of history has coalesced into one. Sonic Youth spliced with ODB. Kendrick Lamar aboard the Event Horizon. And now, Afrocentric mythos on Elm Street. Though clipping. consistently push the envelope by seemingly tearing down every expectation of what rap music should be, they simultaneously harken back to its earliest and purest forms. It doesnt take long to see how Public Enemy collaborators The Bomb Squads harsh, music-concrète-inspired production holds as much influence on their sound as industrial pioneers like Throbbing Gristle. Their first release in 2013 saw the group turning West Coast hip-hop on its head with the mixtape midcity, depicting the inner-city life and gang culture of California in perhaps the most disorienting and oppressive way imaginable. The G-funk of Long Beach and the bounce of Bay Area hyphy remained only in spirit as Diggs wove nihilistic passages of drugs, sex, and violence smothered between brash walls of static and ear-piercing synths, sometimes resembing a beat. Like E-40 on a Merzbow record, this dichotomy of old-school hallmarks blended with the hellish pulse of the future was enough for midcity to garner considerable online coverage and favourable reviews despite minimal promotion. They signed to the record label Sub Pop three months later. With Sub Pops backing they wasted no time getting to work on their self-titled debut, CLPPNG, taking the ideas they had with midcity and weaving them into a more digestible offering without compromising the abrasive qualities that drew fans in initially. With the harsh noise infusion taking a slight back seat this time around, clipping. focused their efforts on earworm hooks and upbeat instrumentals that were just fringe enough to keep the party going while making you question what the hell you were listening to. If a commercial rap album was manufactured by the deep web, it would materialize as CLPPNG. Released in 2014, it would go on to receive glowing reception, finding its way onto several year-end lists. In between tours of Broadway juggernaut Hamilton where Diggs starred as both Thomas Jefferson and Marquis de Lafayette, clipping. dropped the hypersexual EP Wriggle to tide fans over until the release of their upcoming full-length, Splendor & Misery, slated to drop later that year in 2016. An Afrofuturist space opera, Splendor & Misery tells the story of a lone survivor of an uprising on board an intergalactic slave ship where the AI becomes infatuated with the protagonist. A soundtrack born from a barely living hull, the survivor wrestles between relinquishing his freedom in hopes of salvation, or sentencing himself to a lonely existence in the black ocean of space. Intertwining the slave songs of the Underground Railroad with 2001: A Space Odyssey, its an incredibly ambitious work of art that feels more like a play than an album at various points. Aside from clipping. s typical critical fanfare, Splendor & Misery would go on to receive a nomination for the Hugo Award for Best Dramatic Presentation in Short Form, the first album in the awards history to earn that honour since 1970. Aside from releasing aquatic musical novella “The Deep” in 2017 (also nominated for a Hugo Award) clipping. would remain relatively quiet for the next three years. On August 14, 2019, their vow of silence would be broken when they dropped the song “Nothing is Safe” paired with the announcement of their upcoming third studio album There Existed an Addiction to Blood. Billed as a “transmutation of horrorcore”, listeners prepared for a revisiting of classic horror tropes through the lens of clipping. s dystopian workings, supported by assisting singles “La Mala Ordina” and “Blood of the Fang”. Unleashed a few weeks later on October 18, There Existed an Addiction to Blood would arrive just in time for All Hallows Eve. Review - provided by /u/yung_hokage_stef Much discussion can be had from the title of the album alone, There Existed an Addiction to Blood. On the surface, it clearly echoes vampiric imagery, supported by the numerous wooden stakes on the albums cover. But with a few Google searches, one comes to find that the title pays homage to Bill Gunns 1973 experimental horror film Ganja & Hess, specifically a line from “The Blood of the Thing” composed by Sam Waymon for the films OST. Regarded as a landmark within African-American independent cinema, Ganja & Hess tells the story of Dr. Hess Green, an anthropologist studying an ancient civilization of blood-worshippers originating from Africa, the Myrthians. After his assistant attacks him with a Myrthian ceremonial dagger, Hess discovers his newfound immortality as a vampire, and with that an insatiable sanguine thirst. Amidst struggling to cope with his addiction, his assistants wife, Ganja, comes to Hess looking for her husband who has since killed himself. The two quickly form a bond, with Hess turning Ganja into a vampire, and they soon begin to live out their ghastly lives together. Unfortunately for Gunn, Ganja & Hess was the exact opposite of what its financiers had hoped for. Hot on the heels of box-office hits like Blacula and Blackenstein, a modest budget of 350, 000 was supplied to create a cheap, sufficient black horror film that would satisfy audiences with mainstream horror schlock and blaxploitation tropes. Instead they got a challenging, albeit rewarding piece on addiction, religion, black identity and cultural assimilation/extinction. To the chagrin of Gunn, the films producers pulled it from release shortly after its first post-Cannes Film Festival premiere, where its length was cut drastically, its name changed, its rights sold to another company, and it was ultimately forgotten (though it has found a home amongst cult audiences. Why bring all this up? Because the inspiration Gunns film has on clipping. s newest outing goes far beyond a title. Much like Ganja & Hess, There Existed an Addiction to Blood uses the classic horror iconography of violence, mortality and the paranormal as a vehicle for something far more poignant and political. Topped off with masterful storytelling, mind-bending flows and production that is both breathtaking and bone-chilling, clipping. s third LP is a contorted portrait of the fragility of life within a city stained with shit, piss, and of course, blood. In true clipping. fashion, the project begins with an “Intro” track, typically characterized by Diggs setting the stage for what's to come through snappy rapid-fire flows, essentially a capella save for some ambiance and background noise. Over the sound of what appears to be somebody digging a grave, Diggs details a rushed story in second-person about a former drug dealer haunted by past ghosts, the scent of death approaching. Aside from being an enticing introduction, if youre a first time listener its an apt summation of Diggs capabilities as an MC. In a near-robotic fashion, Diggs breakneck vocals start and stop on a dime, with the ability to switch between intricate flows fluently as his sharp, careful diction enunciates each and every word with a precision that demands your attention. Amongst clipping. s organized chaos, Diggs is alarmingly calm and calculated. While his all-too-perfect delivery has been criticized in the past for being monotone and hollow, I think its a perfect match for There Existed an Addiction to Blood s grisly themes as he approaches the macabre with the numbed ease of a seasoned killer. A testament to the trios appreciation of horror media and its history, the following 10 tracks each contain their own concepts inspired by specific films or tropes, but still ultimately come together. Take “Nothing is Safe” for example. A faithful ode to the works of John Carpenter, “Nothing is Safe” features a sparse piano-based instrumental eerily reminiscent of the score to Halloween. Continuing the Carpenter homage, Diggs bases the plotline of the track on a clever reimagining of Assault on Precinct 13, a personal favourite of his. The original film follows a team of police officers tasked with defending a defunct precinct from swarms of gang members in response to brutal police killings. The album, however, puts things in reverse. The protagonists are now gang members holed up in a trap house, taking turns keeping watch as they continue their drug-dealing duties. To the dismay of our protagonists, it's not long before things go south, starting with just one casualty, and then eventually a full-blown police raid as the surviving members are picked off one-by-one while they stare imminent death in the face. It's an excellently paced track, with Diggs nimble vocals slowly becoming more hostile as the night draws on, and when all hell breaks loose, the ominous chorus becomes backed by 80s horror movie synths. The transformation of police officers into inhuman predators is simple but effective, but it also iterates on a common thread found throughout There Existed an Addiction to Blood. For a genre that regularly defies the laws of nature, much of the horror clipping. shines a light on is all too real. The squalor of poverty, the looming threat of law enforcement, the depravity of gang conflict, the specter of white supremacy. Struggles of survival in spite of all this is what propels each individual narrative that clipping. offers here to the fullest effect. The Ed Balloon-assisted “He Dead” finds a small-time trapper on a run for his life from cops, likened to werewolves, as he scrambles to find his allegorical silver bullet amidst a sea of racist profiling and violence. An all-too-common result of the mistreatment of minorities via the powers that be, subtle nods to PTSD and anxiety are given but brushed aside as our lead shifts gears to one thing and one thing only: “stay alive at all costs”. An excerpt from Ed Balloons intro carries the point home: Cause they don't think you matter, oh no They want to take your power, oh no And make you even lesser, oh no And add you to the number Don't let them get close They're screamin' out murder You've got to be cautious Before they destroy ya Conversely, “The Show” transports us to the set of a fabled online "red room" where unlucky contestants get horrifically mutilated for the viewing pleasure of others. Equal parts Saw and Videodrome, Diggs presents the listener with gory details of his victims torture over a clunky mechanical beat of whirrs and drones. Broken bones, flayed flesh, all to the tune of paying customers, and it does a formidable job of displaying how easy it is to be dehumanized when you're merely pixels on a screen for someone else's entertainment. Now, while itd be unwise to label There Existed an Addiction to Blood as simply horrorcore, it does aim to scare, even with its heavier implications. Horror is a genre where sound design is many times more important than what's actually on screen, and with its pantheon containing some of films most iconic soundtracks and effects, one should expect an album that is equally memorable. Thankfully, the work of Snipes and Hutton on this album is brilliant, combining their trademark noise and usage of ambiance with a darker, more sinister sound pioneered from the cassettes of Memphis hip-hop. The end product is a score that is stunning, if only for how downright disturbing it manages to get. Snipes and Huttons production stays loyal to Diggs ill-omened air, elevating already-morbid vignettes into something hideously captivating. Whether an urgent tense rhythm or a drumless vacuum of dread, There Existed an Addiction to Blood s instrumentals compliment Diggs every step of the way. “Club Down”, the byproduct of Vaudeville Villain and Night of the Living Dead swapping zombies for drug addicts, is a production highlight. Diggs sets the stage for a city rife with trash, drifters, and criminal activity, and though his harrowing account does more than enough to make the listener uneasy, it's the restless, carefully built atmosphere that makes this track a standout. Beginning with hefty industrial clangs and a gravelly bassline, its not long before the odd reverb-heavy scream gets thrown into the mix. Things only ramp up from here as Diggs, certain of the citys implosion, becomes nearly enveloped by the screaming, the cries for help getting louder as the gutter rises to the surface. By the end of the track the shrieks have echoed into each other creating an endless stream of pain and suffering that doesnt let up until the very last second. Its easily the most frightening song Ive heard in recent memory, and its execution shows Snipes and Huttons understanding of the nuance it takes to craft something truly terrifying. On a lighter note, There Existed an Addiction to Blood also continues clippings tradition of inventive audio techniques. The most notable example is “Run for Your Life”, a tale in which a kleptomaniac tries to evade a murderous drug queenpin after doing her wrong. The track relies almost exclusively on ambient recordings of a downtown area, but occasionally the sound of a car driving by can be heard blasting a Three 6 Mafia-type beat from its speaker as it passes the narrator (in a recent AMA they confirmed that they actually recorded real cars driving by them playing the instrumentals. This is what serves as the rhythm for Diggs flow, and its diegetic use, along with the ambiance, brings the urban setting to life. This song isnt about somebody scrambling for survival, the song is somebody scrambling for survival. Another sonic layer is added to the fray when guest star La Chat enters. The music heard in passing becomes the backbone of the beat as La Chat raps from the perspective of the pursuer, transporting the listener into her car, the very same car from which the music was playing from earlier! While reinforcing the self-contained world building without seeming gimmicky, its an ingenious artistic choice that adds much to the track and makes it yet another highlight on the production side. Even with numerous releases under their belt at this point, its endearing to see clipping. as eager to innovate as they were when they first broke out. The hip-hop spirit that clipping. carries with themselves still rings true on There Existed an Addiction to Blood, most notably with its guest appearances. In contention for most unexpected collaboration of 2019, “La Mala Ordina” features Benny the Butcher and El Camino of Buffalos Griselda collective. A reference to the 1972 crime drama The Italian Connection, “La Mala Ordina” exposes the rap tropes of the gangster lifestyle with its harsher, more cruel realities, making several allusions to Mafia-related matters. Doing his best Leatherface impression, Diggs rhymes of cracked skulls, peeled skin and dismembered limbs like an unhinged hitman, calling out all glorified “actors” who fail to understand the gravity of the set they supposedly claim. While Camino and Benny pull off solid performances, their verses arent that much different from what they usually offer, and I do wish they played more into the theme of the track (especially with a stage name like “the Butcher”. Regardless, the fact that this pairing simply exists still makes it one of their more notable guest appearances. Painting the mob life as a grainy, sleazy slasher film and recruiting two artists that embody the mafioso styles of 90s East Coast rap is a smart concept, bridging the seemingly incompatible worlds of horror films and organized crime into something very fluid. It continues with the aforementioned La Chat feature, which has clipping. paying respect to the city where sampling Halloween is a rite of passage: Memphis, Tennessee. Host to artists such as Tommy Wright III, Al Kapone, and of course Three 6 Mafia and its associates, Memphis, while perhaps not the birth place of horrorcore, served as a breeding ground for the subgenre in the 90s. Hundreds upon hundreds of cassette tapes would spawn from the region at its peak, featuring double time flows, satanic subject matter and lo-fi production, like the audio equivalent of a cursed VHS tape. Memphis is an absolute treasure trove of the stuff, and anybody willing to dig a bit beyond the reach of modern streaming services will find a scene that is bountiful as it is twisted (in fact I even did a writeup on some lesser known tapes from the city a while back. On the topic of La Chat, her appearance on There Existed an Addiction to Blood is clipping. coming full circle, melding old-school traditions with cybernetic bedlam. Aside from her inclusion, the likes of horrorcore pioneers Geto Boys, Bone Thugs-n-Harmony and Brotha Lynch Hung can be heard all over this album in Diggs' flow, mannerisms and subject matter, revealing yet another tether that keeps the otherwise astral trio grounded. Though its packed with subliminal stances beneath all its guts and gore, There Existed an Addiction to Blood s political angles are at their most overt on “Blood of the Fang”. Returning once again to Ganja & Hess, “Blood of the Fang” samples the titular line from the films OST throughout the song, interspersed between Diggs bars and breaks in the beat. Its a fitting use, as the topic at hand is indeed a need for blood. Not involving ancient vampires however, but rather, the history of bloodlust towards African-Americans brought forth by white supremacists. In a political climate where the deep American tradition of racism has more willingly emerged from its hiding places as of late, “Blood of the Fang” is clipping. s militant call to arms against those who perpetuate it. Serving as a celebration of black empowerment by way of the Black Panther Party, Diggs pays tribute to the numerous activists who fought to reject the normalized ideals of white nationalism whilst urging others to follow suit. There are no dissenting “opinions”, respectful debates or nebulous “both sides” cop-outs. Quoting Malcolm X, Diggs reiterates that the civil liberties of black people is something that will be fought for, “by any means”. The first verse is structured as an origin story for the Black Panthers, referencing the Civil Rights Act of 1964 and the subsequent founding of the Panthers in 1966. Brief recounts of the opposition faced are alluded to, but the most striking aspect of this section is the framing used to portray the Panthers. With the opening line Drink it up, fifty years 'bout enough, time to come back. its as if Diggs is summoning them from the depths, depicting them as a primordial force amid slumber, patiently waiting in the shadows for whatever cursed act awakes them. Its an extremely powerful metaphor given that the Panthers were dissolved, but certainly not forgotten through their cultural impact, while also playing into the campy horror aesthetic. After a nod to social activist Angela Davis, the song bursts into a lively chorus sampling a work song from the Bongili people of the Congo Republic, furthering “Blood of the Fang”s Afrocentric themes. Diggs rolls with the topic of revolution, and by the third verse has assembled a newly resurrected Black Panther Party, back from the dead, unclaimed by the murderous attempts of White America. Like an undying Jason Voorhees in the eyes of racists, the reanimated likes of George Jackson and Bobby Seale to David Hillard and Afeni Shakur have risen from their graves, thirsty for blood and ready to strike. The song is a lot to grasp, squeezing several historical metaphors into three tight verses, but the hook sums it up flawlessly: Look back, blood on the ground Look straight, they still shooting' Jump back, still here Now what that tell you 'bout death? Death ain't shit, you got to- The history of black people in America is bloody to say the least, with the usual suspects being slavery and Jim Crow laws, among other things. Despite overcoming said hurdles, their long lasting effects cut deep. Whats more, in the present gun violence towards black people is still an all-too common occurrence in the form of police brutality and domestic terrorism. But still, the fight against racism persists, for not even the great equalizer of death is enough to stop those who spit in the face of oppression. It is hopeless and optimistic. Desolate and empowering. This is without a doubt one of clipping. s finest pieces. Lastly, I felt that this review wouldnt be complete without glossing over “Piano Burning”, the albums closer. Its audio of a piano. burning. For 18 minutes. This track serves as a tribute to composer Annea Lockwoods 1968 performance art piece of the same name. After contacting Lockwood herself for permission to recreate the composition, clipping. proceeded to follow its instructions and do just that. Im not going to pretend I understand it, and admittedly its something Ive only sat through once, skipping it on every subsequent listen. I doubt itll get many spins from anybody, but I do commend clipping. for adding it nonetheless. Its something that could easily be viewed as pretentious or detrimental to the albums experience, and yet, clipping. saw fit to incorporate it into their vision out of love for the music experimentation they hold so dear to themselves. As the piano is softly reduced to ash you are left with nothing but dead stillness, a ghostly but oddly welcome respite from the onslaught of death and decay you just bore witness to. For the second time this decade, clipping. have managed to take the medium of the concept album to a plane few artists would dare travel to. Lacking neither the theatrics nor the pure musical foundation to direct whatever splintered views they conjure, the trio regularly draws attention to previously dismissed perspectives while inspiring new ones. Much like a horror film, There Existed an Addiction to Blood to many will be viewed as abhorrent, distasteful and downright unenjoyable to engage with. But for those willing to stand in the crossfire of clipping. s digital warpath, an electrifying, forward thinking and politically charged love-letter to outsider art can be found. Favourite Lyrics They hunt as a pack and they packin' more firepower than you ever imagined The pack on your back rattles back and forth, no slack Go faster, go faster, they masters of trapping and You just a trapper who went for a Masters And dropped out when it didn't matter no more Your body of work didn't embody bodyin' bodies And watchin' them pile on the floor So what them books got you but dreams of everything lost? What does sleep bring you but screams at night when you toss? And turn hope into stone, your motto embossed Stay alive at all costs “He Dead” Rock, paper, ice pick, nice trick, no homonym Cutouts from a magazine, make letters for your mom n them Who remember arts and crafts, these killers is artisans With an arsenal to elevate your arteries, start again Rock, paper, zip tie, that slow burn, that drip dry That fissures in your field of vision make your world a fish-eye That round edge make it worser when the bubble burst you just cry Laid out on the floor without a tongue, trying to ask why Rock, paper, gunshot, classic out in some spots If you prefer the sweet life maybe you can die like gum drops Smooth and round and melting if you're left out when the sun's hot This is the preferred method of smart killers and dumb cops “La Mala Ordina” The symphony is tectonic, it shifts as the Earth is settlin' Precious metals are mined and a million minds have been meddlin' with time In the hopes of getting a golden noose for the neck Golden goose from a fairy tale, shittin' Fabergé eggs “Club Down” Fist in the sky if you ready, dice a ofay like confetti They thought you was playin' Though really the game was more trainin' There finna be (Blood) And much of it blues Time to fly, cause you know time fickle So cold, finna snow, swing a icicle Takin' out a police or a politician issuing a statement sayin' Turn it on a dime or get the nickel And it ain't just money, B, this ain't honey Sweet, but it's funny to think of them wantin' to speak When this pain is deep and ingrained in (Blood) “Blood of the Fang” Talking Points Much of the subject matter on this album (at least on the surface) could easily be viewed as edgy and repulsive. Do you find it easier to overlook and go along with content thats rather unpleasant when its intentionally done in the name of being scary or unsettling, much like with a horror film? Does this album have enough merit to rise above the pigeonholed categorization of a “Halloween rap album” and stand on its own, or could you only see yourself spinning this whenever October comes around? What is it about clipping. 's music that you find allows them to utilize rather outlandish backdrops (a sentient space station, the paranormal etc. in an evocative and effective manner when drawing parallels with more grounded topics such as racism or civil rights? Given that this album is heavily inspired by a cult-classic independent horror flick, are there any obscure horror films you feel more people should know about.

Watch Movie Beneath usb. Watch movie beneath us full movie. Watch Movie Beneath usa. I loved Michael. Even if he was a serial killer. He went missing one day before the police finally caught on. I had no idea. I was stunned. Not to mention betrayed. Depressed. Absolutely horrified by my husbands crimes. But what could I do? Michael and I were close but apparently, not close enough for him to draw me into his many murders. His torturous, systematic slaughter of over twenty women. Nor show me the way he photographed each and every one of them both before and after sending them to their gruesome deaths. Michael always the sadistic shutterbug. I felt for his victims and their families. I really did. I cried every night for eleven months straight. Long ago came to the conclusion I was oblivious to living with a monster. And I fucking dealt with it. I wasnt defending shit and certainly not Michael. Maybe the same psychopath who was able to lure countless women to their deaths could dupe his devoted wife? Who knew… and why was that so hard to believe? Especially with a man as sweet and handsome as him. But like buzzards, the media tore into my fragile flesh. I was The Dumb Housewife to what they dubbed The Perfect Husband. Just the dumb blonde. Nevermind, I had a PhD and worked at St. Francis hospital here in Columbus, Georgia. Goddamn social media was even worse. The abusive comments swarmed me. Everything from I was a dumb bitch to apparently an ugly old hag at forty-four. Apparently, I was so jealous of other women and all my failed pregnancies, I let Michael do the dirty work. Let him exterminate those beautiful fertile women. Yeah. This was “the narrative. ” As suspicious as they were, the police and D. A. still cleared me. But not before a final press conference where the prosecutor played the “not enough evidence” card. Just teasing the press enough for his own fifteen minutes of fame. To be able to be featured in the surefire “documentaries” where Lifetime and E! would rip me apart. How could she not know when the murders happened under their roof! In their own basement! The tabloids tormented me. More than the memories to be honest but I had no idea. Michael wasnt that way around me. I thought he was my soulmate. The love of my life. Wed met in college over twenty years ago. Both of us honor grads. At first, we bonded over photography. Nature. The arts. The very hobby that would become Michaels terrifying trademark. Michael wasnt tall but stayed in good shape. He ran everyday, and I certainly wasnt complaining when he kept his morning run ritual over the years. Like I said, he was handsome. His chiseled face complete with irresistible dimples. His brown curly hair as soft as those green eyes. When we first moved to our big house on Whitesville Road, I thought this was it. Our life was set. Michael and Sam Downing now had the American Dream. Of course, being with someone so attractive and charming only intensified my own insecurities. Even moreso once I became a suspect. A media punching bag. Only unlike O. J. and Casey Anthony, I didnt have a trial to lean on. Didnt have anything to leak out to the public. I was never given a voice. Or chance. At least the hospital stood by me. Columbus, Georgia like a support group away compared to the skeptical outside world. I guess we took care of our own out here… Regardless of whether or not my friends and family thought I helped The Perfect Husband kill those girls. Most of the time, I kept to myself. No more traveling or exploring. Instead, I just stayed inside our big brick house. Two stories of soulless superficiality. Michaels gorgeous grin still stared at me from our many photographs. His spirit stuck in every cat ornament or surreal portrait he ever bought for me. I felt him everywhere. Except the basement. I damn sure never went back there. I didnt care how much the police had collected evidence and washed out the grisly scene. I couldnt dare face the Downing slaughterhouse once more. Couldnt face the horrifying reality. What was worse was there was no closure. The cops took what they could and that was that. But Michael was still gone. Hed taken his Nikon D5 camera with him, so now wed never know how many women he killed. How many corpses hed have on display for his personal art exhibit. And I thought we probably never would. Michael was too smart. Too clever. Beneath the harassment on-line and from the paparazzi, I wilted away for another agonizing year. My blonde hair now started to grey. Bags started popping up under my eyes. Like a virus, a deadly combination of stress and mid-life crisis crashed upon my once good looks. I was far from curvy but I only grew skinnier. To my horror, even my tits started to sag. At this point, I had no chance at dating. At least, I didnt think so. No longer did I feel attractive or talented. Much less confident. When I felt at my lowest, loneliest, and yes, horniest, I sought attention on-line. All under an anonymous name. But the only compliments this desperate girl got were from the more desperate guys. Not to mention the hybristophilia-addled men and women wanting me just for my undeserved infamy. I didnt talk to hardly anyone at all. Sure, the Columbus community didnt harass or insult me. Not like the national media did. Or national zeitgeist for that matter. But no one was exactly eager to swing by my house. No one invited me over. Forget margarita nights with the co-workers, my own family didnt even have me over for Christmas. Instead, there was only one person I interacted with on a daily basis: my neighbor Sean Winslow. Nearing eighty (or at least looking it) Sean was polite and respectful. The grandfather type who never married or had kids. Like me, he was all alone. And by sheer coincidence, all the other homes on Whitesville Road barricaded themselves from their neighbors with fancy iron-pike fences and gates. Quarantining themselves from Sean and I… Not that their isolation helped while Michael was on the prowl. Especially considering how Michael kidnapped and killed Tarra Falls, one of the wealthier people out here. A mutilation by machete. Sean welcomed me back with open arms. His skin was still so smooth. His stark white hair so straight. His body muscular, his movements spry. As if wed swapped aging patterns, Sean seemed to grow younger and more spirited while I grew decrepit both inside and out. To my relief, Sean believed me because he too had been duped. Felt betrayed by the love of my life. Every weekend, Michael and I used to visit Sean. So he too had been close to this living monster. Days after the shitstorm ensued, Sean had let me stay the night at his place. Sure, maybe he was just being an old perv. This was before the stress tarnished whatever good looks I had, after all. But Sean didnt make any moves. He never did. Instead, he comforted me. There at his kitchen table, the two of us shared one of his older Cabernets. The wine warmed me from the dread. And so did Seans pleasant company. I looked out a window. Out toward the blue lights. The news vans. The media assault on 6660 Whitesville Road. An investigation still ongoing to this day. Sympathetic, Sean grabbed my hand. The supportive hold of a parent rather than a lovers lust. “Its okay, Sam, ” he told me in his genteel Southern accent. “You couldnt have known. ” I looked into his piercing hazel eyes. No longer did I cry. Not now. Not when I knew I wasnt alone. “No one could, ” Sean reassured. But then came a miserable milestone. The first of what I was sure would be a never-ending cycle of pain. One that wouldnt stop until my death. The one-year anniversary of our lives being buried. The January day Michaels darkest secrets were discovered. By me, the community, and the world. And the day Michael slaughtered my personal life. His first kill without a blade. Of course, the networks were chomping at the bit. Just passing twelve months meant more coverage, more specials. Televised investigations handled by incompetent talking heads and clickbait reporters. There would be exploitative re-enactments of Michaels methodical crimes, theories on where he is now, and theories on how I got away with murder. I had nothing new to say. I didnt know why Michael did what he did. Why he killed, why he used all sorts of vicious weapons from knives to hammers to kill so many women. Or why he used his favorite weapon of all: the Nikon. The same exact camera he used to take pictures of his bloody trophies. At the recommendation of lawyers and loved ones, I declined the biased interviews. Even when I knew that wouldnt be enough to turn down the army of press camping outside my door when the twenty-first arrived. But Sean came to the rescue. Yet again. The offer of staying at his place during this tasteless “holiday” was too much for me to pass up. An escape from both the limelight and lynch mobs. And one that was less than a hundred yards away. On that cold January dawn, I migrated inside his house. Well before the news crews and cameras began their stakeout. Before I could become prey to this malicious pop culture. Seans house was spacious. Clean. Besides the abundance of wine, he liked art as well. The many framed photographs and paintings perfect for his homemade museum. Throughout the day, we hid inside. Far from the madding media. No one bothered us. Seans security cameras scaring away even the creepy Michael Downing Fan Club. But like a ghost, Michael still haunted me. The T. V. talked about him constantly. So many stations stayed dedicated to anniversary coverage. To discuss Michael… or to accuse me. So Sean guided me back toward the kitchen table. Back to the site of our better memories. Together, we shared a few bottles of Pinot Grigio. “Well, Im glad I stole you away from them, ” Sean joked. Grinning, I took another sip. “You and me both. ” Behind a warm smile, Sean poured more into my glass. A generous helping as always. “I just got this bottle yesterday. They got that vineyard out in Albany, you know. ” “Oh really? Thats cool. ” Sean leaned back. His muscles well on display through the jeans and flannel shirt. The killer biceps. “I just wanted to mark this special occasion, I suppose, ” he joked. Even I cracked a smile. “Great idea…” “Well, I knew youd be here, ” Sean said. He leaned in closer. “I always appreciate your company, Sam. ” My eyes scanned the room. Doing everything they could to avoid the sickening soap opera outside my front yard. But the huge Keurig, the catalog of Seans nature photography did nothing to ease the anxiety. Nothing to stifle Michaels deep voice. His piercing gaze. The elegy of our good memories. “Honestly, it gets lonely out here, ” Sean went on. Feeling drunker by the second, I leaned against the table. Trying to keep myself upright. Sean shook his glass. White wine splashed out. I now realized it was a glass he hadnt touched in quite some time. Unusual considering both of us were alcoholics. “I miss the old days, Sam, ” he said, his voice sinking to a low tone. A Southern accent shifting from high exuberance to deep reflection. The drinks caught up to me. They hit so quick. So sudden. I looked over at Seans refrigerator. At the many magnets and photos. Several pics looked familiar. There was St. Simons Islands beautiful beaches, Pasoquans psychedelia in Buena Vista. The same places Michael and I loved to visit… “I miss when we could all be together, ” Sean said, his voice drifting away. “Before those amazing murders. The kills. ” My eyes drifted out of conscious. The room got blurry. Everything faded to black. The glass slipped through my hand and smashed against the marble tile. A deafening sound now reduced to a hollow echo. Through the haze, I confronted the bottle. What I was sure was drugged Albany Pinot Grigio. Sean reached toward me. “I want all of us together, Sam. ” That was the last thing I heard. I fell backward in my seat. Entered an unconscious realm. What felt like centuries was mere hours. I awoke later that night. Confused, disoriented. I knew Id been drugged. Lying on the ground, I looked all around me. Bright bulbs lit the claustrophobic room with clinical lab precision. Immediately, terror sunk in. Surrounding me were hundreds of photos. Enclosed in the gaudy frames were bodies and bodies. All of them women. Some nude, some in torn clothes. But all the girls were bound-and-gagged in duct tape. All of them dead. There were dissections, bludgeonings, decapitations. Visceral, grisly murder at the hands of many different tools. And at the hands of one horrifying serial killer: my husband. Like Michael, the Nikon D5 showed no mercy. Every corpse was captured in a captivating light. In all their disturbing glory. From the walls, the collection of corpses watched me. The few faces that werent mangled still had their eyes open in fear. The faces of death. Right by the red door was a long metal table. Its surface covered by an arsenal of vicious weapons. There were knives, machetes, axes… and gallons of dark dry blood. The blades ready to tear through flesh. And all they needed was a killers hungry touch. I now knew where I was. The houses in this neighborhood all had similar layouts. But there was no way this was my basement. Even if looked just like the scary scene police had shown me one year ago. Somehow, Sean had made a shrine to Michaels work. A terrifying tribute to his prolific serial killer career. Then a muffled cry hit me. As did a nauseating smell. Turning, I saw a red-headed woman lying a few feet away. She was bound-and-gagged in duct tape. Her ripped clothes covered in blood. Her pale body covered in bruises. She couldnt have been older than eighteen… but she still fit Michaels M. O. Or whatever the Hell Seans “type” was. The womans eyes begged me for help. She squirmed beneath the tape. Too weak to even crawl. “Oh God! ” I yelled. I jumped up and ran toward her. Desperate to help the young woman escape. Tears streamed down her eyes. Shivering, the woman struggled to move closer toward me. This up close I saw she was missing patches of skin. Her pants stained with days of piss and shit… I reached out toward her. Then the red door burst open. In came Sean. A sly smile on his handsome face. A silver hammer in his hand. A Nikon D5 in the other. Startled, I jumped back. My eyes watched Sean charging forward like a wolf ready to pounce on a vulnerable lamb. I stood petrified in fear… even as I heard the young woman shriek through that tape. Heard her body flounder on the floor. Without hesitation, Sean sunk the hammer claw straight into her face. Right between the womans screaming eyes. Blood blasted all over us. Each of us coated in a quick crimson shower. The girl fell straight back. Her body silent and still. The hammer an arrow into her foreheads bullseye. A fast flash caught the postmortem photo. The young woman now a most morbid model. Perfect for Seans morbid museum. Sean lowered the Nikon, revealing an even bigger smile. Pleased at his latest trophy. Horrified, I glared at him. “What the Hell are you doing! ” all I could scream. Seans cackle became a soundtrack to this slaughterhouse. In his death basement. Angry, I took a step toward him. “What the fucks wrong with you! ” I waved toward his latest victim. “Did yall do this together! Both of yall sick fucks! ” “Not at all! ” Sean yelled in a deep, proud voice. Crying out, I lunged toward him. Toward the old sack of shit. In one quick push, Sean pushed me straight down. His strength so sneaky. I fell hard. Groaning, I looked up at him. His muscular physique. The shoulders and chiseled chest so unnatural for someone near eighty. With a theatrical flourish, Sean withdrew a switchblade and flicked out the shiny blade. He set his hungry sights on me. “Ive been waiting a long time for this, Sam. ” Disturbed, I watched him lean in toward me. But inside, I built up courage. Or at least tried to. “You have no idea, ” Sean went on. He put the blade to my face. Faint blood stains were all over the fucking thing. Bits of female flesh included. I suppressed the tears. But stayed sickened by everything around me. “I want you…” Sean teased. Embracing anger, I threw a first punch. Right at Seans nose. My aim perfect. Covering his face, Sean staggered back. “Aw, fuck! ” Then I looked on. Simultaneously stunned and scared. Unable to move. To make a sound. There stood Sean, clutching his bloodied nose and dangling, filleted flesh. The long strands of skin like shredded paper. He glared at me behind one green eye and one brown one. Through the blood, pale powder smeared across his hands. Red rain had washed away the disguise. And now it was all clear. Especially when I saw that hazel contact lying by Michaels latest victim. Raising the switchblade, my husband confronted me. Standing tall in the death room hed recreated in Seans basement. A sadistic smirk now plastered on his face. “Looks like were together again, Sam! ” his deep voice bellowed. “Right where I always wanted you. ” I staggered to my feet. Too nervous to stop the chills but too upset to shed tears. “Why, Michael! ” I yelled. With cool indifference, Michael ripped off the remaining latex. The make-up now wiped clean to reveal the face of a cold-blooded killer. Fake skin still dripped off Michaels fingertips. But his grip on that blade stayed steady. On the camera as well. “Why are you doing this! ” I hurled at him. Michael took a calm step toward me. “I had to escape, babe. ” Both his hands now grabbed on to the Nikon as he got closer and closer. “So I did the only thing I could. I came here. ” This Michael was similar sure. Still handsome and charismatic. Still the man I married. But deep down, I felt dread. Disgust at the Michael Downing who fooled me. The Perfect Husband I didnt know. Betrayal battered my senses, but I wasnt gonna cry. Not over him. Not ever again. Just inches away, Michael pointed the camera at me. A crude spotlight for my fear. “I killed Sean, ” Michael went on. “It was tough but I had no choice. You know Im not crazy about killing dudes, Sam. ” I just glared at him. Watched Michael as he got ready to take a photo. “Happy anniversary, babe, ” Michael teased. There right in front of me, he took the picture. With no regard for Sam. For all the years I loved him. Instead, I was just another temporary thrill. Yet another victim. Grinning, Michael lowered the camera. “Oh, Ill take my time with you, Sam. ” I stood there, silent and still. I felt violated, sickened. Hurt. Cringing, I let Michael caress my face for one final time. “Just like I always wanted to, ” Michael said. Relishing the torture, he leaned in close. His movements soft and slow. “Now how about a kiss for The Perfect Husband, babe. ” I then made my move. A quick punch into Michaels firm chest. My long year of agony now released in that one act of violence. Groaning, Michael fell to his knee. He dropped the knife. My onslaught continued. I just laid into him. One hit after the other. Now I was glad to have kept the wedding ring on… more force for that left-handed hook. Michaels muscular frame hit the ground. Lying parallel to his last victim. Two bodies for this basement funeral. A funeral for my ruined past. For my shattered dreams. Crying out, Michael struggled on the ground. His face battered and bruised. Blood pouring from his broken nose. Power surged through me. Strength. Confidence. All the violence sent me into a pure state of euphoria. The most pleasure I felt since the honeymoon stage... Excited, I snatched up the Nikon from Michaels weakened grasp. Aimed it at him as if the camera were a pistol. The smile long gone, Michael glowered at me. “You bitch! ” he cried. “You fucking bitch! Gimme that! Defiant for the first time in this horror movie marriage, I held the camera steady. The lens more unflinching than my harsh gaze. “Gimme the fucking camera! ” Michael yelled. Rage won out. As did desire. I snapped my first death portrait. But did you really think Id turn Michael in? Expose his existence for all the world to see. Clear my name for these fucking assholes? Of course not. Sure, I ended up dumping Carla Dowses body off on Whittlesey Boulevard. A chance for her family to get the closure I finally got… But I did nothing with Seans place. Nothing other than take a few souvenirs with me. Months later, and the kills still keep me aroused. Keep me excited. I think about those tied-up bodies. The naked young men helpless to my touch. Their blood, the slow slaughters. The way the boys flinch when I take that fun first photo. And then how I position their beautiful corpses for the even more fun final shoot. Photography hasnt been this exhilarating since college, Ill tell you that. I renovated my basement. Now its my death room rather than Michaels. Sure, I got a similar layout. A pink wooden table full of vicious sharp blades at my disposal. But at least I keep the slaughterhouse stylized. I love the pink wallpaper. The psychedelic (now blood-stained) rugs. But most of all its my personal museum. The framed photos of dead hot guys running up and down those walls are my victims. Not to mention my newfound pride and joy. The fetish I never knew I had. Late at night, Ill fall asleep thinking about the kills. Fantasize over them. Salivate over taking those pictures. Dream about murdering those fineass men. By now, the photos of Michael and I are gone. Everything that reminded me of him are gone with them. The cat figurines, the surreal portraits. This is my house now. Especially that Goddamn basement: Sams Slaughterhouse. The only thing Michael has left me is himself. The crumpled prisoner in my death room. Like an entrapped lab rat, he just lies there in duct tape. Too beaten and bloodied to do anything. Both his Achilles are sliced, his tongue ripped out, fingers lopped off. I dont mind toying with him from time to time. But I do have other studs to tend to… more alluring hotties to play with. Their photos now form my basement trophy case. That Nikon my deadliest weapon of all. I understand Michaels desire now. I get why he was a serial killer. The same motive fuels my bloodlust in the basement and in bed. What I do behind that big red door gives me exhilaration, an escape from the boredom. So much pleasure I carry it with me to the bedroom every single night… Now I never feel lonely. After so many murders, I feel better. The carnage a catharsis for my confidence. Ive matched Michaels strength. Now muscular and fit, I look amazing. The blonde hair is back. The wrinkles held at bay. I look ten years younger, and I use my attractive looks to my advantage. Just like Michael did. In the basement, I scan the many framed photos. The many victims Ill be thinking of later tonight. And the same murders Ill be dreaming over for eternity. I steal a look at my unconscious husband. Divorce closer than ever considering Michaels dying state. His cuts and scars have only been growing deeper these past few days. Then my eyes drift toward Adam. The college kid I picked up last week. A jock with a nice smile and long black hair. The slit throat now made him even prettier. So did the blood all over that amazing body. A perfect picture for my gallery. A sharp vibration cut through my admiration. A phone call from my latest date: Johnny Cullen. He was acute, skinny black guy in his thirties. One with a sympathetic heart I couldnt wait to carve out. Dressed to kill, I turned toward the table. Toward the butcher knife I planned on using later. Not to mention the other tools forming my hardware horror fantasies. The media always wanted me to be a killer. And so did the rest of the world. Even Columbus, Georgia. Even my friends and family. And now… well. I was gonna give them that bitch. Meet Sam Downing. Photographer and serial killer. The Perfect Wife. 14.

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